And the extraordinary thing was that he could not remember when he had felt so well—not strong, but without any aches and pains, clear of eye and skin, sleeping ten hours a day and, above all, without that nagging sense of morning guilt that one is slowly wrecking one’s body. It was really quite disturbing. Was his personality changing? Was he losing his edge, his point, his identity? Was he losing the vices that were so much part of his ruthless, cruel, fundamentally tough character? Who was he in process of becoming? A soft, dreaming, kindly idealist who would naturally leave the Service and become instead a prison visitor, interest himself in youth clubs, march with the H-bomb marchers, eat nut cutlets, try and change the world for the better? James Bond would have been more worried, as day by day the H-cure drew his teeth, if it had not been for three obsessions which belonged to his former life and which would not leave him—a passionate longing for a large dish of Spaghetti Bolognese containing plenty of chopped garlic and accompanied by a whole bottle of the cheapest, rawest Chianti (bulk for his empty stomach and sharp tastes for his starved palate), an overwhelming desire for the strong, smooth body of Patricia Fearing, and a deadly concentration on ways and means to wring the guts of Count Lippe.
The first two would have to wait, though tantalizing schemes for consuming both dishes on the day of his release from Shrublands occupied much of his mind. So far as Count Lippe was concerned, work had started on the project from the moment Bond took up again the routine of the cure.
With the cold intensity he would have employed against an enemy agent, say in a hotel in Stockholm or Lisbon during the war, James Bond set about spying on the other man. He became garrulous and inquisitive, chatting with Patricia Fearing about the various routines at Shrublands. “But when do the staff find time to have lunch?” “That man Lippe looks very fit. Oh, he’s worried about his waist-line! Aren’t the electric blanket-baths good for that? No, I haven’t seen the Turkish Bath Cabinet. Must have a look at it sometime.” And to his masseur: “Haven’t seen that big chap about lately, Count something—Ripper? Hipper? Oh yes, Lippe. Oh, noon every day? I think I must try and get that time as well. Nice being clear for the rest of the day. And I’d like to have a spell in the Turkish Bath thing when you’ve finished the massage. Need a good sweat.” Innocently, fragment by fragment, James Bond built up a plan of operations—a plan that would leave him and Lippe alone among the machinery of the soundproof treatment rooms.
For there would be no other opportunity. Count Lippe kept to his room in the main building until his treatment time at noon. In the afternoons he swished away in the violet Bentley—to Bournemouth, it seemed, where he had “business.” The night porter let him in around eleven each night. One afternoon—in the siesta hour—Bond slipped the Yale lock on Count Lippe’s room with a straight piece of plastic cut off a child’s airplane he had bought for the purpose in Washington. He went over the room meticulously and drew a blank. All he learned—from the clothes—was that the Count was a much-traveled man—shirts from Charvet, ties from Tripler, Dior, and Hardy Amies, shoes from Peel, and raw-silk pajamas from Hong Kong. The dark red morocco suitcase from Mark Cross might have contained secrets, and Bond eyed the silk linings and toyed with the Count’s Wilkinson razor. But no! Better that revenge, if it could be contrived, should come out of a clear sky.
That same afternoon, drinking his treacly tea, Bond scraped together the meager scraps of his knowledge of Count Lippe. He was about thirty, attractive to women, and physically, to judge from the naked body Bond had seen, very strong. His blood would be Portuguese with a dash of Chinaman and he gave the appearance of wealth. What did he do? What was his profession? At first glance Bond would have put him down as a tough maquereau from the Ritz bar in Paris, the Palace at St. Moritz, the Carlton at Cannes—good at backgammon, polo, water-skiing, but with the yellow streak of the man who lives on women. But Lippe had heard Bond making inquiries about him and that had been enough for an act of violence—an inspired act that he had carried out swiftly and coolly when he finished his treatment with the Fearing girl and knew, from her remark, that Bond would be alone on the traction table. The act of violence might only have been designed to warn, but equally, since Lippe could only guess at the effect of a 200-pound pull on the spine, it might have been designed to kill. Why? Who was this man who had so much to hide? And what were his secrets? Bond poured the last of his tea on to a mound of brown sugar. One thing was certain—the secrets were big ones.