THE SUMMER TREE by Guy Gavriel Kay

Though truly he would try: for the old King, and the slain farmer, and the faces he’d seen on the roads. Better to die for a reason, and with what one could retain of pride. Better, surely, though he could not say why.

Now I give you to Mörnir, Ailell had said. Which meant he was a gift, an offering, and it was all waste if he died too soon. So he had to hold to life, hold the wall, hold for the God, for he was the God’s to claim, and there was thunder now. It seemed at times to come from within the Tree, which meant, in the way of things, from within himself. If only there could be rain before he died, he might find some kind of peace at the end. It had rained, though, when she died, it had rained all night.

His eyes were hurting now. He closed them, but that was no good, either, because she was waiting there, with music. Once, earlier, he had wanted to call her name in the wood, as he had not beside the open grave, to feel it on his lips again as he had not since; to burn his dry soul with her. Burn, since he could not cry.

Silence, of course. One did not do any such thing. One opened one’s eyes instead on the Summer Tree, in the deep of Mörnirwood, and one saw a man come forward, from among the trees.

It was very dark, he could not see who it was, but the faint starlight reflected from silver hair and so he thought. . . .

“Loren?” he tried, but scarcely any sound escaped his cracked lips. He tried to wet them, but he had no moisture, he was dry. Then the figure came nearer, to stand in the starlight below where he was bound, and Paul saw that he had been wrong. The eyes that met his own were not those of the mage, and, looking into them, he did know fear then, for it should not end so, truly it should not. But the man below stood as if cloaked in power, even in that place, even in the glade of the Summer Tree, and in the dark eyes Paul saw his death.

Then the figure spoke. “I cannot allow it,” he said, with finality. “You have courage, and something else, I think. Almost you are one of us, and it might have been that we could have shared something, you and I. Not now, though. This I cannot allow. You are calling a force too strong for the knowing, and it must not be wakened. Not when I am so near. Will you believe,” the voice said, low and assured, “that I am sorry to have to kill you?”

Paul moved his lips. “Who?” he asked, the sound a scrape in his throat.

The other smiled at that. “Names matter to you? They should. It is Galadan who has come, and I fear it is the end.”

Bound and utterly helpless, Paul saw the elegant figure draw a knife from his belt. “It will be clean, I promise you,” he said. “Did you not come here for release? I will give it to you.” Their eyes locked once more. It was a dream, it was so like a dream, so dark, blurred, shadowed. He closed his eyes; one closed one’s eyes to dream. She was there, of course, but it was ending, so all right then, fine, let it end on her.

A moment passed. No blade, no severing. Then Galadan spoke again, but not to him, and in a different voice.

“You?” he said. “Here? Now I understand.”

For reply there came only a deep, rumbling growl. His heart leaping, Paul opened his eyes. In the clearing facing Galadan was the grey dog he had seen on the palace wall.

Gazing at the dog, Galadan spoke again. “It was written in wind and fire long ago that we should meet,” he said. “And here is as fit a place as any in all the worlds. Would you guard the sacrifice? Then your blood is the gateway to my desire. Come, and I shall drink it now!”

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