Cup of Gold by Steinbeck, John

Henry’s hand slipped to his side, and the lean rapier crept from its sheath like a frozen serpent. The light licked viciously along its lank blade. At last the needle point came out, and the steel turned and pointed at the woman’s breast.

Ysobel grew sick with terror. “I am a sinner,” she said. Then a dawning relief came into her face. She motioned the aged duenna to her and spoke in rapid, clattering Spanish.

“It is true,” said the old woman. “It is true.”

At the end of her speaking, Ysobel thriftily drew aside the webby lace of her mantilla that it might not be spotted with blood. The duenna began interpreting.

“Sir, my mistress says that a true Catholic who dies at the hand of an infidel goes to heaven. This is true. Further, she says that a Catholic woman who dies protecting her holy marriage vow goes straightway to heaven. This also is true. Lastly, she thinks that such a woman might, in course of time, be canonized. Such things have happened. Ah, sir! Captain, be kind! Permit me to kiss her hand, now, before you strike. What grace to have kissed the hand of a living saint! It may do much for my own sinful soul.”

Ysobel spoke to her again.

“My mistress bids you strike; more, she urges it, pleads for the blow. The angels are hovering about her head. She sees the great light, and the holy music is sounding in her ears.”

The rapier point lowered. Henry Morgan turned away and gazed out into the sunlit garden. Little Chico came galloping along the path and sat down in the open door­way. The little beast clasped his paws and raised them above his head as though in prayer. The lean rapier made a sharp swishing sound as it drove into its scabbard. And Captain Morgan stooped to pick up the tiny monkey. He walked away stroking Chico’s head with his forefinger.

V

Henry Morgan lifted a golden cup from the heap of loot. It was a lovely, slender chalice with long curved handles and a rim of silver. Around its outer edge four grotesque lambs chased each other, and inside, on the bot­tom, a naked girl lifted her arms in sensual ecstasy. The captain turned the cup in his hands. Then, suddenly, he hurled it at a little fiery pyramid of diamonds. The stones scattered from their neat pile with a dry, rustling sound. Henry Morgan turned and went back to his serpent chair. He was thinking of the little Cockney, Jones; thinking of the cold hand of epilepsy which had seized him in his last moment of life. The hand had been always behind him, a giant hand to wring the man’s body until the white drops of agony oozed from his lips. Henry wondered, now, why he had wanted to hurt the little man, to torture him, and finally to kill him. Jones had been shadowed through all his life by a sleepless tormentor. Of course, this murder had been caused by the words of Coeur de Gris who had said that Jones was like Henry Morgan. Yes, he knew it now, and he knew, also, a red shame for his trumped charge of thievery. Why could he not have killed the man with­out explanation?

And Coeur de Gris—where was he now? He had seen Ysobel—that was fairly sure—and she had noticed him. Perhaps she loved Coeur de Gris, with his bright hair and his curious way with women. And how could he keep this young man from knowing his defeat, from hearing the adventure of the pin and all the ignominy of Henry Mor­gan’s dealings with La Santa Roja? The pistol which had killed Jones was lying on the floor. Henry picked it up and methodically went to loading it. He did not fear ridicule from Coeur de Gris, but rather sympathy and understanding. Henry did not want understanding now. His lieuten­ant would look at him with compassion and some pity; and there would be something superior about the pity, some­thing faintly ironic. It would be the pity of a young, hand­some man who condones the amorous failure of one not so handsome. And then, Coeur de Gris was something like a woman for knowing things—something like Ysobel. He gathered information with a mysterious hidden eye.

And the Red Saint. Henry must take her away with him, of course. He could do nothing else. Perhaps, after a long time, she would fall in love with him, but not, surely, be­cause of merits in himself. Her contempt had convinced him that he had no merits; that he was a monstrous being, set apart from other men by unmentionable ugliness. She had not said so much, but she had intimated it. No, he had not the qualities like to draw a woman to his side when there were other men about. But perhaps, if she saw no other men, she might ignore the qualities so lacking in him. She might come, at last, to build on something he possessed.

He thought of the last scene with her. Now that he was calm, his wild action seemed the showing off of a thick-legged little boy. But how could any man have done other­wise? She had beaten assault with laughter—sharp, cruel laughter which took his motives out and made sport of them. He might have killed her; but what man could kill a woman who wanted to be killed, who begged to be killed? The thing was impossible. He rammed a bullet into the muzzle of his pistol.

A draggled, unkempt figure came through the doorway. It was Coeur de Gris, a red-eyed, mud-spattered Coeur de Gris with the blood of the battle still on his face. He looked at the heap of treasure.

“We are rich,” he said without enthusiasm.

“Where have you been, Coeur de Gris?”

“Been? ‘Why, I have been drunk. It is good to be drunk after fighting.” He smiled wryly and licked his lips “It is not so good to stop being drunk. That is like childbirth—necessary, but unpleasant and unornamental.”

“I wanted you by my side,” said Henry Morgan.

“You wanted me? I was informed that you wanted no one—that you were quite complete and happy in yourself—and so I got a little drunker. You see, sir, I did not want to remember your reason for being alone.” He paused. “It was told me, sir, that the Red Saint is here.” Coeur de Gris laughed at his own ill-concealed emotion. He changed his manner with an effort of will. His tone became jocular.

“Tell me the truth, sir. It is a small gift to a man to know what he has missed. Many people have no other gift during their whole lives. Tell me, sir, has the sweet enemy fallen? Has the castle of flesh capitulated? Does the standard of Morgan float over the pink tower?”

Henry’s face had flushed. The pistol in his hand rose quietly, steadied by an inexorable madness. There was a sharp crash and a white billow of smoke.

Coeur de Otis stood as he was. He seemed to be intently listening to some distant, throbbing sound. Then a gri­mace of terror spread on his face. His fingers frantically explored his breast and followed a trickle of blood to its source, a small hole in his lung. The little finger edged into the hole. Coeur de Gris smiled again. He was not afraid of certain things. Now that he knew, he was not frightened any more.

Captain Morgan stared stupidly at the pistol in his hand.

He seemed surprised to discover it there, startled at its presence.

Coeur de Gris laughed hysterically.

“My mother will hate you,” he cried ruefully. “She will practice all her ancient curses upon you. My mother—” he choked over his breath. “Do not tell her. Make some gleaming lie. Build my poor life up to a golden minaret. Do not let it stop like a half-finished tower. But, no—you need build only a foundation. If you give her that, she will continue the structure of heroic memory. She will make for me a tomb of white, inaccurate thoughts.” His throat filled with blood. “Why did you do it, sir?”

The captain looked up from his pistol.

“Do it?” He saw the bloody lips, the torn breast; he started up from his chair and then fell back again. Misery was writing lines about his eyes. “I do not know,” he said. “I must have known, but I have forgotten.”

Coeur de Gris went slowly to his knees. He steadied him­self with his knuckles on the floor. “It is my knees, sir; they will not bear me any more,” he apologized. He seemed to be listening for the throbbing sound again. Suddenly his voice rose in bitter complaint.

“It is a legend that dying men think of their deeds done. No— No—I think of what I have not done—of what I might have done in the years that are dying with me. I think of the lips of women I have never seen—of the wine that is sleeping in a grape seed—of the quick, warm caress of my mother in Goaves. But mostly I think that I shall never walk about again—never, never stroll in the sunshine nor smell the rich essences the full moon conjures up out of the earth— Sir, why did you do it?”

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