Goat Song by Poul Anderson

The little faceless robot heads inc off, through murmurous black corridors where the dead wind blows. I unsling niy harp and clutch it to me, my sole friend and weapon. So the tranquility of the reasoning mind which has been decreed for me cannot be absolute. I decide that It simply does not want to be bothered by anguish. (No; wrong; nothing so humanhike; It has no desires; be­neath that power to reason is nullity.)

At length a wall opens for us and we enter a room where She sits enthroned. The self-radiation of metal and flesh is not apparent here, for light is provided, a featureless white radiance with no apparent source. White, too, is the muted soumid of the machines which encompass Her throne. White are Her robe and face. I look away from the multitudinous unwinking scanner eyes, into Hers, but She does not appear to recognize me. Does She even see me? SUM has reached out with invisible fingers of electromagnetic induction and taken Her back into Itself. I do not tremble or sweat—I cannot—but I square my shoulders, strike one phangent chord, and wait for It to speak.

It does, from sonic invisible place. I recognize the voice It has chosen to use:

my own. The overtones, the inflections are true, normal, what I myself would use in talking as one reasonable man to another. Why not? In computing what to do about me, and in programmning Itself accordingly, SUM must have used so many billion bits of information that adequate accent is a negligible sub­problem.

No. . – there I am mistaken again. . . SUM does not do things on the basis that It miiight as well do them as not. This talk with myself is intended to have some effect on me. I do not know what.

“Well,” It says pleasantly, “you made quite a journey, didn’t you? I’m glad. Welcome.”

My instincts bare teeth to hear those words of humanity used by the unfeeling unahive. My logical mind considers replying with an ironic “Thamik you,” decides against it, and holds me silent.

“You see,” SUM continues after a moment that whirrs, “you are unique. Pardon Me if I speak a little bluntly. Your sexual monomania is just one aspect of a generally atavistic, superstition-oriented personality. And yet, unlike the ordinary misfit, you’re both strong and realistic enough to cope with the world. This chance to meet you, to analyze you while you rested, has opened new insights for Me on human psychophysiology. Which may head to improved tech­niques for governing it and its evolution.”

“That being so,” I reply, “give me my reward.”

“Now look here,” SUM says in a mild tone, “you if anyone should know I’m not omnipotent. I was built originally to help govern a civilization grown too complex. Gradually, as My program of self-expansion progressed, I took over more and more decision-making functions. They were given to Me. People were happy to be relieved of responsibility, and they could see for themselves how much better I was running things than any mortal could. But to this day, My authority depends on a substantial consensus. If I started playing favorites, as by re-creating your girl, well, I’d have troubles.”

“The consensus depends more on awe than on reason,” I say. “You haven’t abolished the gods, You’ve simply absorbed them into Yourself. If You choose to pass a miracle for me, your prophet singer—and I will be Your prophet if You do this—why, that strengthens the faith of the rest.”

“So you think. But your opinions aren’t based on any exact data. The historical and anthropological records from the past before Me are unquantitative. I’ve already phased theni out of the curriculum. Eventually, when the culture’s ready for such a move, I’ll order them destroyed. They’re too misleading. Look what they’ve done to you.”

I grin into the scanner eyes. “Instead,” I say, “people will be encouraged to think that before the world was, was SUM. All right. I don’t care, as long as I get my girl back. Pass me a miracle, SUM, and I’ll guarantee You a good pay­ment.”

“But I have no miracles. Not in your sense. You know how the soul works. The metal bracelet encloses a pseudovirus, a set of giant protein molecules with taps directly to the bloodstream and nervous system. They record the chromo­some pattern, the symiapse flash, the permanent changes, everything. At the owner’s death, the bracelet is dissected out. The Winged Heels bring it here, and the information contained is transferred to one of My memory banks. I can use such a record to guide the growing of a miew body in the vats: a young body, on which the former habits and recollections are imprinted. But you don’t understand the complexity of the process, Harper. It takes Me weeks, every seven years, and every available biochemical facility, to re-create My human liaison. And the process isn’t perfect, either. The pattermi is affected by stor­age. You might say that this body and brain you see before you remembers each death. And those are short deaths. A longer one—man, use your sense. Imagine.”

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