WHAT IS MAN? AND OTHER ESSAYS OF MARK TWAIN

according to his hospitable habit, but came slow and sorrowfully;

also I remembered that he had not visited Jean’s apartment since

the tragedy. Poor fellow, did he know? I think so. Always when

Jean was abroad in the open he was with her; always when she was

in the house he was with her, in the night as well as in the day.

Her parlor was his bedroom. Whenever I happened upon him on the

ground floor he always followed me about, and when I went

upstairs he went too–in a tumultuous gallop. But now it was

different: after patting him a little I went to the library–he

remained behind; when I went upstairs he did not follow me, save

with his wistful eyes. He has wonderful eyes–big, and kind, and

eloquent. He can talk with them. He is a beautiful creature,

and is of the breed of the New York police-dogs. I do not like

dogs, because they bark when there is no occasion for it; but I

have liked this one from the beginning, because he belonged to

Jean, and because he never barks except when there is occasion–

which is not oftener than twice a week.

In my wanderings I visited Jean’s parlor. On a shelf I

found a pile of my books, and I knew what it meant. She was

waiting for me to come home from Bermuda and autograph them, then

she would send them away. If I only knew whom she intended them

for! But I shall never know. I will keep them. Her hand has

touched them–it is an accolade–they are noble, now.

And in a closet she had hidden a surprise for me–a thing I

have often wished I owned: a noble big globe. I couldn’t see it

for the tears. She will never know the pride I take in it, and

the pleasure. Today the mails are full of loving remembrances

for her: full of those old, old kind words she loved so well,

“Merry Christmas to Jean!” If she could only have lived one day

longer!

At last she ran out of money, and would not use mine. So

she sent to one of those New York homes for poor girls all the

clothes she could spare–and more, most likely.

CHRISTMAS NIGHT.–This afternoon they took her away from her

room. As soon as I might, I went down to the library, and there

she lay, in her coffin, dressed in exactly the same clothes she

wore when she stood at the other end of the same room on the 6th

of October last, as Clara’s chief bridesmaid. Her face was

radiant with happy excitement then; it was the same face now,

with the dignity of death and the peace of God upon it.

They told me the first mourner to come was the dog. He came

uninvited, and stood up on his hind legs and rested his fore paws

upon the trestle, and took a last long look at the face that was

so dear to him, then went his way as silently as he had come.

HE KNOWS.

At mid-afternoon it began to snow. The pity of it–that

Jean could not see it! She so loved the snow.

The snow continued to fall. At six o’clock the hearse drew

up to the door to bear away its pathetic burden. As they lifted

the casket, Paine began playing on the orchestrelle Schubert’s

“Impromptu,” which was Jean’s favorite. Then he played the

Intermezzo; that was for Susy; then he played the Largo; that was

for their mother. He did this at my request. Elsewhere in my

Autobiography I have told how the Intermezzo and the Largo came

to be associated in my heart with Susy and Livy in their last

hours in this life.

From my windows I saw the hearse and the carriages wind

along the road and gradually grow vague and spectral in the

falling snow, and presently disappear. Jean was gone out of my

life, and would not come back any more. Jervis, the cousin she

had played with when they were babies together–he and her

beloved old Katy–were conducting her to her distant childhood

home, where she will lie by her mother’s side once more, in the

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