Glory Road by Robert A. Heinlein

I yawned and took a bite of sandwich (anchovies, ham and mayonnaise, with something that wasn’t quite tomato and lettuce)–and looked around. The place beside me was empty but Star seemed to have just gotten up; she was not dressed. She was on her knees in the center of the room, drawing some large design on the floor.

“Morning, chatterbox,” I said. “Pentacle?”

“Mmm–” she answered, not looking up.

I went over and watched her work. Whatever it was, it was not based on a five-cornered star. It had three major centers, was very intricate, had notations here and there–I recognized neither language nor script–and the only sense I could abstract from it was what appeared to be a hypercube seen face on. “Had breakfast, hon?”

“I fast this morning.”

“You’re skinny now. Is that a tesseract?”

“Stop it!”

Then she pushed back her hair, looked up, and smiled ruefully. “I’m sorry, darling. The witch is a bitch, that’s certain. But please don’t look over my shoulder. I’m having to do this by memory; I lost my books in the marsh–and it’s difficult. And no questions now, please, please. You might shake my confidence–and I must be utterly confident.”

I made a leg. “Your pardon, milady.”

“Don’t be formal with me, darling. Love me anyhow and give me a quick kiss–then let me be.”

So I leaned over and gave her a high-caloric kiss, with mayonnaise, and let her be. I dressed while I finished the sandwich and beer, then sought out a natural alcove just short of the wards in the passage, one which had been designated the men’s room. When I came back Rufo was waiting with my sword belt “Boss, you’d be late for your own hanging.”

“I hope so.”

A few minutes later we were standing on that diagram, Star on pitcher’s mound with Rufo and myself at first and third bases. He and I were much hung about, myself with two canteens and Star’s sword belt (on its last notch) as well as my own, Rufo with Star’s bow slung and with two quivers, plus her medic’s kit and lunch. We each had longbow strung and tucked under left arm; we each had drawn sword. Star’s tights were under my belt behind in an untidy tail, her jacket was crumpled under Rufo’s belt, while her buskins and hat were crammed into pockets–etc. We looked like a rummage sale.

But this did leave Rufo’s left hand and mine free. We faced outward with swords at ready, reached behind us and Star clasped us each firmly by hand. She stood in the exact center, feet apart and planted solidly and was wearing that required professionally of witches when engaged in heavy work, i.e., not even a bobby pin. She looked magnificent, hair shaggy, eyes shining, and face flushed, and I was sorry to turn my back.

“Ready, my gallants?” she demanded, excitement in her voice.

“Ready,” I confirmed.

“Ave, Imperatrix, nos morituri te–”

“Stop that, Rufo! Silence!” She began to chant in a language unknown to me. The back of my neck prickled.

She stopped, squeezed our hands much harder, and shouted, “Now!”

Sudden as a slammed door, I find I’m a Booth Tarkington hero in a Mickey Spillane situation.

I don’t have time to moan. Here is this thing in front of me, about to chop me down, so I run my blade through his guts and yank it free while he makes up his mind which way to fall; then I dose his buddy the same way. Another one is squatting and trying to get a shot at my legs past the legs of his squad mates. I’m as busy as a one-armed beaver with paperhangers and hardly notice a yank at my belt as Star recovers her sword.

Then I do notice as she kills the hostile who wants to shoot me. Star is everywhere at once, naked as a frog and twice as lively. There was a dropped-elevator sensation at transition, and suddenly reduced gravitation could have been bothersome had we time to indulge it.

Star makes use of it. After stabbing the laddie who tries to shoot me, she sails over my head and the head of a new nuisance, poking him in the neck as she passes and he isn’t a nuisance any longer.