Castaneda, Carlos – Don Juan 08 – The Power of Silence

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The Manifestations of the Spirit

THE FIRST ABSTRACT CORE

Don Juan, whenever it was pertinent, used to tell me brief stories about the sorcerers of his lineage, especially his teacher, the nagual Julian. They were not really stories, but rather descriptions of the way those sorcerers behaved and of aspects of their personalities. These accounts were each designed to shed light on a specific topic in my apprenticeship.

I had heard the same stories from the other fifteen members of don Juan’s group of sorcerers, but none of these accounts had been able to give me a clear picture of the people they described. Since I had no way of persuading don Juan to give me more details about those sorcerers, I had resigned myself to the idea of never knowing about them in any depth.

One afternoon, in the mountains of southern Mexico, don Juan, after having explained to me more about the intricacies of the mastery of awareness, made a statement that completely baffled me.

“I think it’s time for us to talk about the sorcerers of our past/1 he said.

Don Juan explained that it was necessary that I begin drawing conclusions based on a systematic view of the past, conclusions about both the world of daily affairs and the sorcerers’ world.

“Sorcerers are vitally concerned with their past,” he said. “But I don’t mean their personal past. For sorcerers their past is what other sorcerers in bygone days have done. And what we are now going to do is examine that past.

“The average man also examines the past. But it’s mostly his personal past he examines, and he does so for personal reasons. Sorcerers do quite the opposite; they consult their past in order to obtain a point of reference.”

“But isn’t that what everyone does? Look at the past to get a point of reference?”

“No!” he answered emphatically. “The average man measures himself against the past, whether his personal past or the past knowledge of his time, in order to find justifications for his present or future behavior, or to establish a model for himself. Only sorcerers genuinely seek a point of reference in their past.”

“Perhaps, don Juan, things would be clear to me if you tell me what a point of reference for a sorcerer is.”

“For sorcerers, establishing a point of reference means getting a chance to examine intent,” he replied. “Which is exactly the aim of this final topic of instruction. And nothing can give sorcerers a better view of intent than examining stories of other sorcerers battling to understand the same force.”

He explained that as they examined their past, the sorcerers of his lineage took careful notice of the basic abstract order of their knowledge.

“In sorcery there are twenty-one abstract cores,”

don Juan went on. “And then, based on those abstract cores, there are scores of sorcery stories about the naguals of our lineage battling to understand the spirit. It’s time to tell you the abstract cores and the sorcery stories.”

I waited for don Juan to begin telling me the stories, but he changed the subject and went back to explaining awareness.

“Wait a minute,” I protested. “What about the sorcery stories? Aren’t you going to tell them to me?”

“Of course I am,” he said. “But they are not stories that one can tell as if they were tales. You’ve got to think your way through them and then rethink them— relive them, so to speak.”

There was a long silence. I became very cautious and was afraid that if I persisted in asking him again to tell me the stories, I could be committing myself to something I might later regret. But my curiosity was greater than my good sense.

“Well, let’s get on with them,” I croaked.

Don Juan, obviously catching the gist of my thoughts, smiled maliciously. He stood and signaled me to follow. We had been sitting on some dry rocks at the bottom of a gully. It was midafternoon. The sky was dark and cloudy. Low, almost-black rain clouds hovered above the peaks to the east. In comparison, the high clouds made the sky seem clear to the south. Earlier it had rained heavily, but then the rain seemed to have retreated to a hiding place, leaving behind only a threat.

I should have been chilled to the bone, for it was very cold. But I was warm. As I clutched a rock don Juan had given me to hold, I realized that this sensation of being warm in nearly freezing weather was familiar to me, yet it amazed me each time. Whenever I seemed about to freeze, don Juan would give me a branch to hold, or a stone, or he would put a bunch of leaves under my shirt, on the tip of my sternum, and that would be sufficient to raise my body temperature. I had tried unsuccessfully to recreate, by myself, the effect of his ministrations. He told me it was not the ministrations but his inner silence that kept me warm, and the branches or stones or leaves were merely devices to trap my attention and maintain it in focus.

Moving quickly, we climbed the steep west side of a mountain until we reached a rock ledge at the very top. We were in the foothills of a higher range of mountains. From the rock ledge I could see that fog had begun to move onto the south end of the valley floor below us. Low, wispy clouds seemed to be closing in on us, too, sliding down from the black-green, high mountain peaks to the west. After the rain, under the dark cloudy sky the valley and the mountains to the east and south appeared covered in a mantle of black-green silence.

“This is the ideal place to have a talk,” don Juan said, sitting on the rock floor of a concealed shallow cave.

The cave was perfect for the two of us to sit side by side. Our heads were nearly touching the roof and our backs fitted snugly against the curved surface of the rock wall. It was as if the cave had been carved deliberately to accommodate two persons of our size.

I noticed another strange feature of the cave: when I stood on the ledge, I could see the entire valley and the mountain ranges to the east and south, but when I sat down, I was boxed in by the rocks. Yet the ledge was at the level of the cave floor, and flat.

I was about to point this strange effect out to don Juan, but he anticipated me.

“This cave is man-made,” he said. “The ledge is slanted but the eye doesn’t register the incline.” “Who made this cave, don Juan?”

“The ancient sorcerers. Perhaps thousands of years ago. And one of the peculiarities of this cave is that animals and insects and even people stay away from it. The ancient sorcerers seem to have infused it with an ominous charge that makes every living thing feel ill at ease.”

But strangely I felt irrationally secure and happy there. A sensation of physical contentment made my entire body tingle. I actually felt the most agreeable, the most delectable, sensation in my stomach. It was as if my nerves were being tickled.

“I don’t feel ill at ease,” I commented.

“Neither do I,” he said. “Which only means that you and I aren’t that far temperamentally from those old sorcerers of the past; something which worries me no end.”

I was afraid to pursue that subject any further, so I waited for him to talk.

“The first sorcery story I am going to tell you is called ‘The Manifestations of the Spirit,’ ” don Juan began, “but don’t let the title mystify you. The manifestations of the spirit is only the first abstract core around which the first sorcery story is built.

“That first abstract core is a story in itself,” he went on. “The story says that once upon a time there was a man, an average man without any special attributes. He was, like everyone else, a conduit for the spirit. And by virtue of that, like everyone else, he was part of the spirit, part of the abstract. But he didn’t know it. The world kept him so busy that he had neither the time nor the inclination really to examine the matter.

“The spirit tried, uselessly, to reveal their connection. Using an inner voice, the spirit disclosed its secrets, but the man was incapable of understanding the revelations. Naturally, he heard the inner voice, but he believed it to be his own feelings he was feeling and his own thoughts he was thinking.

“The spirit, in order to shake him out of his slumber, gave him three signs, three successive manifestations. The spirit physically crossed the man’s path in the most obvious manner. But the man was oblivious to anything but his self-concern.”

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