Already? you ask, and I answer simply: Yes. Already. And I knew it not just as it happened, but at least part of it before it happened. The last part of it.
How? The answer is simple. My dead wife told me.
You disbelieve, of course. I understand that. Any rational person would. All I can do is reiterate that this is my confession, my last words on earth, and I’ve put nothing in it I don’t know to be true.
* * *
I woke from a doze in front of the stove the following night (or the next; as the fever settled in, I lost track of time) and heard the rustling, scuttering sounds again. At first I assumed it had recommenced sleeting, but when I got up to tear a chunk of bread from the hardening loaf on the counter, I saw a thin orange sunset-streak on the horizon and Venus glowing in the sky. The storm was over, but the scuttering sounds were louder than ever. They weren’t coming from the walls, however, but from the back porch.
The door-latch began moving. At first it only trembled, as if the hand trying to operate it was too weak to lift it entirely clear of the notch. The movement ceased, and I had just decided I hadn’t seen it at all—that it was a delusion born of the fever—when it went all the way up with a little clack sound and the door swung open on a cold breath of wind. Standing on the porch was my wife. She was still wearing her burlap snood, now flecked with snow; it must have been a slow and painful journey from what should have been her final resting place. Her face was slack with decay, the lower half slewed to one side, her grin wider than ever. It was a knowing grin, and why not? The dead understand everything.
She was surrounded by her loyal court. It was they that had somehow gotten her out of the well. It was they that were holding her up. Without them, she would have been no more than a ghost, malevolent but helpless. But they had animated her. She was their queen; she was also their puppet. She came into the kitchen, moving with a horribly boneless gait that had nothing to do with walking. The rats scurried all around her, some looking up at her with love, some at me with hate. She swayed all the way around the kitchen, touring what had been her domain as clods fell from the skirt of her dress (there was no sign of the quilt or the counterpane) and her head bobbed and rolled on her cut throat. Once it tilted back all the way to her shoulder blades before snapping forward again with a low and fleshy smacking sound.
When she at last turned her cloudy eyes on me, I backed into the corner where the woodbox stood, now almost empty. “Leave me alone,” I whispered. “You aren’t even here. You’re in the well and you can’t get out even if you’re not dead.”
She made a gurgling noise—it sounded like someone choking on thick gravy—and kept coming, real enough to cast a shadow. And I could smell her decaying flesh, this woman who had sometimes put her tongue in my mouth during the throes of her passion. She was there. She was real. So was her royal retinue. I could feel them scurrying back and forth over my feet and tickling my ankles with their whiskers as they sniffed at the bottoms of my longjohn trousers.
My heels struck the woodbox, and when I tried to bend away from the approaching corpse, I overbalanced and sat down in it. I banged my swollen and infected hand, but hardly registered the pain. She was bending over me, and her face… dangled. The flesh had come loose from the bones and her face hung down like a face drawn on a child’s balloon. A rat climbed the side of the woodbox, plopped onto my belly, ran up my chest, and sniffed at the underside of my chin. I could feel others scurrying around beneath my bent knees. But they didn’t bite me. That particular task had already been accomplished.
She bent closer. The smell of her was overwhelming, and her cocked ear-to-ear grin… I can see it now, as I write. I told myself to die, but my heart kept pounding. Her hanging face slid alongside mine. I could feel my beard-stubble pulling off tiny bits of her skin; could hear her broken jaw grinding like a branch with ice on it. Then her cold lips were pressed against the burning, feverish cup of my ear, and she began whispering secrets that only a dead woman could know. I shrieked. I promised to kill myself and take her place in Hell if she would only stop. But she didn’t. She wouldn’t. The dead don’t stop.
That’s what I know now.
After fleeing the First Agricultural Bank with 200 dollars stuffed into his pocket (or probably more like 150 dollars; some of it went on the floor, remember), Henry disappeared for a little while. He “laid low,” in the criminal parlance. I say this with a certain pride. I thought he would be caught almost immediately after he got to the city, but he proved me wrong. He was in love, he was desperate, he was still burning with guilt and horror over the crime he and I had committed… but in spite of those distractions (those infections), my son demonstrated bravery and cleverness, even a certain sad nobility. The thought of that last is the worst. It still fills me with melancholy for his wasted life (three wasted lives; I mustn’t forget poor pregnant Shannon Cotterie) and shame for the ruination to which I led him, like a calf with a rope around its neck.
Arlette showed me the shack where he went to ground, and the bicycle stashed out back—that bicycle was the first thing he purchased with his stolen cash. I couldn’t have told you then exactly where his hideout was, but in the years since I have located it and even visited it; just a side-o’-the-road lean-to with a fading Royal Crown Cola advertisement painted on the side. It was a few miles beyond Omaha’s western outskirts and within sight of Boys Town, which had begun operating the year before. One room, a single glassless window, and no stove. He covered the bicycle with hay and weeds and laid his plans. Then, a week or so after robbing the First Agricultural Bank—by then police interest in a very minor robbery would have died down—he began making bicycle trips into Omaha.
A thick boy would have gone directly to the St. Eusebia Catholic Home and been snared by the Omaha cops (as Sheriff Jones had no doubt expected he would be), but Henry Freeman James was smarter than that. He sussed out the Home’s location, but didn’t approach it. Instead, he looked for the nearest candy store and soda fountain. He correctly assumed that the girls would frequent it whenever they could (which was whenever their behavior merited a free afternoon and they had a little money in their bags), and although the St. Eusebia girls weren’t required to wear uniforms, they were easy enough to pick out by their dowdy dresses, downcast eyes, and their behavior—alternately flirty and skittish. Those with big bellies and no wedding rings would have been particularly conspicuous.
A thick boy would have attempted to strike up a conversation with one of these unfortunate daughters of Eve right there at the soda fountain, thus attracting attention. Henry took up a position outside, at the mouth of an alley running between the candy store and the notions shoppe next to it, sitting on a crate and reading the newspaper with his bike leaning against the brick next to him. He was waiting for a girl a little more adventurous than those content simply to sip their ice-cream sodas and then scuttle back to the sisters. That meant a girl who smoked. On his third afternoon in the alley, such a girl arrived.
I have found her since, and talked with her. There wasn’t much detective work involved. I’m sure Omaha seemed like a metropolis to Henry and Shannon, but in 1922 it was really just a larger-than-average Midwestern town with city pretensions. Victoria Hallett is a respectable married woman with three children now, but in the fall of 1922, she was Victoria Stevenson: young, curious, rebellious, six months pregnant, and very fond of Sweet Caporals. She was happy enough to take one of Henry’s when he offered her the pack.
“Take another couple for later,” he invited.
She laughed. “I’d have to be a ding-dong to do that! The sisters search our bags and pull our pockets inside-out when we come back. I’ll have to chew three sticks of Black Jack just to get the smell of this one fag off my breath.” She patted her bulging tummy with amusement and defiance. “I’m in trouble, as I guess you can see. Bad girl! And my sweetie ran off. Bad boy, but the world don’t care about that! So then the dapper stuck me in a jail with penguins for guards—”