Fire Sea by Weis, Margaret

“Should be,” breathed her husband, gulping with excitement.

“Calmly, Jonathan,” ordered his wife. “Ready?”

“Ready, my dear,” said the young man.

They arrived at a junction, where four tunnels converged. People flowed in from four different directions. Alfred caught a quick glimpse of four necromancers, clad in plain black robes, standing in the center of the intersection, directing the streams of traffic.

Jera turned suddenly and began to push and shove irritably at the cadaver guard, who marched directly behind her.

“I tell you,” she shouted loudly, “you’ve made a mistake!”

“Yes, be off with you!” Jonathan raised his voice, stopping to remonstrate with his guard. “You’ve got the wrong people! Can you understand that? The wrong people! Your prisoners”—he raised his hand and pointed—”went off in that direction!”

The cadaver guards came to a standstill, remaining tightly bunched around Alfred and the duke and duchess as they’d been ordered. People stumbled to a halt around them, the living pausing to see what was going on, the dead attempting single-mindedly to continue on whatever errands they’d been assigned.

A bottleneck occurred. Those in the back of the crowd, who couldn’t see, began to push and shove those ahead of them, demanding in strident tones to know what was holding up traffic. The situation was deteriorating, and the necromancers moved with alacrity to find out what was wrong and attempt to clear up the snarl.

A cross-tunnel monitor clad in plain black robes made his way through the mass. Noting the red trim on the black robes of the duke and duchess, the necromancer recognized minor royalty and bowed low. He did, however, glance slightly askance at the cadavers, who wore the royal insignia.

“How can I assist Your Graces?” asked the monitor. “What is the problem?”

“I’m really not sure,” said Jonathan, the picture of innocent confusion. “You see, my wife and our friend and I were walking along minding our own business when these . . . these”—he waved a hand at the guards as if there existed no words to describe them— “suddenly surrounded us and began to march us off toward the palace!”

“They’ve been ordered to guard a prisoner, but they’ve apparently mislaid him and latched on to us,” said Jera, glancing about helplessly.

Traffic was growing more and more snarled. Two of the monitors attempted to direct the flow around the group. A fourth, appearing harassed, tried to herd them over to the side of the road but the walls of the tunnels prevented them from moving very far. Alfred, standing head and shoulders above most of the rest of the crowd, could see that the backup was spreading through all four streets. At this rate, the entire city might be brought to a halt.

Someone was treading heavily on his foot, someone else had his elbow in his ribs. Jera was plastered up against him, her hair tickled his chin. The monitor himself was caught in the tide and had to battle his way out or he would have been carried along in the surging mob.

“We came in the front gate at the same time as the Lord High Chancellor and three political prisoners!” Jonathan shouted to be heard in the echoing tunnels. “Did you see them? A prince of some barbarian tribe and a man who looked like a walking rune-bone game?”

“Yes, we saw them. And the Lord High Chancellor.”

“Well, there was a third man, and this lot was guarding him and then suddenly they were guarding us and he’s escaped somewhere.”

“Perhaps,” said the increasingly flustered monitor, “Your Graces could simply go along with these guards to the palace—”

“I, the Duchess of Rift Ridge, marched before the dynast like a common criminal! I could never show my face in court again!” Jera’s pale skin flushed, her eyes blazed. “How can you even suggest such a thing!”

“I—I’m sorry. Your Grace,” the monitor stammered. “I wasn’t thinking. It’s this crowd, you see, and the heat—”

“Then I suggest you do something about it,” Jonathan stated loftily.

Alfred glanced at the cadavers, who stood stolidly in the center of the confusion swirling about them, faces set in expressions of fixed, albeit mindless, purpose.

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