The year is gone, we still unite To joke and laugh and read, And tread the path of literature That doth to glory lead.
Long may our paper prosper well, Our club unbroken be, And coming years their blessings pour On the useful, gay `P. C.’.
A. SNODGRASS
THE MASKED MARRIAGE (A Tale Of Venice)
Gondola after gondola swept up to the marble steps, and left its lovely load to swell the brilliant throng that filled the stately halls of Count Adelon. Knights and ladies, elves and pages, monks and flower girls, all mingled gaily in the dance. Sweet voices and rich melody filled the air, and so with mirth and music the masquerade went on. “Has your Highness seen the Lady viola tonight?” asked a gallant troubadour of the fairy queen who floated down the hall upon his arm.
“Yes, is she not lovely, though so sad! Her dress is well chosen, too, for in a week she weds Count Antonio, whom she passionately hates.”
“By my faith, I envy him. Yonder he comes, arrayed like a bridegroom, except the black mask. When that is off we shall see how he regards the fair maid whose heart he cannot win, though her stern father bestows her hand,” returned the troubadour.
“Tis whispered that she loves the young English artist who haunts her steps, and is spurned by the old Count,” said the lady, as they joined the dance.
The revel was at its height when a priest appeared, and withdrawing the young pair to an alcove, hung with purple velvet, he motioned them to kneel. Instant silence fell on the gay throng, and not a sound, but he dash of fountains or the rustle of orange groves sleeping in the moonlight, broke the hush, as Count de Adelon spoke thus:
“My lords and ladies, pardon the ruse by which I have gathered you here to witness the marriage of my daughter. Father, we wait your services.”
All eyes turned toward the bridal party, and a murmur of amazement went through the throng, for neither bride nor groom removed their masks. Curiosity and wonder possessed all hearts, but respect restrained all tongues till the holy rite was over. Then the eager spectators gathered round the count, demanding an explanation.
“Gladly would I give it if I could, but I only know that it was the whim of my timid Viola, and I yielded to it. Now, my children, let the play end. Unmask and receive my blessing.”
But neither bent the knee, for the young bridegroom replied in a tone that startled all listeners as the mask fell, disclosing the noble face of Ferdinand Devereux, the artist lover, and leaning on the breast where now flashed the star of an English earl was the lovely Viola, radiant with joy and beauty.
“My lord, you scornfully bade me claim your daughter when I could boast as high a name and vast a fortune as the Count Antonio. I can do more, for even your ambitious soul cannot refuse the Earl of Devereux and De Vere, when he gives his ancient name and boundless wealth in return for the beloved hand of this fair lady, now my wife.
The count stood like one changed to stone, and turning to the bewildered crowd, Ferdinand added, with a gay smile of triumph, “To you, my gallant friends, I can only wish that your wooing may prosper as mine has done, and that you may all win as fair a bride as I have by this masked marriage.”
S. PICKWICK
Why is the P. C. like the Tower of Babel?
It is full of unruly members.
THE HISTORY OF A SQUASH
Once upon a time a farmer planted a little seed. in his garden, and after a while it sprouted and became a vine and bore many squashes. One day in October, when they were ripe, he picked one and took it to market. A grocerman bought and put it in his shop. That same morning, a little girl in a brown hat and blue dress, with a round face and snub nose, went and bought it for her mother. She lugged it home, cut it up, and boiled it in the big pot, mashed some of it salt and butter, for dinner. And to the rest she added a pint of milk, two eggs, four spoons of sugar, nutmeg, and some crackers, put it in a deep dish, and baked it till it was brown and nice, and next day it was eaten by a family named March.