Bridge Trilogy. Part one

Karen Mendelsohn had seemed like the best of a whole string of things Rydell felt he could get used to just fine. Like flying business-class or having a SoCal MexAmeriBank card from Cops in Trouble. That first time with her, in the Executive Suites in Knoxville, not having anything with him, he’d tried to show her his certificates of vaccination (required by the Department, else they couldn’t get you insured). She’d just laughed and said German nanotech would take care of all of that. Then she showed Rydell this thing through the transparent top of a ‘9 gadget like a little battery-powered pressure-cooker. Rydell had heard about them, but he hadn’t ever seen one; he’d also heard they cost about as much as a small car. He’d read somewhere how they always had to be kept at body temperature. It looked like it might be moving a little in there. Pale, sort of jellyfish thing. He asked her if it was true they were alive. She told him it wasn’t, exactly, but it was almost, and the rest of it was Bucky balls and subcellular automata. And he wouldn’t even know it was there, but no way was she going to put it in in front of him. She’d gone into the bathroom to do that. When she came back out in that underwear, he got to learn where Milan was. And while it was true he wouldn’t have known the thing was there, he did know it was there, but pretty soon he forgot about it, almost. They chartered a tilt-rotor to Memphis the next morning and got on Air Magellan to LAX. Business-class mostly meant better gizmos in the seatback in front of you, and Rydell’s immediate favorite was a telepresence set you could tune to servo-mounted mollies on the outside of the plane. Karen hated to use the little VirtuFax she carried around in her purse, so she’d gotten on to her office in L.A. and had them download her morning’s mail into her seatback display. She got down to that fast, talking on the phone, sending faxes, and leaving Rydell to ooh and ah at the views from the mollies. The seats were bigger than when he used to fly down to Florida to see his father, the food was better, and the drinks were free. Rydell had three or four of those, fell asleep, and didn’t wake up until somewhere over Arizona. The air was funny, at LAX, and the light was different. California was a lot more crowded than he’d expected, and louder. There was a man there from Cops in Trouble, holding up a piece of wrinkled white cardboard that said 2.0 MENDELSOHN in red marker, only the S was backward. Rydell smiled, introduced himself, and shook hands with him. He seemed to like that; said his name was Sergei. When Karen asked him where the fucking car was, he turned bright red and said it would just take him a minute to get it. Karen said no thanks, they’d walk to the lot with him as soon as their bags turned up, no way was she waiting around in a zoo like this. Sergei nodded. He kept trying to fold up the sign and put it into his jacket pocket, but it was too big. Rydell wondered why she’d suddenly gotten bitchy like that. Tired from the trip, maybe. He winked at Sergei, but that just seemed to make the guy more nervous. After their bags came, Karen’s two black leather ones and the softside blue Samsonite Rydell had bought with his new debit-card, he and Sergei carried them out and across a kind of trafficioop. The air outside was about the same, but hotter. This recording kept saying that the white spaces were for loading and unloading only. There were all kinds of cars jockeying around, babies crying, people leaning on piles of luggage, but Sergei knew where they were going-over to this garage across the way. Sergei’s car was long, black, German, and looked like somebody had just cleaned it all over with warm spit and QTips. When Rydell offered to ride shotgun, Sergei got rattled again and hustled him into the back seat with Karen. Which made her laugh, so Rydell felt better. As they were pulling out of the garage, Rydell spotted two cops over by these big stainless-steel letters that said METRO. They wore air-conditioned helmets with clear plastic visors. They were poking at an old man with their sticks, though it didn’t look like they had them turned on. The old man’s jeans were out at the knees and he had big patches of tape on both cheekbones, which almost always means cancer. He was SO burned, it was hard to tell if he was white or what. A crowd of people was streaming up the stairs behind the old man and the cops, under the METRO sign, and stepping around them. 21 ‘Welcome to Los Angeles,’ she said. ‘Be glad you aren’t taking the subway.’ They had dinner that night in what Karen said was Hollywood, with Aaron Pursley himself, in a Tex-Mex restaurant on North Flores Street. It was the best Tex-Mex food Rydell had ever had. About a month later, he tried to take Sublett there for his birthday, maybe cheer him up with a down-home meal, but the man out front just wouldn’t let them in. ‘Full up,’ he said. Rydell could see plenty of empty tables through the window. It was early and there was hardly anybody in there. ‘How ’bout those,’ Rydell said, pointing at all the empty tables. ‘Reserved,’ the man said. Sublett said spicy foods weren’t really such a good idea for him anyway.

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