Tinker Tailor Soldier Spy by John le Carré

Finally Jim began measuring. That at least was how it seemed to Roach. Instead of digging he had knelt at one corner of the patch and laid the spade on the earth, as if aligning it with something which was out of sight to Roach: for instance the church spire. This done. Jim strode quickly to where the blade lay, marked the spot with a thud of his heel, took up the spade and dug fast, Roach counted twelve times; then stood back, taking stock again. From the church, silence; then prayers. Quickly stooping, Jim drew a package from the ground, which he at once smothered in the folds of his duffel coat. Seconds later, and much faster than seemed possible, the caravan door slammed, the light went on again, and in the boldest moment of his life Bill Roach tiptoed down the Dip to within three feet of the poorly curtained window, using the slope to give himself the height he needed to look in.

Jim stood at the table. On the bunk behind him lay a heap of exercise books, a vodka bottle and an empty glass. He must have dumped them there to make space. He had a penknife ready but he wasn’t using it. Jim would never have cut string if he could avoid it. The package was a foot long and made of yellowy stuff like a tobacco pouch. Pulling it open, he drew out what seemed to be a monkey wrench wrapped in sacking. But who would bury a monkey wrench, even for the best car England ever made? The screws or bolts were in a separate yellow envelope; he spilled them on to the table and examined each in turn. Not screws: pen tops. Not pen tops either; but they had sunk out of sight.

And not a monkey wrench, not a spanner, nothing but absolutely nothing for the car.

Roach had blundered wildly to the brow. He was running between the hummocks, making for the drive, but running slower than he had ever run before; running through sand and deep water and dragging grass, gulping the night air, sobbing it out again, running lopsidedly like Jim, pushing now with this leg, now with the other, flailing with his head for extra speed. He had no thought for where he was heading. All his awareness was behind him; fixed on the black revolver and the bands of chamois leather; on the pen tops that turned to bullets as Jim threaded them methodically into the chamber, his lined face tipped towards the lamplight, pale and slightly squinting in the dazzle.

CHAPTER TWENTY-FIVE

‘I won’t be quoted, George,’ the Minister warned in his lounging drawl. ‘No minutes, no packdrill. I got voters to deal with. You don’t. Nor does Oliver Lacon, do you, Oliver?’

He had also, thought Smiley, the American violence with auxiliary verbs: ‘Yes, I’m sorry about that,’ he said.

‘You’d be sorrier still if you had my constituency,’ the Minister retorted.

Predictably, the mere question of where they should meet had sparked a silly quarrel. Smiley had pointed out to Lacon that it would be unwise to meet at his room in Whitehall since it was under constant attack by Circus personnel, whether janitors delivering despatch boxes or Percy Alleline dropping in to discuss Ireland. Whereas the Minister declined both the Islay Hotel and Bywater Street on the arbitrary grounds that they were insecure. He had recently appeared on television and was proud of being recognised. After several more calls back and forth they settled for Mendel’s semi-detached Tudor residence in Mitcham where the Minister and his shiny car stuck out like a sore thumb. There they now sat, Lacon, Smiley and the Minister, in the trim front room with net curtains and fresh salmon sandwiches, while their host stood upstairs watching the approaches. In the lane, children tried to make the chauffeur tell them who he worked for.

Behind the Minister’s head ran a row of books on bees. They were Mendel’s passion, Smiley remembered: he used the word ‘exotic’ for bees that did not come from Surrey. The Minister was a young man still, with a dark jowl that looked as though it had been knocked off-true in some unseemly fracas. His head was bald on top, which gave him an unwarranted air of maturity, and a terrible Eton drawl. ‘All right, so what are the decisions?’ He also had the bully’s art of dialogue.

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