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Antonina, or The fall of Rome Book by Wilkie Collins

But, though to speculate upon the future conduct of others under impending circumstances be but too often to expose the fallacy of our wisest anticipations, to contemplate the nature of that conduct after it has been displayed is a useful subject of curiosity, and may perhaps be made a fruitful source of instruction. Similar events which succeed each other at different periods are relieved from monotony, and derive new importance from the ever-varying effects which they produce on the human character. Thus, in the great occurrence which forms the foundation of our narrative, we may find little in the siege of Rome, looking at it as a mere event, to distinguish it remarkably from any former siege of the city–the same desire for glory and vengeance, wealth and dominion, which brought Alaric to her walls, brought other invaders before him. But if we observed the effect of the Gothic descent upon Italy on the inhabitants of her capital, we shall find ample matter for novel contemplation and unbounded surprise.

We shall perceive, as an astonishing instance of the inconsistencies of the human character, the spectacle of a whole people resolutely defying an overwhelming foreign invasion at their very doors, just at the period when they had fallen most irremediably from the highest position of national glory to the lowest depths of national degradation; resisting an all-powerful enemy with inflexible obstinacy, for the honour of the Roman name, which they had basely dishonoured or carelessly forgotten for ages past. We shall behold men who have hitherto laughed at the very name of patriotism, now starving resolutely in their country’s cause; who stopped at no villainy to obtain wealth, now hesitating to employ their ill-gotten gains in the purchase of the most important of all gratifications–their own security and peace. Instances of the unimaginable effect produced by the event of the siege of Rome on the characters of her inhabitants might be drawn from all classes, from the lowest to the highest, from patrician to plebeian; but to produce them here would be to admit too long an interruption in the progress of the present narrative. If we are to enter at all into detail on such a subject, it must be only in a case clearly connected with the actual requirements of our story; and such a case may be found, at this juncture, in the conduct of the senator Vetranio, under the influence of the worst calamities attending the blockade of Rome by the Goths.

Who, it may be asked, knowing the previous character of this man, his frivolity of disposition, his voluptuous anxiety for unremitting enjoyment and ease, his horror of the slightest approaches of affliction or pain, would have imagined him capable of rejecting in disdain all the minor chances of present security and future prosperity which his unbounded power and wealth might have procured for him, even in a famine-stricken city, and rising suddenly to the sublime of criminal desperation, in the resolution to abandon life as worthless the moment it had ceased to run in the easy current of all former years? Yet to this determination had he now arrived; and, still more extraordinary, in this determination had he found others, of his own patrician order, to join him.

The reader will remember his wild announcement of his intended orgie to the Prefect Pompeianus during the earlier periods of the siege; that announcement was now to be fulfilled. Vetranio had bidden his guests to the Banquet of Famine. A chosen number of the senators of the great city were to vindicate their daring by dying the revellers that they had lived; by resigning in contempt all prospect of starving, like the common herd, on a lessening daily pittance of loathsome food; by making their triumphant exit from a fettered and ungrateful life, drowned in floods of wine, and lighted by the fires of the wealthiest palace of Rome!

It had been intended to keep this frantic determination a profound secret, to let the mighty catastrophe burst upon the remaining inhabitants of the city like a prodigy from heaven; but the slaves intrusted with the organisation of the suicide banquet had been bribed to their tasks with wine, and in the carelessness of intoxication had revealed to others whatever they heard within the palace walls. The news passed from mouth to mouth. There was enough in the prospect of beholding the burning palace and the drunken suicide of its desperate guests to animate even the stagnant curiosity of a famishing mob.

On the appointed evening the people dragged their weary limbs from all quarters of the city towards the Pincian Hill. Many of them died on the way; many lost their resolution to proceed to the end of their journey, and took shelter sullenly in the empty houses on the road; many found opportunities for plunder and crime as they proceeded, which tempted them from their destination; but many persevered in their purpose–the living dragging the dying along with them, the desperate driving the cowardly before them in malignant sport, until they gained the palace gates. It was by their voices, as they reached her ear from the street, that the fast-sinking faculties of Antonina had been startled, though not revived; and there, on the broad pavement, lay these citizens of a fallen city–a congregation of pestilence and crime–a starving and an awful band!

The moon, brightened by the increasing darkness, now clearly illuminated the street, and revealed, in a narrow space, a various and impressive scene.

One side of the roadway in which stood Vetranio’s palace was occupied, along each extremity, as far as the eye could reach at night, by the groves and outbuildings attached to the senator’s mansion. The palace grounds, at the higher and farther end of the street–looking from the Pincian Gate–crossed it by a wide archway, and then stretched backward, until they joined the trees of the little garden of Numerian’s abode. In a line with this house, but separated from it by a short space, stood a long row of buildings, let out floor by floor to separate occupants, and towering to an unwieldy altitude; for in ancient Rome, as in modern London, in consequence of the high price of land in an over-populated city, builders could only secure space in a dwelling by adding inconveniently to its height. Beyond these habitations rose the trees surrounding another patrician abode; and beyond that the houses took a sudden turn, and nothing more was visible in a straight line but the dusky, indefinite objects of the distant view.

The whole appearance of the street before Vetranio’s mansion, had it been unoccupied by the repulsive groups now formed in it, would have been eminently beautiful at the hours of which we now write. The nobly symmetrical frontage of the palace itself, with its graceful succession of long porticoes and colossal statues, contrasted by the picturesquely irregular appearance of the opposite dwelling of Numerian and the lofty houses by its side; the soft, indistinct masses of foliage running parallel along the upper ends of the street, terminated and connected by the archway garden across the road, on which was planted a group of tall pine-trees, rising in gigantic relief against the transparent sky; the brilliant light streaming across the pavement from Vetranio’s gaily curtained windows, immediately opposed by the tranquil moonlight which lit the more distant view–formed altogether a prospect in which the natural and the artificial were mingled together in the most exquisite proportions–a prospect whose ineffable poetry and beauty might, on any other night, have charmed the most careless eye and exalted the most frivolous mind. But now, overspread as it was by groups of people gaunt with famine and hideous with disease; startled as it was, at gloomy intervals, by contending cries of supplication, defiance, and despair- its brightest beauties of Nature and Art appeared but to shine with an aspect of bitter mockery around the human misery which their splendour disclosed.

Upwards of a hundred people–mostly of the lowest orders–were congregated before the senator’s devoted dwelling. Some few among them passed slowly to and fro in the street, their figures gliding shadowy and solemn through the light around them; but the greater number lay on the pavement before the wall of Numerian’s dwelling and the doorways of the lofty houses by its side. Illuminated by the full glare of the light from the palace windows, these groups, huddled together in the distorted attitudes of suffering and despair, assumed a fearful and unearthly appearance. Their shrivelled faces, their tattered clothing, their wan forms, here prostrate, there half-raised, were bathed in a steady red glow. High above them, at the windows of the tall houses, now tenanted in every floor by the dead, appeared a few figures (the mercenary guardians of the dying within) bending forward to look out upon the palace opposite–their haggard faces showing pale in the clear moonlight. Sometimes their voices were heard calling in mockery to the mass of people below to break down the strong steel gates of the palace, and tear the full wine-cup from its master’s lips. Sometimes those beneath replied with execrations, which rose wildly mingled with the wailing of women and children, the moans of the plague-stricken, and the supplications of the famished to the slaves passing backwards and forwards behind the palace railings for charity and help.

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Categories: Wilkie Collins
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