The Source by Brian Lumley

Vyotsky rode closer, revved up until sixty showed on his clock and the bike throbbed under him. The ride was smooth as silk, but even so, aiming the SMG would not be easy. It would be, literally, hit or miss. But he did have the element of surprise, or if not surprise, shock at least. What must the Englishman be thinking now, he wondered, to see this powerful machine bearing down on him?

He’s a little less than half a mile away, Jazz was thinking. Thirty seconds. He got down on one knee, turned his body side-on so as to decrease his target silhouette, turned his gun in Vyotsky’s direction. Not that he intended to shoot at him, just make him a little nervous.

A quarter-mile to go, and Vyotsky’s face a mask of hatred where he thundered to the attack. But . . . suddenly his quarry had grown smaller, he’d gone down on one knee. And at the same time Vyotsky saw the scene on the other side of the Gate. For a moment it threw him, but then he returned his concentration to what he was doing, namely: hunting down this British bastard to the death! He began to move his knees, shift his body-weight, give the bike something of a slow wobble; and at the same time he commenced firing single shots in Jazz’s direction.

One hundred and fifty yards, and Jazz held his fire. He hadn’t even released the safety-catch, hadn’t cocked the weapon. It seemed obvious that the crazy Russian intended to run him down; Vyotsky was relying on Jazz losing his nerve and making a run for it, trying to get out of the way. But Jazz had some ideas of his own. Finally he clicked off the safety-catch, cocked the weapon, re-sighted and . . . waited. For if he was correct it would be useless to fire anyway.

Fifty yards, and Vyotsky firing on automatic, a stream of lead that buzzed and plucked at the air all about Jazz, too close for comfort. And at the last possible moment he hurled himself to one side. Vyotsky’s bike careened by him; its rider threw it into a steep, banking turn; the bike stood on its nose and hurled him out of the saddle!

Then machine and rider were somersaulting in different directions, and Jazz walked carefully forward toward them, and toward the scene looming on the other side of the Gate. Miraculously, Vyotsky came to the end of his skidding and tumbling and found himself virtually unharmed. The ‘ground’ here was obviously different. He had bruises and one sleeve of his combat suit was torn where he’d put his elbow through it, but that was all. He climbed shakily to his feet, stared unbelievingly at the Englishman maybe fifteen paces away where he walked toward him. ‘Hello there, Ivan!’ Jazz called out. ‘I see you got here the easy way.’

Vyotsky grabbed up his weapon, checked it was undamaged, aimed at his oncoming enemy. Why was the stupid bastard grinning like that? Because of the accident? He’d found it amusing? The bike must have blown a tyre or something; but Simmons, he must have blown his mind! He wasn’t even defending himself; he merely cradled his gun in his arms, came forward at a casual stroll.

‘British, you’re dead!’ said Vyotsky. He deliberately lowered his aim – to chew up the other’s thighs, groin and belly – and squeezed the trigger. The weapon was on automatic. It fired three stuttering shots before Vyotsky’s finger was jerked from the trigger, which happened when the gun slammed into his chest and sent him crashing backwards to sprawl on the floor. Vyotsky felt as if his chest had caved in, as if his ribs were broken; possibly one or two of them were.

Lying there hugging himself, gritting his teeth and murmuring, ‘Ah! Ah.r from the pain, he looked at Jazz. In the distance between them, three bullets were plainly visible lying on the floor. The SMG had ‘fired’ them insofar as they’d escaped from its barrel, but only just. And that had resulted in three mighty mule-kicks coming in rapid succession, blows which even the huge Russian’s bulk hadn’t been fully able to absorb.

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