The Secret Agent by Joseph Conrad

killed so easily. He had been the master of a house, the husband

of a woman, and the murderer of her Stevie. And now he was of no

account in every respect. He was of less practical account than

the clothing on his body, than his overcoat, than his boots – than

that hat lying on the floor. He was nothing. He was not worth

looking at. He was even no longer the murderer of poor Stevie.

The only murderer that would be found in the room when people came

to look for Mr Verloc would be – herself!

Her hands shook so that she failed twice in the task of refastening

her veil. Mrs Verloc was no longer a person of leisure and

responsibility. She was afraid. The stabbing of Mr Verloc had

been only a blow. It had relieved the pent-up agony of shrieks

strangled in her throat, of tears dried up in her hot eyes, of the

maddening and indignant rage at the atrocious part played by that

man, who was less than nothing now, in robbing her of the boy.

It had been an obscurely prompted blow. The blood trickling on the

floor off the handle of the knife had turned it into an extremely

plain case of murder. Mrs Verloc, who always refrained from

looking deep into things, was compelled to look into the very

bottom of this thing. She saw there no haunting face, no

reproachful shade, no vision of remorse, no sort of ideal

conception. She saw there an object. That object was the gallows.

Mrs Verloc was afraid of the gallows.

She was terrified of them ideally. Having never set eyes on that

last argument of men’s justice except in illustrative woodcuts to a

certain type of tales, she first saw them erect against a black and

stormy background, festooned with chains and human bones, circled

about by birds that peck at dead men’s eyes. This was frightful

enough, but Mrs Verloc, though not a well-informed woman, had a

sufficient knowledge of the institutions of her country to know

that gallows are no longer erected romantically on the banks of

dismal rivers or on wind-swept headlands, but in the yards of

jails. There within four high walls, as if into a pit, at dawn of

day, the murderer was brought out to be executed, with a horrible

quietness and, as the reports in the newspapers always said, “in

the presence of the authorities.” With her eyes staring on the

floor, her nostrils quivering with anguish and shame, she imagined

herself all alone amongst a lot of strange gentlemen in silk hats

who were calmly proceeding about the business of hanging her by the

neck. That – never! Never! And how was it done? The

impossibility of imagining the details of such quiet execution

added something maddening to her abstract terror. The newspapers

never gave any details except one, but that one with some

affectation was always there at the end of a meagre report. Mrs

Verloc remembered its nature. It came with a cruel burning pain

into her head, as if the words “The drop given was fourteen feet”

had been scratched on her brain with a hot needle. “The drop given

was fourteen feet.”

These words affected her physically too. Her throat became

convulsed in waves to resist strangulation; and the apprehension of

the jerk was so vivid that she seized her head in both hands as if

to save it from being torn off her shoulders. “The drop given was

fourteen feet.” No! that must never be. She could not stand THAT.

The thought of it even was not bearable. She could not stand

thinking of it. Therefore Mrs Verloc formed the resolution to go

at once and throw herself into the river off one of the bridges.

This time she managed to refasten her veil. With her face as if

masked, all black from head to foot except for some flowers in her

hat, she looked up mechanically at the clock. She thought it must

have stopped. She could not believe that only two minutes had

passed since she had looked at it last. Of course not. It had

been stopped all the time. As a matter of fact, only three minutes

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