Fear Nothing By Dean R. Koontz

not quickly enough to avoid discovery.

I knew that the bald man, if not Stevenson, was coming to the van. Was

already on the move. The bald man, the butcher, the trader in bodies,

the thief of eyes.

Staying low, I retraced the route by which I had come through the ranks

of parked trucks and cars, returning to the alley and then scurrying

onward, using rows of trash cans as cover, all but crawling to a

Dumpster and past it, to a corner and around, into the other alleyway,

out of sight of the municipal building, rising to my full height now,

running once more, as fleet as the cat, gliding like an owl, a creature

of the night, wondering if I would find safe shelter before dawn or

would still be afoot in the open to curl and blacken under the hot

rising sun.

I assumed that I could safely go home but that I might be foolish to

linger there too long. I wouldn’t be overdue at the police station for

another two minutes, and they would wait for me at least ten minutes

past the appointed time before Chief Stevenson realized that I must

have seen him with the man who had stolen my father’s body.

Even then, they might not come to the house in search of me. I was

still not a serious threat to them-and not likely to become one. I had

no proof of anything I’d seen.

Nevertheless, they seemed inclined to take extreme measures to prevent

the exposure of their inscrutable conspiracy. They might be loath to

leave even the smallest of loose ends-which meant a knot in my neck.

I expected to find Orson in the foyer when I unlocked the front door

and stepped inside, but he was not waiting for me. I called his name,

but he didn’t appear; and if he had been approaching through the gloom,

I would have heard his big paws thumping on the floor.

He was probably in one of his dour moods. For the most part, he is

good-humored, playful, and companionable, with enough energy in his

tail to sweep all the streets in Moonlight Bay. From time to time,

however, the world weighs heavily on him, and then he lies as limp as a

rug, sad eyes open but fixed on some doggy memory or on some doggy

vision beyond this world, making no sound other than an occasional

attenuated sigh.

More rarely, I have found Orson in a state of what seems to be bleakest

dejection. This ought to be a condition too profound for any dog to

wear, although it fits him well.

He once sat before a mirrored closet door in my bedroom, staring at his

reflection for nearly half an hour-an eternity to the dog mind, which

generally experiences the world as a series of two minute wonders and

three-minute enthusiasms. I hadn’t been able to tell what fascinated

him in his image, although I ruled out both canine vanity and simple

puzzlement; he seemed full of sorrow, all drooping ears and slumped

shoulders and wagless tail. I swear, at times his eyes brimmed with

tears that he was barely able to hold back.

“Orson?” I called.

The switch operating the staircase chandelier was fitted with a

rheostat, as were most of the switches throughout the house. I dialed

up the minimum light that I needed to climb the stairs.

Orson wasn’t on the landing. He wasn’t waiting in the secondfloor

hall.

In my room, I dialed a wan glow. Orson wasn’t here, either.

I went directly to the nearest nightstand. From the top drawer I

withdrew an envelope in which I kept a supply of knocking-around

money.

It contained only a hundred and eighty dollars, but this was better

than nothing. Though I didn’t know why I might need the cash, I

intended to be prepared, so I transferred the entire sum to one of the

pockets of my jeans.

As I slid shut the nightstand drawer, I noticed a dark object on the

bedspread. When I picked it up, I was surprised that it was actually

what it had appeared to be in the shadows: a pistol.

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