Warlock by Andre Norton

“Sheeha!”

She had finished with the bottles and was now grabbing at rolls of materials, tearing at the stuff with her claws. But her first assault had brought a response from the owner of the post. Charis was brushed aside with a force which sent her back against the long table as Jagan burst in from the corridor and hurled himself at the frantic woman, his arms clamping hers tight to her body though she threshed and fought in his grasp, her teeth snapping as her head turned back and forth trying for a wolfish-fang grip on her captor. She was screaming, high, harsh, and totally without mind.

Two more men came on the run, one from outside, the other—whom Charis recognized as the one who had brought her the food—from the corridor. But it took all three of them to control Sheeha.

She cried as they looped a length of unrolled fabric about her, imprisoning her arms against her body, making her into a package.

“The dreams—not the dreams—not the snakes!” The words broke from her as a plea.

Charis was surprised to see the emotion on Jagan’s face. His hands rested gently on Sheeha’s shoulders as he turned her around to face, not the interior corridor of the post but the outer door.

“She goes to the ship,” he said. “Maybe there . . .” He did not complete that sentence but, steering the woman before him, he went out into the night.

The overwhelming odors of the spilt perfumes were thick enough to make Charis sneeze. Trails of trade fabrics cascaded down from the second shelf Sheeha had striven to clean off. Mechanically Charis went over to loop the material up from the mess on the floor, circling about the glass shards which were still visible in the powder Sheeha’s boots had ground.

“You—” She glanced up as the man by the table spoke. “You’d better go back now.”

Charis obeyed, glad to be out of the wreckage. She was shivering as she sat down upon her cot once again, trying to understand what had happened. Jagan said he needed a woman to contact the natives. But before Charis’s coming there had already been a woman here—Sheeha. And that Sheeha was to the captain something more than a tool Charis was sure, having watched his handling of her frenzy.

The snakes—the dreams? What had moved Sheeha to her wild talk and acts? Charis’s own first impression of Warlock, that it was not a world to welcome her kind—was that the truth and not just a semiconscious, emotional reaction to certain landscape coloring? What was happening here?

She could go out, demand an explanation. But Charis discovered that her will this time was not strong enough to make her cross that threshold again. And when she did try the door and found she could not open it, she sighed in relief. In this small cell she felt safe; she could see every inch of it and know she was alone.

The light from the glow-track running along the ceiling of the bubble was growing dimmer. Charis deduced they were slacking power for the night. She curled up on the cot. Odd. Why was she so sleepy all at once? There was a flicker of alarm at her realization of that oddness. Then . . .

Light again, all around her. Charis was aware of that light even though her eyes were closed. Light and warmth. Then came the desire to know from whence they reached her. She opened her eyes and looked up into a serene, golden sky. Golden sky? She had seen a golden sky—where? When? A part of her pushed away memory. It was good to lie here under the gold of the sky. She had not rested so, uncaring, for a long, long time.

A tickle at her toes, a lapping about her ankles, up around her calves. Charis stirred, used her elbows to prop herself up. She lay in warm, gray sand in which there were small, glittering points of red, blue, yellow, green. Her body was bare, but she felt no need for any clothing; the warmth was covering of a sort. And she lay on the very verge of a green sea with its foremost wavelets lapping gently at her feet and legs. A green sea . . . As with the golden sky, that triggered memory, memory which something within her feared and fought.

She was languorous, relaxed, happy—if this freedom could be called happiness. This was right! Life should always be a clear gold sky, a green sea, jeweled sand, warmth, no memories—just here and now!

Save for the kiss and go of the waves there was no movement. Then Charis wanted more than this flaccid content and sat up. She turned her head to find that she was in a pocket of rock with a steep red cliff behind and about her and, seemingly, no path out. Yet that did not disturb her in the least. With her fingers she idly shifted the sand, blinking at the winks of color. The water was washing higher, up to her knees now, but she had no wish to withdraw from its warm caress.

Then—all the languor, the content, vanished. She was not afraid, but aware. Aware of what? one part of her awakening mind demanded. Of what? Of—of an intelligence, another awareness. She scrambled up from the sand which had hollowed about her body and stood, this time giving the rock walls about her a closer examination. But there was nothing there, nothing save herself stood alive in this pocket cup of rock and sand.

Charis looked to the sea. Surely there—right there—was a troubling of the water. Something was emerging, coming to her. And she . . .

Charis gasped, gasped as if the air could not readily fill too empty lungs. She was on her back, and it was no longer gold day but dim pale night about her. To her right was the curve of the bubble wall. She could barely make it out, but her outflung hand proved it solid and real. But—that sand had also been real as it had shifted between her fingers. The soft lap of the sea water, the sun and air on her skin? They, too, had been real.

A dream—more vivid and substantial than any she had ever known before? But dreams were broken bits of things, like the shards Sheeha had left on the floor of the trade room. And this had not been broken, contained nothing which did not fit. That awareness at the end, that belief that there was something rising from the sea to meet her?

Was it that which had broken the dream pattern, brought her awake and into that frightening sense, for a fraction of a second, that she was drowning—not in the sea which had welcomed and caressed her but in something which now lay between the realization of that sea and this room?

Charis wriggled off the cot and padded to the seat by the table. She was excited, experiencing the sensation which she had known when she anticipated some pleasure yet to come. Would a second try at sleep return her to the sea, the sand, the place in space and time where something—or someone—awaited her?

But the sensation of well-being which she had brought with her from the dream, if dream it had been, was seeping away. In its place flowed the same vague discomfort and repugnance which had claimed her from her first leaving the spacer. Charis found herself listening, as it seemed, not only with her ears but with every part of her.

No sound at all. Without knowing exactly why, she went to the door. There was still light from the roof, dimmed to twilight but enough to see her way around. Charis set her hands on either side of the slit and applied pressure. And the portal opened, allowing her to look down the corridor.

This time she faced no string of closed doors; they all gaped open. Again she listened, trying to still her own breathing. What did she expect to hear? A murmur of voices, the sound of some sleeper’s heavy intake and expulsion of air? But there was nothing at all.

Earlier her room had seemed a haven of safety, the only security she could hope to find. Now she was not so sure, just as she could not put name to the intangible atmosphere which made her translate her growing uneasiness into action she could not have assayed before.

Charis started down the hall. Her bare feet made no sound on the floor which was too chill as she paused at the first door. That was open wide enough to show her another cot—empty, just as the room was empty. The second room, more sleeping quarters without a sleeper. A third room with the same deserted bareness. But the fourth room was different. Even by this dim light she could make out one promising feature, a com visa-screen against the far wall. There was a table here, two chairs, a pile of record tapes. Ugly, distorted—