THE WANDERING FIRE by Guy Gavriel Kay

It was a smooth path, and the downward slope was gentle. With his hands outstretched, he could feel the walls on either side. He had a sense that the roof of the cave was high, but it was truly dark and he couldn’t see.

His heart seemed to have slowed and his palms were dry, though there was a dampness to the rough walls. The blackness was the hard thing, but he knew, as much as he had ever known anything, that he had not come so far only to trip and break his neck on a dark path.

He went on for a long time, how long he didn’t know. Twice the walls came very close together, forcing him to turn sideways to pass through. Once something flying in the dark passed very near him, and he ducked belatedly with a primitive fear. This passed, though, it all passed. Eventually the corridor bent sharply right, and down, and in the distance Kevin saw a glow of light.

It was warm. He undid another button of his shirt and then, on impulse, took it off. He looked up. Even with the new light, the roof of the cave was so high it was lost in the shadows. The path widened now, and there were steps. He counted, for no good reason. The twenty-seventh was the last; it took him out of the path to the edge of a huge round chamber that glowed with an orange light from no source he could see.

He stopped on the threshold, instinctively, and as he did so the hair rose up on the back of his neck and he felt the first pulse—not a surge yet, though he knew it would come—of power in that most holy place, and in him the form the power took was, at last, desire.

“Bright your hair and bright your blood,” he heard. He spun to his right.

He hadn’t seen her, and wouldn’t have had she not spoken. Barely three feet away from him there was a crude stone seat carved roughly into the rock face. On it, bent almost double with age, sat a withered, decrepit old crone. Her long stringy hair hung in unkempt yellow-grey whorls down her back and on either side of her narrow face. With knobbed hands, as deformed as her spine, she worked ceaselessly away at a shapeless knitting. When she saw him startle she laughed, opening wide her toothless mouth with a high, wheezing sound. Her eyes, he guessed, had once been blue, but they were milky and rheumy now, dimmed by cataracts.

Her gown would long ago have been white, but now it was stained and soiled an indeterminate shade and torn in many places. Through one tear he saw the slack fall of a shrunken breast.

Slowly, with uttermost deference, Kevin bowed to her, guardian of the threshold in this place. She was laughing still when he rose. Spittle rolled down her chin.

“It is Maidaladan tonight,” he said.

Gradually she quieted, looking up at him from the low stone seat, her back so bent she had to twist her neck sideways to do so. “It is,” she said. “The Night of the Beloved Son. It is seven hundred years now since last a man came calling on Midsummer’s Eve.” She pointed with one of her needles, and Kevin looked on the ground beside her to see crumbled bones and a skull.

”I did not let him pass,” the crone whispered, and laughed.

He swallowed and fought back fear. “How long,” he stammered, “how long have you been here?”

“Fool!” she cried, so loudly he jumped. Foolfoolfoolfool reverberated in the chamber, and high above he heard the bats. “Do you think I am alive?”

Alive alive alive alive, he heard, and then heard only his own breathing. He watched the crone lay her knitting down beside the bones at her feet. When she looked up at him again she held only one needle only, long and sharp and dark, and it was trained on his heart. She chanted, clearly but soft, so there was no echo:

“Bright your hair and bright your blood,

Yellow and red for the Mother.

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