“You didn’t bury Mr. Frye.” Mrs. Willis was adamant; she pressed her lips together and shook her head back and forth, looking very stern. “No. If there’s a double for Mr. Frye, he’s not the one who’s up walking around. The double is the one who’s six feet under with a slab of granite for a hat. The real Mr. Frye was here last Thursday. I’d swear to that in any court. I’d stake my life on it.”
“But if it wasn’t Frye who was killed down in Los Angeles, then where is the real Frye now? Why did he run away? What in the name of God is going on?”
“I don’t know about that,” she said. “I only know what I saw. Dig him up, Mr. Rhinehart. I believe you’ll find that you’ve buried the wrong man.”
***
At 3:20 Wednesday afternoon, Joshua landed at the county airport just outside the town of Napa. With a population of forty-five thousand, Napa was far from being a major city, and in fact it partook of the wine country ambiance to such an extent that it seemed smaller and cozier than it really was; but to Joshua, who was long accustomed to the rural peace of tiny St. Helena, Napa was as noisy and bothersome as San Francisco had been, and he was anxious to get out of the place.
His car was parked in the public lot by the airfield, where he had left it that morning. He didn’t go home or to his office. He drove straight to Bruno Frye’s house in St. Helena.
Usually, Joshua was acutely aware of the incredible natural beauty of the valley. But not today. Now he drove without seeing anything until the Frye property came into view.
Part of Shade Tree Vineyards, the Frye family business, occupied fertile black flat land, but most of it was spread over the gently rising foothills on the west side of the valley. The winery, the public tasting room, the extensive cellars, and the other company buildings–all fieldstone and redwood and oak structures that seemed to grow out of the earth–were situated on a large piece of level highland, near the westernmost end of the Frye property. All the buildings faced east, across the valley, toward vistas of seriated vines, and all of them were constructed with their backs to a one-hundred-sixty-foot cliff, which had been formed in a distant age when earth movement had sheered the side off the last foothill at the base of the more precipitously rising Mayacamas Mountains.
Above the cliff, on the isolated hilltop, stood the house that Leo Frye, Katherine’s father, had built when he’d first come to the wine country in 1918. Leo had been a brooding Prussian type who had valued his privacy more than almost anything else. He looked for a building site that would provide a wide view of the scenic valley plus absolute privacy, and the clifftop property was precisely what he wanted. Although Leo was already a widower in 1918, and although he had only one small child and was not, at that time, contemplating another marriage, he nevertheless constructed a large twelve-room Victorian house on top of the cliff, a place with many bay windows and gables and a lot of architectural gingerbread. It overlooked the winery that he established, later, on the highland below, and there were only two ways to reach it. The first approach was by aerial tramway, a system comprised of cables, pulleys, electric motors, and one four-seat gondola that carried you from the lower station (a second-floor corner of the main winery building) to the upper station (somewhat to the north of the house on the clifftop). The second approach was by way of a double-switch back staircase fixed to the face of the cliff. Those three hundred and twenty steps were meant to be used only if the aerial tramway broke down–and then only if it was not possible to wait until repairs were made. The house was not merely private; it was remote.
As Joshua turned from the public road onto a very long private drive that led to the Shade Tree winery, he tried to recall everything he knew about Leo Frye. There was not much. Katherine had seldom spoken of her father, and Leo had not left a great many friends behind.