Winter Moon. By: Dean R. Koontz

carried Toby to the stone house, gave Heather the keys, and returned

for the ten gallons of gasoline.

By the time Jack reached the fieldstone house again, :

464 DEAN

KOONTZ

Heather had opened the door. The rooms inside were dark. He hadn’t

had time to discover the reason for the malfunctioning lights.

Nevertheless, now he knew why Paul Youngblood couldn’t get power to the

house on Monday. The dweller within hadn’t wanted them to enter.

The rooms were still dark because the windows were boarded over, and

there was no time to pry off the plywood that shielded the glass.

Fortunately, Heather had remembered the lack of power and come

prepared. From two pockets of her ski suit, she produced, instead of

bullets, a pair of flashlights.

It always seems to come down to this, Jack thought: going into a dark

place.

Basements, alleyways, abandoned houses, boiler rooms, crumbling

warehouses.

Even when a cop was chasing a perp on a bright day and the chase led

only outdoors, in the final confrontation, when you came face-to-face

with evil, it was always a dark place, as if the sun could not find

that one small patch of ground where you and your potential murderer

tested fate.

Toby walked into the house ahead of them, either unafraid of the gloom

or eager to do the deed.

Heather and Jack each took a flashlight and a can of gasoline, leaving

two cans just outside the front door.

Harlan Moffit brought up the rear with two cans. “What’re these

buggers like?

They all hairless and bigeyed like those geeks who kidnapped Whitley

Strieber?”

In the unfurnished and unlighted living room, Toby was standing in

front of a dark figure, and when their flashlight beams found what the

boy had found before

WINTER MOON 465

them, Harlan Moffit had his answer. Not hairless and big-eyed. Not

the cute little guys from a Spielberg movie. A decomposing body stood

with legs spread, swaying but in no danger of crumpling to the floor.

A singularly repulsive creature was draped across the cadaver’s back,

bound to it by several greasy tentacles, intruded into its rotting

body, as though it had been trying to become one with the dead flesh.

It was quiescent but obviously alive: queer pulses were visible beneath

its wet-silk skin, and the tips of some appendages quivered.

The dead man with which the alien had combined was Jack’s old friend

and partner Tommy Fernandez.

Heather realized, too late, that Jack had never actually seen one of

the walking dead with its puppetmaster in full saddle. That sight

alone was sufficient to undermine a lot of his assumptions about the

inherently benign-or at least neutral–character of the universe and

the inevitability of justice. There was nothing benign or just about

what had been done with Tommy Fernandez’s remains–or about what the

Giver would do to her, Jack, Toby, and the rest of humanity while they

were still alive, if it had the opportunity.

The revelation had more sting because these were Tommy’s remains in

this condition of profound violation, rather than those of a

stranger.

She turned her flashlight away from Tommy and was relieved when Jack

lowered his own quickly, as well. It would not have been like him to

dwell on such a horror. She liked to believe that, in spite of

anything he might

466 DEAN KOONTZ have to endure, he would always hold

fast to the optimism and love of life that made him special.

“This thing has gotta die,” Harlan said coldly. He had lost his

natural ebullience. He was no longer Richard Dreyfuss excitedly

chasing his close encounter of the third kind. The most ominous

apocryphal fantasies of evil aliens that the cheap tabloids and science

fiction movies had to offer were not merely proved foolish by the

grotesquerie that stood in the caretaker’s house, they were proved

naive as well, because their portrayals of extraterrestrial malevolence

were shabby fun-house spookery compared to the endlessly imaginative

abominations and tortures that a dark, cold universe held in store.

“Gotta die right now.”

Toby walked away from Tommy Fernandez’s body, into the shadows.

Heather followed him with her flashlight beam. “Honey?”

“No time,” he said.

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