World of Wonders – The Deptford Trilogy #3 by Robertson Davies

“Sir John told him he was calling simply to say that he would be on hand for the matinee, as he had been invited to do some months before; that he would declaim the tribute to Irving which had been specially written by that favoured child of the Muses, Urban Frawley; that he would not arrive at the theatre until half past four, and he would arrive in costume, as he knew the backstage resources of the theatre would be crowded, and nothing was further from his mind than to create any difficulty by requiring the star dressing-room. All of this was delivered in the jocular but imperative mode that was his rehearsal speciality, with much ‘eh’ and ‘quonk’ to make it sound friendly. The secretary’s secretary apparently gave satisfactory replies, because when Sir John had finished his call he looked at me slyly, as if I were a silly lad who didn’t understand how such things were done.

“It was agreed that I should drive him to the theatre, because he might want assistance in arranging his robes, and although he had an old and trusted chauffeur, the man had no skill as a dresser. So, with lots of time to spare, I helped him into the back seat in his heavy outfit of velvet and fur, climbed into the driver’s place, and off we went. It was one of those extremely class-conscious old limousines; Sir John, in the back, sat on fine whipcord, and I, in front, sat on leather that was as cold as death; we were separated by a heavy glass partition, but from time to time he spoke to me through the speaking tube, and his mood was triumphal.

“Dear old man! He was going to pay tribute to Irving, and there was nobody else in the world who could do it with a better right, or more reverent affection. It was a glory-day for him, and I was anxious that nothing should go wrong.

“As it did, of course. We pulled up at the stage door of the Lyceum, and I went in and told the attendant that Sir John had arrived. He wasn’t one of your proper old stage doormen, but a young fellow who took himself very seriously, and had a sheaf of papers naming the people he was authorized to admit. No Sir John Tresize was on the list. He showed it to me, in support of his downright refusal. I protested. He stuck his head out of the door and looked at our limousine, and made off through the passage that led to the stage, and I stuck close to him. He approached an elegant figure whom I knew to be one of the most eminent of the younger actor-knights and hissed, ‘There’s an old geezer outside dressed as Nero who says he’s to appear; will you speak to him, sir?’ I intervened; ‘It’s Sir John Tresize,’ I said, ‘and it was arranged that he was to speak an Epilogue — a tribute to Irving.’ The eminent actor-knight went rather pale under his make-up (he was rigged out as Hamlet) and asked for details, which I supplied. The eminent actor-knight cursed with brilliant invention for a few seconds, and beckoned me to the corridor. I went, but not before I was able to identify the sounds that were coming from the stage as a passage from The Lyons Mail; the rhythm, the tune of what I heard was all wrong, too colloquial, too matter-of-fact.

“We made our way back to the stage door, and the eminent actor-knight darted across the pavement, leapt into the limousine beside Sir John, and began to talk to him urgently. I would have given a great deal to hear what was said, but I could only catch scraps of it from where I sat in the driver’s seat. ‘Dreadful state of confusion. . . can’t imagine what the organization of such an affair entails. . . would not for the world have slighted so great a man of the theatre and the most eminent successor of Irving. . . but when the proposal to the Poet Laureate fell through all communication had seemed to stop. . . nothing further had been heard. . . no, there had been no message during the past week or something would certainly have been done to alter the programme. . . but as things stand. . . greatest reluctance. . . beg indulgence. . . express deepest personal regret but as you know I do not stand alone and cannot act on personal authority so late in the afternoon. . .’

“A great deal of this; the eminent actor-knight was sweating and I could see in the rear-vision mirror that his distress was real, and his determination to stick to his guns was equally real. They were a notable study. You could do wonders with them, Harry; the young actor so vivid, the old one so silvery in the splendour of his distinction; both giving the quality of art to a common human blunder. Sir John’s face was grave, but at last he reached out and patted the knee in the Hamlet tights and said, ‘I won’t say I understand, because I don’t; still, nothing to be done now, eh? Damned embarrassing for us both, quonk? But I think I may say a little more than just embarrassing for me.’ Then Hamlet, delighted to have been let off the hook, smiled the smile of spiritual radiance for which he was famous, and did an inspired thing: he took the hand Sir John extended to him and raised it to his lips. It seemed under the circumstances precisely the right thing to do.

“Then I drove Sir John back to Richmond, and it was a slow journey, I can tell you. I hardly dared to look in the mirror, but I did twice, and both times tears were running down the old man’s face. When we arrived I helped him inside and he leaned very heavily on my arm. I couldn’t bear to hang around and hear what he said to Milady. Nor would they have wanted me.

“So that was how you knifed him, Roly. Don’t protest. When the stage doorman showed me that list of people who were included in the performance, it was signed by you, on behalf of the eminent actor-knight. You simply didn’t let that telephone message go any farther. It’s a pity you couldn’t have been on hand to see the scene in the limousine.”

Magnus said no more, and nobody else seemed anxious to break the silence. Ingestree appeared to be thinking, and at last it was he who spoke.

“I don’t see any reason now for denying what you’ve said. I think you have coloured it absurdly, but your facts are right. It’s true I devilled for the committee about that Irving matinee; I was just getting myself established in the theatre in a serious way and it was a great opportunity for me. All the stars who formed the committee heaped work on me, and that was as it should be. I don’t complain. But if you think Sir John Tresize was the only swollen ego I had to deal with, you’d better think again; I had months of tiresome negotiating to do, and because no money was changing hands I had to treat over a hundred people as if they were all stars.

“Yes, I got the call from Tresize, and it came just at the time when I was hardest pressed. Yes, I did drop it, because by that time I had been given a programme for that awful afternoon that we had to stick to or else disturb I can’t think how many careful arrangements. You saw one man disappointed; I saw at least twenty. All my life I’ve had to arrange things, because I’m that uncommon creature, an artist with a good head for administration. One of the lessons I’ve learned is to give no ground to compassion, because the minute you do that a dozen people descend upon you who treat compassion as weakness, and drive you off your course without the slightest regard for what happens to you. You’ve told us that you apprenticed yourself to an egoism, Magnus, and so you did, and you’ve learned the egoism-game splendidly; but in my life I’ve had to learn how to deal with people like you without becoming your slave, and that’s what I’ve done. I’m sorry if old Tresize felt badly, but on the basis of what you’ve told us I think everybody else here will admit that it was nobody’s fault but his own.”

“I don’t think I’m ready to admit that,” said Lind. “There is a hole in your excellent story: you didn’t tell your superior about the telephone call. Surely he was the man to make final decisions?”

“There were innumerable decisions to be made. If you’ve ever had any experience of an all-star matinee you can guess how many. During the last week everybody was happy if a decision could be made that would stick. I don’t remember the details very clearly. I acted for what seemed the best.”

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