The Wamphyri warrior was calling to his mount, harsh, agonized orders which it heard and obeyed. The bulk of its grey body seemed to shrivel while its wings extended into huge sails. It beat them upon the air, flattening out even as it lifted off. Thrust aloft on what seemed to Vyotsky a nest of vast pink worms that uncoiled like springs to give it lift, it was like a huge sheet of lumpy, leprous canvas in the air. Its worm boosters retracted into it, and it came gliding overhead with its manta tail extended, lashing from side to side. As its body took back a little bulk and the wings commenced to beat, so the eyes along its belly reformed, all of them ogling in various directions. Then they spied and fastened on the Russian.
Vyotsky backed off. The flying creature fell toward him; its fish-like shadow overtook him, black as ink; its rubbery underside opened up into a great mouth or pouch lined with barbs. Vyotsky stumbled, began to fall. With a rush of air that carried an unbelievable stench the thing was on him. A flap of flesh scooped him up, cartilage hooks caught in his clothing and cold, clammy darkness compressed him.
His finger was still on the stud of the flame-thrower but he daren’t squeeze it. Do that here, inside the creature, and he’d only succeed in frying himself! There was air to breathe but it was fetid, vile. The whole experience was a livid, living, claustrophobic nightmare that went on and on and –
The creature’s gasses worked on him like an anaesthetic. Hardly knowing he was losing consciousness, Vyotsky blacked out . . .
For Jazz Simmons, ‘in the thick of it’ meant about five seconds in which to make up his mind; it was what might have been if Zek Foener hadn’t been there to advise him. He’d made his mind up in two seconds, and as shadows began separating from the main shadow of the cliff was on the point of turning decision to action when she cautioned him with: ‘Jazz – don’t shoot!’
‘What!’ he was incredulous. The shadows were men who came loping to surround the pair. ‘Don’t shoot? Do you know these people?’
‘I know they won’t harm us – ‘ she breathed, ‘that we’re more valuable to them alive than dead – and that if you fire a single shot you’ll not live to hear its echoes! There’ll be a half-dozen arrows and spears lined up on you right now. Probably on me, too.’
Jazz put up his gun, but slowly, grudgingly. This is what’s called faith in your friends,’ he growled, without humour. And he looked at the wary, crouching gang of men who surrounded them. One of them finally straightened up, stuck his chin out, addressed Zek. He spoke in a harsh gabble, a dialect or tongue which for all the world Jazz felt he should recognize. And Zek answered in a tongue he did recognize. Recognition at least, if nothing more. It was a very basic, somewhat disjointed Romanian!
‘Ho, Arlek Nunescu!’ she said, and: Tear down the mountains and let the sun melt the castles of the Wamphyri, but what’s this!? Do you waylay and molest fellow Travellers?’
Now that Jazz knew the tongue, he could more readily concentrate on understanding it. His knowledge of the Romantic languages was slight but not entirely without value. Some of it came from his father, a little less from his later academic studies, the rest he supposed from instinct; but he’d always had a ‘thing’ for languages anyway.
The man Arlek – indeed, all of these men ringing them in, and others where they now came out of hiding – were Gypsies. That was Jazz’s first impression: that they were Romany. It was stamped into them and just as recognizable as it would be in the world now left behind, on the other side of the Gate. Dark-haired, jingling, lean and swarthy, they wore their hair long and greased and their clothes loosely and with something of style and flair. The one thing about them that struck a wrong chord was the fact that several of them carried crossbows, and others were armed with sharpened hardwood staves. Apart from that, Jazz had seen the like of these people in countries all over the world – the old world, anyway.