The Tombs of Atuan by Ursula K. Le Guin

His movements were listless. He was very different, after these three nights and days, from the figure that had stood lithe and calm before the iron door and laughed at his own defeat. He was still obstinate, but the power was gone out of him. He had no spell to stir those stones aside, but must use his useless knife. Even his sorcerer’s light was wan and dim. As Arha watched, the light flickered; the man’s head jerked and he dropped the dagger. Then doggedly he picked it up and tried to force the broken blade between the stones.

Lying among ice-bound reeds on the riverbank, unconscious of where she was or what she was doing, Arha put her mouth to the cold mouth of rock, and cupped her hands around to hold the sound in. “Wizard!” she said, and her voice slipping down the stone throat whispered coldly in the tunnel underground.

The man started and scrambled to his feet, so going out of the circle of her vision when she looked for him. She put her mouth to the spy hole again and said, “Go back along the river wall to the second turn. The first turn right, miss one, then right again. At the Six Ways, right again. Then left, and right, and left, and right. Stay there in the Painted Room.”

As she moved to look again, she must have let a shaft of daylight shoot through the spy hole into the tunnel for a moment, for when she looked he was back in the circle of her vision and staring upwards at the opening. His face, which she now saw to be scarred in some way, was strained and eager. The lips were parched and black, the eyes bright. He raised his staff, bringing the light closer and closer to her eyes. Frightened, she drew back, stopped the spy hole with its rock lid and litter of covering stones, rose, and went back swiftly to the Place. She found her hands were shaky, and sometimes a giddiness swept over her as she walked. She did not know what to do.

If he followed the directions she had given him, he would come back in the direction of the iron door, to the room of pictures. There was nothing there, no reason for him to go there. There was a spy hole in the ceiling of the Painted Room, a good one, in the treasury of the Twin Gods’ temple; perhaps that was why she had thought of it. She did not know. Why had she spoken to him?

She could let a little water for him down one of the spy holes, and then call him to that place. That would keep him alive longer. As long as she pleased, indeed. If she put down water and a little food now and then, he would go on and on, days, months, wandering in the Labyrinth: and she could watch him through the spy holes, and tell him where water was to be found, and sometimes tell him falsely so he would go in vain, but he would always have to go. That would teach him to mock the Nameless Ones, to swagger his foolish manhood in the burial places of the Immortal Dead!

But so long as he was there, she would never be able to enter the Labyrinth herself. Why not? she asked herself, and replied- Because he might escape by the iron door, which I must leave open behind me… But he could escape no farther than the Undertomb. The truth was that she was afraid to face him. She was afraid of his power, the arts he had used to enter the Undertomb, the sorcery that kept that light burning. And yet, was that so much to be feared? The powers that ruled in the dark places were on her side, not his. Plainly he could not do much, there in the realm of the Nameless Ones. He had not opened the iron door; he had not summoned magic food, nor brought water through the wall, nor conjured up some demon monster to break down the walls, all of which she had feared he might be able to do. He had not even found his way in three days’ wandering to the door of the Great Treasury, which surely he had sought. Arha herself had never yet pursued Thar’s directions to that room, putting off and putting off the journey out of a certain awe, a reluctance, a sense that the time had not yet come.

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