An old proverb says, “Like master, like man.” Let us pass, then, from the valet of Athos to the valet of Porthos, from Grimaud to Mousqueton.
Mousqueton was a Norman, whose pacific name of Boniface his master had changed into the infinitely more sonorous name of Mousqueton. He had entered the service of Porthos upon condition that he should only be clothed and lodged, though in a handsome manner; but he claimed two hours a day to himself, consecrated to an employment which would provide for his other wants. Porthos agreed to the bargain; the thing suited him wonderfully well. He had doublets cut out of his old clothes and cast-off cloaks for Mousqueton, and thanks to a very intelligent tailor, who made his clothes look as good as new by turning them, and whose wife was suspected of wishing to make Porthos descend from his aristocratic habits, Mousqueton made a very good figure when attending on his master.
As for Aramis, of whom we believe we have sufficiently explained the character–a character which, like that of his lackey was called Bazin. Thanks to the hopes which his master entertained of someday entering into orders, he was always clothed in black, as became the servant of a churchman. He was a Berrichon, thirty-five or forty years old, mild, peaceable, sleek, employing the leisure his master left him in the perusal of pious works, providing rigorously for two a dinner of few dishes, but excellent. For the rest, he was dumb, blind, and deaf, and of unimpeachable fidelity.
And now that we are acquainted, superficially at least, with the masters and the valets, let us pass on to the dwellings occupied by each of them.
Athos dwelt in the Rue Ferou, within two steps of the Luxembourg. His apartment consisted of two small chambers, very nicely fitted up, in a furnished house, the hostess of which, still young and still really handsome, cast tender glances uselessly at him. Some fragments of past splendor appeared here and there upon the walls of this modest lodging; a sword, for example, richly embossed, which belonged by its make to the times of Francis I, the hilt of which alone, encrusted with precious stones, might be worth two hundred pistoles, and which, nevertheless, in his moments of greatest distress Athos had never pledged or offered for sale. It had long been an object of ambition for Porthos. Porthos would have given ten years of his life to possess this sword.
One day, when he had an appointment with a duchess, he endeavored even to borrow it of Athos. Athos, without saying anything, emptied his pockets, got together all his jewels, purses, aiguillettes, and gold chains, and offered them all to Porthos; but as to the sword, he said it was sealed to its place and should never quit it until its master should himself quit his lodgings. In addition to the sword, there was a portrait representing a nobleman of the time of Henry III, dressed with the greatest elegance, and who wore the Order of the Holy Ghost; and this portrait had certain resemblances of lines with Athos, certain family likenesses which indicated that this great noble, a knight of the Order of the King, was his ancestor.
Besides these, a casket of magnificent goldwork, with the same arms as the sword and the portrait, formed a middle ornament to the mantelpiece, and assorted badly with the rest of the furniture. Athos always carried the key of this coffer about him; but he one day opened it before Porthos, and Porthos was convinced that this coffer contained nothing but letters and papers–love letters and family papers, no doubt.
Porthos lived in an apartment, large in size and of very sumptuous appearance, in the Rue du Vieux-Colombier. Every time he passed with a friend before his windows, at one of which Mousqueton was sure to be placed in full livery, Porthos raised his head and his hand, and said, “That is my abode!” But he was never to be found at home; he never invited anybody to go up with him, and no one could form an idea of what his sumptuous apartment contained in the shape of real riches.