WHAT IS MAN? AND OTHER ESSAYS OF MARK TWAIN

size. We do not notice it at first. We get the effect, it goes

straight home to us, but we do not know why. It is when the

right words are conspicuous that they thunder:

The glory that was Greece and the grandeur that was Rome!

When I got back from Howells old to Howells young I find him

arranging and clustering English words well, but not any better

than now. He is not more felicitous in concreting abstractions

now than he was in translating, then, the visions of the eyes of

flesh into words that reproduced their forms and colors:

In Venetian streets they give the fallen snow no rest. It

is at once shoveled into the canals by hundreds of half-naked

FACCHINI; and now in St. Mark’s Place the music of innumerable

shovels smote upon my ear; and I saw the shivering legion of

poverty as it engaged the elements in a struggle for the

possession of the Piazza. But the snow continued to fall, and

through the twilight of the descending flakes all this toil and

encountered looked like that weary kind of effort in dreams, when

the most determined industry seems only to renew the task. The

lofty crest of the bell-tower was hidden in the folds of falling

snow, and I could no longer see the golden angel upon its summit.

But looked at across the Piazza, the beautiful outline of St.

Mark’s Church was perfectly penciled in the air, and the shifting

threads of the snowfall were woven into a spell of novel

enchantment around the structure that always seemed to me too

exquisite in its fantastic loveliness to be anything but the

creation of magic. The tender snow had compassionated the

beautiful edifice for all the wrongs of time, and so hid the

stains and ugliness of decay that it looked as if just from the

hand of the builder–or, better said, just from the brain of the

architect. There was marvelous freshness in the colors of the

mosaics in the great arches of the facade, and all that gracious

harmony into which the temple rises, or marble scrolls and leafy

exuberance airily supporting the statues of the saints, was a

hundred times etherealized by the purity and whiteness of the

drifting flakes. The snow lay lightly on the golden gloves that

tremble like peacocks-crests above the vast domes, and plumed

them with softest white; it robed the saints in ermine; and it

danced over all its works, as if exulting in its beauty–beauty

which filled me with subtle, selfish yearning to keep such

evanescent loveliness for the little-while-longer of my whole

life, and with despair to think that even the poor lifeless

shadow of it could never be fairly reflected in picture or poem.

Through the wavering snowfall, the Saint Theodore upon one

of the granite pillars of the Piazzetta did not show so grim as

his wont is, and the winged lion on the other might have been a

winged lamb, so gentle and mild he looked by the tender light of

the storm. The towers of the island churches loomed faint and

far away in the dimness; the sailors in the rigging of the ships

that lay in the Basin wrought like phantoms among the shrouds;

the gondolas stole in and out of the opaque distance more

noiselessly and dreamily than ever; and a silence, almost

palpable, lay upon the mutest city in the world.

The spirit of Venice is there: of a city where Age and

Decay, fagged with distributing damage and repulsiveness among

the other cities of the planet in accordance with the policy and

business of their profession, come for rest and play between

seasons, and treat themselves to the luxury and relaxation of

sinking the shop and inventing and squandering charms all about,

instead of abolishing such as they find, as it their habit when

not on vacation.

In the working season they do business in Boston sometimes,

and a character in THE UNDISCOVERED COUNTRY takes accurate note

of pathetic effects wrought by them upon the aspects of a street

of once dignified and elegant homes whose occupants have moved

away and left them a prey to neglect and gradual ruin and

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