Tinker Tailor Soldier Spy by John le Carré

The boy, thinking that by this gesture Smiley was indicating some want, came lumbering over and Smiley again assured him that all was doubly well, and the wine in particular was exquisite, he really wondered where they had it from; till the boy left grinning with secret amusement and flapped his cloth at an adjoining table.

‘It was then, I think, that an extraordinary feeling of unease began to creep over me. The heat was really getting to me. The stench was terrible and I remember listening to the pat pat of my own sweat falling on to the iron table. It wasn’t just his silence; his physical stillness began to get under my skin. Oh, I had known defectors who took time to speak. It can be a great wrench, for somebody trained to secrecy even towards his closest friends suddenly to open his mouth and spill secrets to his enemies. It also crossed my mind that the prison authorities might have thought it a courtesy to soften him up before they brought him to me. They assured me they hadn’t, but of course one can never tell. So at first I put his silence down to shock. But this stillness, this intense, watchful stillness, was a different matter. Specially when everything inside me was so much in motion: Ann, my own heartbeats, the effects of heat and travel…’

‘I can understand,’ said Guillam quietly.

‘Can you? Sitting is an eloquent business, any actor will tell you that. We sit according to our natures. We sprawl and straddle, we rest like boxers between rounds, we fidget, perch, cross and uncross our legs, lose patience, lose endurance. Gerstmann did none of those things. His posture was finite and irreducible, his little jagged body was like a promontory of rock; he could have sat that way all day, without stirring a muscle. Whereas I-‘ Breaking out in an awkward, embarrassed laugh, Smiley tasted the wine again, but it was no better than before. ‘Whereas I longed to have something before me, papers, a book, a report. I think I am a restless person; fussy, variable. I thought so then, anyway. I felt I lacked philosophic repose. Lacked philosophy, if you like. My work had been oppressing me much more than I realised; till now. But in that foul cell I really felt aggrieved. I felt that the entire responsibility for fighting the cold war had landed on my shoulders. Which was tripe, of course, I was just exhausted and a little bit ill.’ He drank again.

‘I tell you,’ he insisted, once more quite angry with himself. ‘No one has any business to apologise for what I did.’

‘What did you do?’ Guillam asked with a laugh.

‘So anyway there came this gap,’ Smiley resumed, disregarding the question. ‘Hardly of Gerstmann’s making, since he was all gap anyway; so of mine, then. I had said my piece; I had flourished the photographs, which he ignored – I may say, he appeared quite ready to take my word for it that the San Francisco network was blown. I restated this part, that part, talked a few variations, and finally I dried up. Or rather sat there sweating like a pig. Well any fool knows that if ever that happens, you get up and walk out: “Take it or leave it,” you say. “See you in the morning”; anything. “Go away and think for an hour.”

‘As it was, the next thing I knew I was talking about Ann.’ He left no time for Guillam’s muffled exclamation. ‘Oh not about my Ann, not in as many words. About his Ann. I assumed he had one. I had asked myself, lazily no doubt, what would a man think of in such a situation, what would I? And my mind came up with a subjective answer: his woman. Is it called projection or substitution? I detest those terms but I’m sure one of them applies. I exchanged my predicament for his, that is the point, and as I now realise I began to conduct an interrogation with myself – he didn’t speak, can you imagine? There were certain externals, it is true, to which I pinned the approach. He looked connubial; he looked like half a union; he looked too complete to be alone in all his life. Then there was his passport, describing Gerstmann as married; and it is a habit in all of us to make our cover stories, our assumed personae, at least parallel with the reality.’ He lapsed again into a moment of reflection. ‘I often thought that. I even put it to Control: we should take the opposition’s cover stories more seriously, I said. The more identities a man has, the more they express the person they conceal. The fifty-year-old who knocks five years off his age. The married man who calls himself a bachelor; the fatherless man who gives himself two children… Or the interrogator who projects himself into the life of a man who does not speak. Few men can resist expressing their appetites when they are making a fantasy about themselves.’

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