THE SUMMER TREE by Guy Gavriel Kay

Paul looked up, beyond surprise, beyond disbelief; the sacrifice, the shell. Rain to be. And in that moment it seemed to him as if he heard a voice, in the sky, in the wood, in the running of his own moon-colored blood, and the voice spoke so that all the trees vibrated like living wands to the sound:

It was not so, will not have been so.

And when the reverberations ceased, Paul was on the highway again, Rachel with him in the rain. And once more he saw the Mazda blow and skid into the Ford. He saw the spinning, impossible obstruction.

He saw twelve inches’ clearance on the left.

But Dana was with him now, the Goddess, taking him there to truth. And in a crescendo, a heart-searing blaze of final dispensation, he saw that he had missed the gap, and only just, oh, only just, not because of any hesitation shaped by lack of desire, by death or murder wish, but because, in the end, he was human. Oh, lady, he was. Only, only human, and he missed because of hurt, grief, shock, and rain. Because of these, which could be forgiven.

And were, he understood. Truly, truly were.

Deny not your own mortality. The voice was within him like a wind, one of her voices, only one, he knew, and in the sound was love, he was loved. You failed because humans fail. It is a gift as much as anything else.

And then, deep within him like the low sound of a harp, which no longer hurt, this last: Go easy, and in peace. It is well.

His throat ached. His heart was a bound, constrained thing too large for him, for what was left of his body. Dimly, through the risen mist, he saw a figure at the edge of the glade: in the form of a man, but bearing the proud antlers of a stag, and through the mist he saw the figure bow to him and then disappear.

Time was.

The pain was gone. His being was shaped of light, he knew his eyes were shining. He had not killed her, then: it was all right. It was loss, but loss was allowed, it was demanded. So much light, there seemed to be, even in that moment when the mist rose to his feet.

And at last it came, at last, sweet, sweet release of mourning. He thought of Kevin’s song then, remembered it with love: There will come a tomorrow when you weep for me.

Tomorrow. And so. So. It seemed that this was tomorrow, and here at the end, at the last, he was weeping for Rachel Kincaid who had died.

So Paul cried on the Summer Tree.

And there came then a roll of thunder like the tread of doom, of worlds cracking asunder, and the God was there in the glade, he had come. And he spoke again, in his place, in the one unchanging voice that was his, and forged by the power of that thundering, the mist began to flow together then, faster and faster, to the one place, to the Summer Tree.

Upwards it boiled, the mist of the Godwood, up through the sacrifice, the great trunk of the Tree, hurled into the night sky by the God like a spear.

And in the heavens above Brennin, as the thunder crashed and rolled, suddenly there were clouds piling higher and higher upon each other, spreading from the Mörnirwood to cover all the land.

Paul felt it going. Through him. His. His and the God’s. Whose he was. He felt the tears on his face. He felt himself claimed, going, mist boiling through him, ravens rising to fly, the God in the Tree, in him, the moon above the clouds riding in and out, never lost, Rachel, the Summer Tree, the wood, the world, and oh, the God, the God. And then one last thing more before the dark.

Ram, rain, rain, rain, rain.

In Paras Derval that night the people went down into the streets. In villages all over Brennin they did so, and farmers bore their children out of doors, only half awake, that they might see the miraculous moon that was answer of the Mother to the fire of Maugrim, and that they might feel upon their faces and remember, though it might seem to them a dream, the return of rain, which was the blessing of the God upon the Children of Mörnir.

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