Through the Gates of the Silver Key by H.P. Lovecraft

“The Man of Truth is beyond good and evil,” in-toned voice that was not a voice. ‘The Man of Truth has ridden to All-Is-One. The Man of Truth has learned that Illusion is the One Reality, and that Substance is the Great Impostor.”

And now, in that rise of masonry to which his eyes had been so irresistibly drawn, there appeared the outline of a titanic arch not unlike that which he thought he had glimpsed so long ago in that cave within a cave, on the far, unreal surface of the three-dimensioned Earth. He realized that he had been using the silver key — moving it in accord with an unlearned and instinctive ritual closely akin to that which had opened the Inner Gate. That rose-drunken sea which lapped his cheeks was, he realized, no more or less than the adamantine mass of the solid wall yielding before his spell, and the vortex of thought with which the Ancient Ones had aided his spell. Still guided by instinct and blind deter-mination, he floated forward — and through the Ultimate Gate.

chapter four

Randolph Carter’s advance through the cyclopean bulk of masonry was like a dizzy precipitation through the measureless gulfs between the stars. From a great distance he felt triumphant, godlike surges of deadly sweetness, and after that the rustling of great wings, and impressions of sound like the chirpings and murmurings of objects unknown on Earth or in the solar system. Glancing backward, he saw not one gate alone but a multiplicity of gates, at some of which clamoured Forms he strove not to remember.

And then, suddenly, he felt a greater terror than that which any of the Forms could give — a terror from which he could not flee because it was connected with himself. Even the First Gateway had taken something of stability from him, leaving him uncertain about his bodily form and about his relationship to the mistily defined objects around him, but it had not disturbed his sense of unity He had still been Randolph Carter, a fixed point in the dimensional seething. Now, beyond the Ultimate Gateway, he realized in a moment of consuming fright that he was not one person, but many persons.

He was in many places at the same time. On Earth, on October 7, 1883, a little boy named Randolph Carter was leaving the Snake Den in the hushed evening light and running down the rocky slope, and through the twisted-boughed orchard toward his Uncle Christopher’s house in the hills beyond Arkham; yet at that same moment, which was also somehow in the earthly year of 1928, a vague shadow not less Randolph Carter was sitting on a pedestal among the Ancient Ones m Earth’s transdimensional extension, Here, too, was a third Randolph Carter, in the unknown and formless cosmic abyss beyond the Ultimate Gate. And elsewhere, in a chaos of scenes whose infinite multiplicity and monstrous diversity brought him close to the brink of madness, were a limitless confusion of beings which he knew were as much himself as the local manifestation now beyond the Ultimate Gate.

There were Carters in settings belonging to every known and suspected age of Earth’s history, and to remoter ages of earthly entity transcending knowledge, suspicion, and credibility; Carters of forms both human and non-human, vertebrate and invertebrate, conscious and mindless, animal and vegetable. And more, there were Carters having nothing in common with earthly life, but moving outrageously amidst backgrounds of other planets and systems and galaxies and cosmic con-tinua; spores of eternal life drifting from world to world, universe to universe, yet all equally himself. Some of the glimpses recalled dreams — both faint and vivid, single and persistent — which he had had through the long years since he first began to dream; and a few possessed a haunting, fascinating and almost horrible familiarity which no earthly logic could explain.

Faced with this realization, Randolph Carter reeled in the clutch of supreme horror — horror such as had not been hinted even at the climax of that hideous night when two had ventured into an ancient and abhorred necropolis under a waning moon and only one had emerged. No death, no doom, no anguish can arouse the surpassing despair which flows from a loss of identity. Merging with nothingness is peaceful oblivion; but to be aware of existence and yet to know that one is no longer a definite being distinguished from other beings — that one no longer has a self — that is the nameless summit of agony and dread.

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