Bedroom in the Wee Hours of the Morning, A – Stephen King

When he put on the lamp she leaped from the bed, retreated into the farthest corner of the room and curled up with her thumb in her mouth.

Both Bill and Dr. Verecker tried to find out what was wrong; she told them but she was still sucking her thumb, so it was some time before they realized she was saying, “It crept under the bed. It crept under the bed.”

And even though they flipped up the coverlet and Bill actually lifted up the whole bed by its foot off the floor to show her there was nothing under there, not even a litter of dust kitties, she would not come out of the corner. When the sun came up, she did at last come out of the corner. She took her thumb out of her mouth. She stayed away from the bed. She stared at, Bill Pillsbury from her clown-white face.

“We’re going back to New York,” she said. “This morning.”

“Of course,” Bill muttered. “Of course, dear.”

Bill Pillsbury’s father died of a heart attack two weeks after the stock-market crash. Bill and Lottie could not keep the company’s head above water. Things went from bad to worse. In the years that followed she thought often of their honeymoon at the Overlook Hotel, and the dreams, and the canvas hand that had crept out from under the bed to squeeze her own. She thought about those things more and more. She committed suicide in a Yonkers motel room in 1949, a woman who was prematurely gray and prematurely lined. It had been 20 years and the hand that had gripped her wrist when she reached down to get her cigarettes had never really let go. She left a one-sentence suicide note written on Holiday Inn stationery. The note said: “I wish we had gone to Rome.”

AND NOW THIS WORD FROM NEW HAMPSHIRE

In that long, hot summer of 1953, the summer Jacky Torrance turned 6, his father came home one night from the hospital and broke Jacky’s arm. He almost killed the boy. He was drunk.

Jacky was sitting on the front porch reading a Combat Casey comic book when his father came down the street, listing to one side, torpedoed by beer somewhere down the line. As he always did, the boy felt a mixture of love-hate-fear rise in his chest at the sight of the old man, who looked like a giant, malevolent ghost in his hospital whites. Jacky’s father was an orderly at the Berlin Community Hospital. He was like God, like Nature-sometimes lovable, sometimes terrible. You never knew which it would be. Jacky’s mother feared and served him. Jacky’s brothers hated him. Only Jacky, of all of them, still loved him in spite of the fear and the hate, and sometimes the volatile mixture of emotions made him want to cry out at the sight of his father coming, to simply cry out: “I love you, Daddy! Go away! Hug me! I’ll kill you! I’m so afraid of you! I need you!” And his father seemed to sense in his stupid way-he was a stupid man, and selfish – that all of them had gone beyond him but Jacky, the youngest, knew that the only way he could touch the others was to bludgeon them to attention. But with Jacky there was still love, and there had been times when he had cuffed the boy’s mouth into running blood and then hugged him with a frightful force, the killing force just, barely held back by some other thing, and Jackie would let himself be hugged deep into the atmosphere of malt and hops that hung around his old man forever, quailing, loving, fearing.

He leaped off the step and ran halfway down the path before something stopped him.

“Daddy?” he said. “Where’s the car?”

Torrance came toward him, and Jacky saw how very drunk he was. “Wrecked it up,” he said thickly.

“Oh…” Careful now. Careful what you say. For your life, be careful. “That’s too bad”

His father stopped and regarded Jacky from his stupid pig eyes. Jacky held his breath. Somewhere behind his father’s brow, under the lawn-mowered brush of his crew cut, the scales were turning. The hot, afternoon stood still while Jacky waited, staring up anxiously into his father’s face to see if his father would throw a rough bear arm around his shoulder, grinding Jacky’s cheek against the rough, cracked leather of the belt that held up his white pants and say, “Walk with me into the house, big boy.” in the hard and contemptuous way that was the only way he could even approach love without destroying himself – or if it would be something else.

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