Frank refused to be drawn into another discussion. He kept his eyes on the road, grumbled sullenly, wordlessly, and settled back into silence.
Tony sighed. He stared at the passing scenery with an artist’s eye for unexpected detail and previously unnoticed beauty.
Patterns.
Every scene–every seascape, every landscape, every street, every building, every room in every building, every person, every thing–had its own special patterns. If you could perceive the patterns in a scene, you could then look beyond the patterns to the underlying structure that supported them. If you could see and grasp the method by which a surface harmony had been achieved, you eventually could understand the deepest meaning and mechanisms of any subject and then make a good painting of it. If you picked up your brushes and approached the canvas without first performing that analysis, you might wind up with a pretty picture, but you would not produce a work of art.
Patterns.
As Frank Howard drove east on Wilshire, on the way to the Hollywood singles’ bar called The Big Quake, Tony searched for patterns in the city and the night. At first, coming in from Santa Monica, there were the sharp low lines of the sea-facing houses and the shadowy outlines of tall feathery palms–patterns of serenity and civility and more than a little money. As they entered Westwood, the dominant pattern was rectilinear: clusters of office highrises, oblong patches of light radiating from scattered windows in the mostly dark faces of the buildings. These neatly ordered rectangular shapes formed the patterns of modern thought and corporate power, patterns of even greater wealth than had been evident in Santa Monica’s seaside homes. From Westwood they went to Beverly Hills, an insulated pocket within the greater fabric of the metropolis, a place through which the Los Angeles police could pass but in which they had no authority. In Beverly Hills, the patterns were soft and lush and flowing in a graceful continuum of big houses, parks, greenery, exclusive shops, and more ultra-expensive automobiles than you could find anywhere else on earth. From Wilshire Boulevard to Santa Monica Boulevard to Doheny, the pattern was one of ever-increasing wealth.
They turned north on Doheny, crawled up the steep hills, and swung right onto Sunset Boulevard, heading for the heart of Hollywood. For a couple of blocks, the famous street delivered a little bit on the promise of its name and legend. On the right stood Scandia, one of the best and most elegant restaurants in town, and one of the half dozen best in the entire country. Glittering discos. A nightclub specializing in magic. Another spot owned and operated by a stage hypnotist. Comedy clubs. Rock and roll clubs. Huge flashy billboards advertising current films and currently popular recording stars. Lights, lights and more lights. Initially, the boulevard supported the university studies and government reports that claimed Los Angeles and its suburbs formed the richest metropolitan area in the nation, perhaps the richest in the world. But after a while, as Frank continued to drive eastward, the blush of glamor faded. Even L.A. suffered from senescence. The pattern became marginally but unmistakably cancerous. In the healthy flesh of the city, a few malignant growths swelled here and there: cheap bars, a striptease club, a shuttered service station, brassy massage parlors, an adult book store, a few buildings desperately in need of renovation, more of them block by block. The disease was not terminal in this neighborhood, as it was in others nearby, but every day it gobbled up a few more bites of healthy tissue. Frank and Tony did not have to descend into the scabrous heart of the tumor, for The Big Quake was still on the edge of the blight. The bar appeared suddenly in a blaze of red and blue lights on the righthand side of the street.
Inside, the place resembled Paradise, except that the decor relied more heavily on colored lights and chrome and mirrors than it did in the Santa Monica bar. The customers were somewhat more consciously stylish, more aggressively au courant, and generally a shade better looking than the crowd in Paradise. But to Tony the patterns appeared to be the same as they were in Santa Monica. Patterns of need, longing, and loneliness. Desperate, carnivorous patterns.