It was the phone that woke me up at quarter past noon. I thought it would be the hospital, someone from the hospital saying my mother had taken a sudden turn for the worse and had passed away only a few minutes ago, so sorry. But it was only Mrs. McCurdy, wanting to be sure I’d gotten home all right, wanting to know all the details of my visit the night before (she took me through it three times, and by the end of the third recitation I had begun to feel like a criminal being interrogated on a murder charge), also wanting to know if I’d like to ride up to the hospital with her that afternoon. I told her that would be great.
When I hung up, I crossed the room to the bedroom door. Here was a full- length mirror. In it was a tall, unshaven young man with a small potbelly, dressed only in baggy undershorts. You have to get it together, big boy, I told my reflection. Can’t go through the rest of your life thinking that every time the phone rings it’s someone calling to tell you your mother’s dead.
Not that I would. Time would dull the memory, time always did . . . but it was amazing how real and immediate the night before still seemed. Every edge and corner was sharp and clear. I could still see Staub’s good- looking young face beneath his turnedaround cap, and the cigarette behind his ear, and the way the smoke had seeped out of the incision on his neck when he inhaled. I could still hear him telling the story of the Cadillac that was selling cheap. Time would blunt the edges and round the corners, but not for awhile. After all, I had the button, it was on the dresser by the bathroom door. The button was my souvenir. Didn’t the hero of every ghost story come away with a souvenir, something that proved it had all really happened?
There was an ancient stereo system in the corner of the room, and I shuffled through my old tapes, hunting for something to listen to while I shaved. I found one marked folk mix and put it in the tape player. I’d made it in high school and could barely remember what was on it. Bob Dylan sang about the lonesome death of Hattie Carroll, Tom Paxton sang about his old ramblin’ pal, and then Dave Van Ronk started to sing about the cocaine blues. Halfway through the third verse I paused with my razor by my cheek. Got a headful of whiskey and a bellyful of gin, Dave sang in his rasping voice. Doctor say it kill me but he don’t say when. And that was the answer, of course. A guilty conscience had lead me to assume that my mother would die immediately, and Staub had never corrected that assumption how could he, when I had never even asked? but it clearly wasn’t true.
Doctor say it kill me but he don’t say when.
What in God’s name was I beating myself up about? Didn’t my choice amount to no more than the natural order of things? Didn’t children usually outlive their parents? The son of a bitch had tried to scare me to guilt- trip me but I didn’t have to buy what he was selling, did I? Didn’t we all ride the Bullet in the end?
You’re just trying to let yourself off. Trying to find a way to make it okay. Maybe what you’re thinking is true . . . but when he asked you to choose, you chose her. There’s no way to think your way around that, buddy you chose her.
I opened my eyes and looked at my face in the mirror. I did what I had to, I said. I didn’t quite believe it, but in time I supposed I would.
Mrs. McCurdy and I went up to see my mother and my mother was a little better. I asked her if she remembered her dream about Thrill Village, in Laconia. She shook her head. I barely remember you coming in last night, she said. I was awful sleepy. Does it matter?