nothing to do with sleeplessness and there were lines too, on his forehead, and round his mouth. He didn’t look the wunderkind any longer; the secrets of his debauchery were written all over his face. The excess of sex, booze and ambition, the frustration of aspiring and just missing the main chance so many times. What would he look like now, he thought bitterly, if he’d been content to be some unenterprising nobody working in a minor rep, guaranteed a house of ten aficionados every night, and devoted to Brecht? Face as smooth as a baby’s bottom probably, most of the people in the socially-committed theatre had that look. Vacant and content, poor cows.
‘Well, you pays your money and you takes your choice,’ he told himself. He took one last look at the haggard cherub in the mirror, reflecting that, crow’s feet or not, women still couldn’t resist him, and went out to face the trials and tribulations of Act III.
On stage there was a heated debate in progress. The carpenter, his name was Jake, had built two hedges for Olivia’s garden. They still had to be covered with leaves, but they looked quite impressive, running the depth of the stage to the cyclorama, where the rest of the garden would be painted. None of this symbolic stuff. A garden was a garden: green grass, blue sky. That’s the way the audience liked it North of Birmingham, and Terry had some sympathy for their plain tastes.
‘Terry, love.’
Eddie Cunningham had him by the hand and elbow, escorting him into the fray.
‘What’s the problem?’
‘Terry, love, you cannot be serious about these fucking (it came trippingly off the tongue: fucking) hedges. Tell Uncle Eddie you’re not serious before I throw a fit.’ Eddie pointed towards the offending hedges. ‘I mean look at them.’ As he spoke a thin plume of spittle fizzed in the air.
‘What’s the problem?’ Terry asked again.
‘Problem? Blocking, love, blocking. Think about it. We’ve rehearsed this whole scene with me bobbing up and down like a March hare. Up right, down left — but it doesn’t work if I haven’t got access round the back. And look! These fucking things are flush with the backdrop.’
‘Well they have to be, for the illusion, Eddie.’
‘I can’t get round though, Terry. You must see my point.’
He appealed to the few others on stage: the carpenters, two technicians, three actors.
‘I mean — there’s just not enough time.’
‘Eddie, we’ll re-block.’
‘Oh.’
That took the wind out of his sails.
‘No?’
‘Urn.’
‘I mean it seems easiest, doesn’t it?’
‘Yes… I just liked…
‘I know.’
‘Well. Needs must. What about the croquet?’
‘We’ll cut that too.’
‘All that business with the croquet mallets? The bawdy stuff?’
‘It’ll all have to go. I’m sorry, I haven’t thought this through. I wasn’t thinking straight.’
Eddie flounced.
‘That’s all you ever do, love, think straight…‘
Titters. Terry let it pass. Eddie had a genuine point of criticism; he had failed to consider the problems of the hedge-design.
‘I’m sorry about the business; but there’s no way we can accommodate it.’
‘You won’t be cutting anybody else’s business, I’m sure,’ said Eddie. He threw a glance over Galloway’s
shoulder at Diane, then headed for the dressing-room. Exit enraged actor, stage left. Calloway made no attempt to stop him. It would have worsened the situation considerably to spoil his departure. He just breathed out a quiet ‘oh Jesus’, and dragged a wide hand down over his face. That was the fatal flaw of this profession: actors.
‘Will somebody fetch him back?’ he said.
Silence.
‘Where’s Ryan?’
The Stage Manager showed his bespectacled face over the offending hedge.
‘Sorry?’
‘Ryan, love — will you please take a cup of coffee to Eddie and coax him back into the bosom of the family?’
Ryan pulled a face that said: you offended him, you fetch him.
But Galloway had passed this particular buck before: he was a past master at it. He just stared at Ryan, defying him to contradict his request, until the other man dropped his eyes and nodded his acquiescence.
‘Sure,’ he said glumly.
‘Good man.’
Ryan cast him an accusatory look, and disappeared in pursuit of Ed Cunningham.