WHAT IS MAN? AND OTHER ESSAYS OF MARK TWAIN

luncheon at noon–for luncheon, not for rest. There is no

fatigue connected with the trip. One arrives fresh in spirit and

in person in the evening–no fret in his heart, no grime on his

face, no grit in his hair, not a cinder in his eye. This is the

right condition of mind and body, the right and due preparation

for the solemn event which closed the day–stepping with

metaphorically uncovered head into the presence of the most

impressive mountain mass that the globe can show–the Jungfrau.

The stranger’s first feeling, when suddenly confronted by that

towering and awful apparition wrapped in its shroud of snow, is

breath-taking astonishment. It is as if heaven’s gates had swung

open and exposed the throne.

It is peaceful here and pleasant at Interlaken. Nothing

going on–at least nothing but brilliant life-giving sunshine.

There are floods and floods of that. One may properly speak of

it as “going on,” for it is full of the suggestion of activity;

the light pours down with energy, with visible enthusiasm. This

is a good atmosphere to be in, morally as well as physically.

After trying the political atmosphere of the neighboring

monarchies, it is healing and refreshing to breathe air that has

known no taint of slavery for six hundred years, and to come

among a people whose political history is great and fine, and

worthy to be taught in all schools and studied by all races and

peoples. For the struggle here throughout the centuries has not

been in the interest of any private family, or any church, but in

the interest of the whole body of the nation, and for shelter and

protection of all forms of belief. This fact is colossal. If

one would realize how colossal it is, and of what dignity and

majesty, let him contrast it with the purposes and objects of the

Crusades, the siege of York, the War of the Roses, and other

historic comedies of that sort and size.

Last week I was beating around the Lake of Four Cantons, and

I saw Rutli and Altorf. Rutli is a remote little patch of

meadow, but I do not know how any piece of ground could be holier

or better worth crossing oceans and continents to see, since it

was there that the great trinity of Switzerland joined hands six

centuries ago and swore the oath which set their enslaved and

insulted country forever free; and Altorf is also honorable

ground and worshipful, since it was there that William, surnamed

Tell (which interpreted means “The foolish talker”–that is to

say, the too-daring talker), refused to bow to Gessler’s hat. Of

late years the prying student of history has been delighting

himself beyond measure over a wonderful find which he has made–

to wit, that Tell did not shoot the apple from his son’s head.

To hear the students jubilate, one would suppose that the

question of whether Tell shot the apple or didn’t was an

important matter; whereas it ranks in importance exactly with the

question of whether Washington chopped down the cherry-tree or

didn’t. The deeds of Washington, the patriot, are the essential

thing; the cherry-tree incident is of no consequence. To prove

that Tell did shoot the apple from his son’s head would merely

prove that he had better nerve than most men and was skillful

with a bow as a million others who preceded and followed him, but

not one whit more so. But Tell was more and better than a mere

marksman, more and better than a mere cool head; he was a type;

he stands for Swiss patriotism; in his person was represented a

whole people; his spirit was their spirit–the spirit which would

bow to none but God, the spirit which said this in words and

confirmed it with deeds. There have always been Tells in

Switzerland–people who would not bow. There was a sufficiency

of them at Rutli; there were plenty of them at Murten; plenty at

Grandson; there are plenty today. And the first of them all–the

very first, earliest banner-bearer of human freedom in this

world–was not a man, but a woman–Stauffacher’s wife. There she

looms dim and great, through the haze of the centuries,

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