Twenty Years Later by Dumas, Alexandre. Part two

You will get yourself decapitated, my beautiful queen, and

that would be a pity.”

“You laugh.”

“Faintly. It is dangerous to go to war with a nation. Look

at your brother monarch, Charles I. He is badly off, very

badly.”

“We are in France, and I am Spanish.”

“So much the worse; I had much rather you were French and

myself also; they would hate us both less.”

“Nevertheless, you consent?”

“Yes, if the thing be possible.”

“It is; it is I who tell you so; make preparations for

departure.”

“I! I am always prepared to go, only, as you know, I never

do go, and perhaps shall go this time as little as before.”

“In short, if I go, will you go too?”

“I will try.”

“You torment me, Giulio, with your fears; and what are you

afraid of, then?”

“Of many things.”

“What are they?”

Mazarin’s face, smiling as it was, became clouded.

“Anne,” said he, “you are but a woman and as a woman you may

insult men at your ease, knowing that you can do it with

impunity. You accuse me of fear; I have not so much as you

have, since I do not fly as you do. Against whom do they cry

out? is it against you or against myself? Whom would they

hang, yourself or me? Well, I can weather the storm — I,

whom, notwithstanding, you tax with fear — not with

bravado, that is not my way; but I am firm. Imitate me. Make

less hubbub and think more deeply. You cry very loud, you

end by doing nothing; you talk of flying —- ”

Mazarin shrugged his shoulders and taking the queen’s hand

led her to the window.

“Look!” he said.

“Well?” said the queen, blinded by her obstinacy.

“Well, what do you see from this window? If I am not

mistaken those are citizens, helmeted and mailed, armed with

good muskets, as in the time of the League, and whose eyes

are so intently fixed on this window that they will see you

if you raise that curtain much; and now come to the other

side — what do you see? Creatures of the people, armed with

Page 340

Dumas, Alexandre – Twenty Years After

halberds, guarding your doors. You will see the same at

every opening from this palace to which I should lead you.

Your doors are guarded, the airholes of your cellars are

guarded, and I could say to you, as that good La Ramee said

to me of the Duc de Beaufort, you must be either bird or

mouse to get out.”

“He did get out, nevertheless.”

“Do you think of escaping in the same way?”

“I am a prisoner, then?”

“Parbleu!” said Mazarin, “I have been proving it to you this

last hour.”

And he quietly resumed his dispatch at the place where he

had been interrupted.

Anne, trembling with anger and scarlet with humiliation,

left the room, shutting the door violently after her.

Mazarin did not even turn around. When once more in her own

apartment Anne fell into a chair and wept; then suddenly

struck with an idea:

“I am saved!” she exclaimed, rising; “oh, yes! yes! I know a

man who will find the means of taking me from Paris, a man I

have too long forgotten.” Then falling into a reverie, she

added, however, with an expression of joy, “Ungrateful woman

that I am, for twenty years I have forgotten this man, whom

I ought to have made a marechal of France. My mother-in-law

expended gold, caresses, dignities on Concini, who ruined

her; the king made Vitry marechal of France for an

assassination: while I have left in obscurity, in poverty,

the noble D’Artagnan, who saved me!”

And running to a table, on which were paper, pens and ink,

she hastily began to write.

50

The Interview.

It had been D’Artagnan’s practice, ever since the riots, to

sleep in the same room as Porthos, and on this eventful

morning he was still there, sleeping, and dreaming that a

yellow cloud had overspread the sky and was raining gold

pieces into his hat, which he held out till it was

overflowing with pistoles. As for Porthos, he dreamed that

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