A tall white-haired woman appeared at the bottom of the stairs, clutching a bundle in a blanket. The smith hurried her over to where the wizard sat.
“But -“she began.
“This is very important,” said the smith importantly. “What do we do now, sir?”
The wizard held up his staff. It was man-high and nearly as thick as his wrist, and covered with carvings that seemed to change as the smith looked at them, exactly as if they didn’t want him to see what they were.
“The child must hold it,” said Drum Billet. The smith nodded, and fumbled in the blanket until he located a tiny pink hand. He guided it gently to the wood. It gripped it tightly.
“But -“said the midwife.
“It’s all right, Granny, I know what I’m about. She’s a witch, sir, don’t mind her. Right,” said the smith. “Now what?”
The wizard was silent.
“What do we don-“the smith began, and stopped. He leaned down to look at the old wizard’s face. Billet was smiling, but it was anyone’s guess what the joke was.
The smith pushed the baby back into the arms of the frantic midwife. Then, as respectfully as possible, he unpried the thin, pale fingers from the staff.
It had a strange, greasy feel, like static electricity. The wood itself was almost black, but the carvings were slightly lighter, and hurt the eyes if you tried to make out precisely what they were supposed to be.
“Are you pleased with yourself?” said the midwife.
“Eh? Oh. Yes. As a matter of fact, yes. Why?”
She twitched aside a fold of the blanket. The smith looked down, and swallowed.
“No,” he whispered. “He said -”
“And what would he know about it?” sneered Granny.
“But he said it would be a son!”
“Doesn’t look like a son to me, laddie.”
The smith flopped down on his stool, his head in his hands.
“What have I done?” he moaned.
“You’ve given the world its first female wizard,” said the midwife. “Whosa itsywitsy, den?”
“What?”
“I was talking to the baby.”
The white cat purred and arched its back as if it was rubbing up against the legs of an old friend. Which was odd, because there was no one there.
“I was foolish,” said a voice in tones no mortal could hear. “I assumed the magic would know what it was doing.”
PERHAPS IT DOES.
“If only I could do something . . . .”
THERE IS NO GOING BACK. THERE IS NO GOING BACK, said the deep, heavy voice like the closing of crypt doors.
The wisp of nothingness that was Drum Billet thought for a while.
“But she’s going to have a lot of problems.”
THAT’S WHAT LIFE IS ALL ABOUT. SO I’M TOLD. I WOULDN’T KNOW, OF COURSE.
“What about reincarnation?”
Death hesitated.
YOU WOULDN’T LIKE IT, he said. TAKE IT FROM ME.
“I’ve heard that some people do it all the time.”
YOU’VE GOT TO BE TRAINED TO IT. YOU’VE GOT TO START OFF SMALL AND WORK UP. YOU’VE NO IDEA HOW HORRIBLE IT IS TO BE AN ANT.
“It’s bad?”
YOU WOULDN’T BELIEVE IT. AND WITH YOUR KARMA AN ANT IS TOO MUCH TO EXPECT.
The baby had been taken back to its mother and the smith sat disconsolately watching the rain.
Drum Billet scratched the cat behind its ears and thought about his life. It had been a long one, that was one of the advantages of being a wizard, and he’d done a lot of things he hadn’t always felt good about. It was about time that ….
I HAVEN’T GOT ALL DAY, YOU KNOW, said Death, reproachfully.
The wizard looked down at the cat and realized for the first time how odd it looked now.
The living often don’t appreciate how complicated the world looks when you are dead, because while death frees the mind from the straitjacket of three dimensions it also cuts it away from Time, which is only another dimension. So while the cat that rubbed up against his invisible legs was undoubtedly the same cat that he had seen a few minutes before, it was also quite clearly a tiny kitten and a fat, half-blind old moggy and every stage in between. All at once. Since it had started off small it looked like a white, catshaped carrot, a description that will have to do until people invent proper four-dimensional adjectives.
Death’s skeletal hand tapped Billet gently on the shoulder.
COME AWAY, MY SON.
