“I had changed substantially during the tour. I was learning to dress like Sir John, which was eccentric enough in a young man, but at least not vulgar in style. I was beginning to speak like him, and as is common with beginners, I was overdoing it. I was losing, ever so little, my strong sense that every man’s hand was against me, and my hand against every man. I had encountered my native land again, and was reconciled to all of it except Deptford. We passed through Deptford during the latter part of our tour, on a hop between Windsor and London; I found out from the conductor of the train that we would stop to take on water for the engine there, and that the pause would be short, but sufficient for my purpose; as we chugged past the gravel pit beside the railway line I was poised on the steps at the back of the train, and as we pulled in to the station, so small and so familiar, I swung down onto the platform and surveyed all that was to be seen of the village.
“I could look down most of the length of our main street. I recognized a few buildings and saw the spires of the five churches — Baptist, Methodist, Presbyterian, Anglican, and Catholic — among the leafless trees. Solemnly, I spat. Then I went behind the train to the siding where, so many years ago, Willard had imprisoned me in Abdullah, and there I spat again. Spitting is not a ceremonious action, but I crowded it with loathing, and when I climbed back on the train I felt immeasurably better. I had not settled any scores, or altered my feelings, but I had done something of importance. Nobody knew it, but Paul Dempster had visited his childhood home. I have never returned.
“Back to England, and another long period of hand-to-mouth life for me. Sir John wanted a rest, and Milady had the long trial of waiting for her eyes to be ready for an operation. they called it ‘ripening’ in cases of cataracts then — and the operation itself, which was successful in that it made it possible for her to see with thick, disfiguring lenses that were a humiliation for a woman who still thought of herself as a leading actress. Macgregor decided to retire, which was reasonable but made a gap in the organization on which Sir John depended. Holroyd was a thoroughgoing pro, and could get a good job anywhere, and I think he saw farther than either Sir John or Milady, because he went to Stratford-on-Avon and stayed at the Memorial Theatre until he too retired. Nothing came of the Jekyll and Hyde play, though I know the Tresizes tinkered with the scenario for years, as an amusement. But they were comfortably off for money — rich, by some standards — and they could settle down happily in their suburban home, which had a big garden, and amuse themselves with the antiques that gave them so much delight. I visited them there often, because they kept a kind interest in me, and helped me as much as they were able. But their influence in the theatre was not great; indeed, a recommendation from them took on a queer look in the hands of a young man, because to so many of the important employers of actors in the London theatre in the mid-thirties they belonged to a remote past.
“Indeed, they never appeared at the head of a company again. Sir John had one splendid appearance in a play by a writer who had been a great figure in the theatre before and just after the First World War, but his time, too, had passed; his play suffered greatly from his own illness and some justifiable but prolonged caprice on the part of the star players. Sir John was very special in that play, and he was given fine notices by the press, but nothing could conceal the fact that he was not the undoubted star, but ‘distinguished support in a role which could not have been realized with the same certainty of touch and golden splendour of personality by any other actor of our time’ — so James Agate said, and everybody agreed.
“There was one very bad day toward the end of his life which, I know, opened the way for his death. In the autumn of 1937, when people were thinking of more immediately pressing things, some theatre people were thinking that the centenary of the birth of Henry Irving should not pass unnoticed. They arranged an all-star matinee, in which tribute to the great actor should be paid, and as many as possible of the great theatre folk of the day should appear in scenes selected from the famous plays of his repertoire. It should be given at his old theatre, the Lyceum, as near as possible to his birthday, which was February 6 in the following year.
“Have you ever had anything to do with such an affair? The idea is so splendid, the sentiment so admirable, that it is disillusioning to discover what a weight of tedious and seemingly unnecessary diplomacy must go into its arrangement. Getting the stars to say with certainty that they will appear is only the beginning of it; marshalling the necessary stage-settings, arranging rehearsals, and publicizing the performance, without ruinously disproportionate expense, is the bulk of the work, and I understand that an excellent committee did it with exemplary patience. But inevitably there were muddles, and in the first enthusiasm many more people were asked to appear than could possibly have been crowded on any stage, even if the matinee had been allowed to go on for six or seven hours.
“Quite reasonably, one of the first people to be asked for his services was Sir John, because he was the last actor of first-rate importance still living who had been trained under Irving. He agreed that he would be present, but then, prompted by God knows what evil spirit of vanity, he began to make conditions: he would appear, and he would speak a tribute to Irving if the Poet Laureate would write one. The committee demurred, and the Poet Laureate was not approached. So Sir John, with the bit between his teeth, approached the Poet Laureate himself, and the Poet Laureate said he would have to think about it. He thought for six weeks, and then, in response to another letter from Sir John, said he didn’t see his way clear to doing it.
“Sir John communicated this news to the committee, who had meanwhile gone on with other plans, and they did not reply because, I suppose, they were up to their eyes in complicated arrangements which they had to carry through in the spare time of their busy lives. Sir John, meanwhile, urged an ancient poet of his acquaintance, who had been a very minor figure in the literary world before the First World War, to write the poetic tribute. The ancient poet, whose name was Urban Frawley, thought a villanelle would do nicely. Sir John thought something more stately was called for; his passion for playing the literary Meddlesome Mattie was aroused, and he and the ancient poet had many a happy hour, wrangling about the form the tribute should take. There was also the great question about what Sir John should wear, when delivering it. He finally decided on some robes he had worn not less than twenty-five years earlier, in a play by Maeterlinck; like everything else in his wardrobe it had been carefully stored, and when Holroyd had been summoned from Stratford to find it, it was in good condition, and needed only pressing and some loving care to make it very handsome. This valet work became my job, and in all I made three journeys to Richmond, where the Tresizes lived, to attend to it. Everything seemed to be going splendidly, and only I worried about the fact that nothing had been heard from the committee for a long time.
“There was less than a week to go before the matinee when at last I persuaded Sir John that something must be done to make sure that he had been included in the programme. This was tactless, and he gave me a polite dressing-down for supposing that when Irving was being honoured, his colleagues would be so remiss as to forget Irving’s unquestioned successor. I was not so confident, because since the tour I had mingled a little with theatre people, and had learned that there were other pretenders to Irving’s crown, and that Sir Johnston Forbes-Robertson and Sir Frank Benson had been spoken of in this regard, and Benson was still living. I took my scolding meekly, and went right on urging him not to leave things to chance. So, rather in the spirit of the Master of Ballantrae giving orders to the pirates, he telephoned the secretary of the committee, and talked, not to him, but to his anonymous assistant.