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James Axler – Starfall

Krysty backed away, listening to the wet smack of heavy flesh hitting the wooden floor out in the corridor. The sound echoed inside the viewing room, but Elric kept approach­ing, acting as if he didn’t hear it.

Krysty backed away from him. It was only a dream, she told herself. Not real. Not real at all. But she also knew she couldn’t take that chance. With Phlorin inside her head, it could be so much more. She turned and looked back toward the double doors that had let into the vid room.

A huge crocodile lounged in the doorway, something she’d never seen in the Cornelius home. It was easily twenty feet long, its mouth a row of gaping white fangs. The beady black eyes carried a cold, reptilian intelligence. Krysty wouldn’t have been surprised if it had spoken.

The other members of the Cornelius family spread out, coming for Krysty. They moved slowly, rocking back and forth like windblown saplings. They turned Krysty back, drawing closer. They reached for her, their fingers distend­ing into vicious claws.

“You mustn’t leave yet,” Elric said in that hauntingly smooth voice. “We’ve not yet had the pleasure of having you for dinner.” He opened his mouth, exposing the long canines.

Chapter Eighteen

Krysty turned, searching for a weapon but finding none. In desperation, she seized one of the folding chairs and threw it at Elric.

He brushed the piece of furniture aside casually, as though it were only a moment’s inconvenience. The chair shattered into a hundred pieces, proof of the incredible strength that was housed in his rail-thin body.

Taking another step back, Krysty stepped up into the viewing area of the vid. The bright light hurt her eyes and blinded her, reducing the Cornelius family into ghostly gray apparitions that reminded her of the actors and actresses on the screen behind her.

Then she slipped, twisting violently to catch her balance as a gust of wind caught her. There was no explanation for the wind, and no explanation, either, for the way her arm suddenly plunged through the screen behind her.

At first she thought she’d ripped a hole in the screen. Instead, she noticed that her arm and hand had suddenly plunged into the room depicted in the vid. Filmed in noir black and gray, the term given to her by Doc and Mildred, the room was a large bar area. A man in a white jacket sat at the bar smoking a cigarette while watching a black man in a white jacket playing the piano.

Amazed, Krysty stepped into the vid screen and into the room. The swell of music surrounded her. Couples danced close to her, and on a handful of occasions stiff material touched the backs of her hands. This wasn’t real, she told herself as she gazed around for a way out of the big room. It was hard to see through all the people.

It’s real enough, Phlorin declared. You haven’t managed to escape—only to prolong the hunt.

The Cornelius family moved through the vid screen after her, picking up speed.

Krysty rushed through the crowd, pushing through the dancers and drawing a flurry of angry curses. She ignored them all, searching frantically for an exit. Phlorin’s control over her mind was like nothing she’d ever experienced.

From the corner of her eye, she noticed the white-jacketed man push away from the bar and come toward her. There was no way out of the big room and no place to hide.

Krysty stopped at the edge of the dance floor and turned to face the Cornelius family. You’re creating this out of my mind, Phlorin, out of my memories and out of my fears. Nothing more.

Are you so certain, then, child?

Yes. Krysty stood her ground and let them come, her mind busy twisting the fabric of the dream. In some of the earliest days that she remembered Mother Sonja, her mother had taught her to banish bad dreams that plagued her. Krysty had never questioned where the bad dreams had come from as a child. Her mother had called them night terrors and seemed to be only a little concerned about them. Since learning the lessons Mother Sonja had given her, Krysty seldom had nightmares. Except for those produced by mat-trans jumps and premonitions.

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Categories: James Axler
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