“There’s nothing I can do?”
LIFE IS FOR THE LIVING. ANYWAY, YOU’VE GIVEN HER YOUR STAFF.
“Yes. There is that.”
The midwife’s name was Granny Weatherwax. She was a witch. That was quite acceptable in the Ramtops, and no one had a bad word to say about witches. At least, not if he wanted to wake up in the morning the same shape as he went to bed.
The smith was still staring gloomily at the rain when she came back down the stairs and clapped a warty hand on his shoulder.
He looked up at her.
“What shall I do, Granny?” he said, unable to keep the pleading out of his voice.
“What have you done with the wizard?”
“I put him out in the fuel store. Was that right?”
“It’ll do for now,” she said briskly. “And now you must burn the staff.”
They both turned to stare at the heavy staff, which the smith had propped in the forge’s darkest corner. It almost appeared to be looking back at them.
“But it’s magical,” he whispered.
“Well?”
“Will it burn?”
“Never knew wood that didn’t.”
“It doesn’t seem right!”
Granny Weatherwax swung shut the big doors and turned to him angrily.
“Now you listen to me, Gordo Smith!” she said. “Female wizards aren’t right either! It’s the wrong kind of magic for women, is wizard magic, it’s all books and stars and jommetry. She’d never grasp it. Whoever heard of a female wizard?”
“There’s witches,” said the smith uncertainly. “And enchantresses too, I’ve heard.”
“Witches is a different thing altogether,” snapped Granny Weatherwax. “It’s magic out of the ground, not out of the sky, and men never could get the hang of it. As for enchantresses,” she added. “They’re no better than they should be. You take it from me, just burn the staff, bury the body and don’t let on it ever happened.”
Smith nodded reluctantly, crossed over to the forge, and pumped the bellows until the sparks flew. He went back for the staff.
It wouldn’t move.
“It won’t move!”
Sweat stood out of his brow as he tugged at the wood. It remained unco-operatively immobile.
“Here, let me try,” said Granny, and reached past him. There was a snap and a smell of scorched tin.
Smith ran across the forge, whimpering slightly, to where Granny had landed upside down against the opposite wall.
“Are you all right?”
She opened two eyes like angry diamonds and said, “I see. That’s the way of it, is it?”
“The way of what?” said Smith, totally bewildered.
“Help me up, you fool. And fetch me a chopper.”
The tone of her voice suggested that it would be a very good idea not to disobey. Smith rummaged desperately among the junk at the back of the forge until he found an old double-headed axe.
“Right. Now take off your apron.”
“Why? What do you intend to do?” said the smith, who was beginning to lose his grip on events. Granny gave an exasperated sigh.
“It’s leather, you idiot. I’m going to wrap it around the handle. It’ll not catch me the same way twice!”
Smith struggled out of the heavy leather apron and handed it to her very gingerly. She wrapped it around the axe and made one or two passes in the air. Then, a spiderlike figure in the glow of the nearly incandescent furnace, she stalked across the room and with a grunt of triumph and effort brought the heavy blade sweeping down right in the center of the staff.
There was a click. There was a noise like a partridge. There was a thud.
There was silence.
Smith reached up very slowly, without moving his head, and touched the axe blade. It wasn’t on the axe any more. It had buried itself in the door by his head, taking a tiny nick out of his ear.
Granny stood looking slightly blurred from hitting an absolutely immovable object, and stared at the stub of wood in her hands.
“Rrrrightttt,” she stuttered: “Iiiinnn tthhatttt cccasseee -”
“No,” said Smith firmly, rubbing his ear. “Whatever it is you’re going to suggest, no. Leave it. I’ll pile some stuff around it. No one’ll notice. Leave it. It’s just a stick.”
“just a stick?”
“Have you got any better ideas? Ones that won’t take my head off?”
She glared at the staff, which appeared not to notice.
“Not right now,” she admitted. “But you just give me time -”
“All right, all right. Anyway, I’ve got things to do, wizards to bury, you know how it is.”