Bridge Trilogy. Part two

And then Silencio sees Playboy’s fingers close, on nothing, and open. And the man’s right hand comes up to push Playboy back, and the thin black thing is pulled out of Playboy’s chest, and Silencio wonders how long it could have been hidden there, and Playboy falls back over the wood and the rolls of plastic.

Silencio hears someone say pinche madre and this is Raton. When Raton uses the black and fights, he is very fast and you do not know 30 what he will do; he hurts people and then shakes, laughing, sucking air through his mouth. Now he comes over the rolls of plastic like he is flying, with his knife shining in his hand, and Silencio sees the picture of a man with dog teeth and wings, and Raton’s teeth are like that, his snake eyes wide. And the black thing, like a long wet thumb, goes through Raton’s neck. And everything stops again.

Then Raton tries to speak, and blood comes on his lips. He swings his knife at the man, but the knife cuts only air, and Raton’s fingers can no longer hold it.

The man pulls the black thing from Raton’s throat. Raton sways on loose knees, and Silencio thinks of how it is when Raton uses too much white, then tries to walk. Raton puts his hands up to cover his throat on both sides. His mouth moves, but no words come out. One of Raton’s snake eyes falls out. The eye behind it is round and brown.

Raton falls down on his knees, with his hands still on his throat. His snake eye and his brown eye look up at the man, and Silencio feels they look from different distances, seeing different things.

Then Raton makes a small, soft sound in his throat and falls over backward, still on his knees, so that he lies on his back with his knees spread wide and his legs twisted back, and Silencio watches Raton’s gray pants go dark between his legs.

Silencio looks at the man. Who is looking at him.

Silencio looks at the black knife, how it rests in the man’s hand. He feels that the knife holds the man. That the knife may decide to move.

Then the man moves the knife. Its point is almost square, like the real point has been snapped off. It only moves a little. Silencio understands this means he must move.

He steps sideways, so the man can see him.

The point moves again. Silencio understands.

Closer. ALL TOMORROW S PARTIES 31 I 7. SHAREHOUSE

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