It was half-past six. Time to repent. I called Doris Arthur at her hotel and did a lot of apologizing. How much apology can a person contain? I’m going to need a lot more of this stuff when I return to New York — for Martina … Doris let me off pretty lightly. They always do, at first. Besides, she’s getting a hundred thousand bucks to stay interested. Then I found a ballpoint, a pad, some envelopes, a sheet of stamps. I flexed my chequebook. As I worked, I whispered to myself and to money.
The last letter bore an ink-written address, referring to me as Mr John Self Esquire. When I’d flicked through this khaki stack on the dreadful morning of my return from New York (sitting there, at London noon, in the emptied flat with a drink in my fist: i.e., a gin and tonic at six a.m. — now this has to be good news for both body and soul), looking for a friendly, a helping hand, I had glanced at these gawky graphics and fingered the letter for a tactful forget-me-not from one of the spine-specialists, rug-gurus or ticker-experts I need to use … They get foreign chicks to hand-address the mail: it lends a personal touch. But this letter suddenly seemed very personal indeed. I tore its throat open with my heart climbing. And I quote:
John Darling Take me back. I cant believe you mean’t those terrible things you said. How could you think such things of me. Send for me please, I dont know what to do if your not there to look after me.
Love, Your Selina XXXXXX PS. I’m pennyless.
Dangerously excited, italicized with surefire lust, I poured myself a drink and scanned the letter for clues. The postmark said Stratford-upon-Avon. Its dateline was ten days old. Within, the letterhead proclaimed the Cymbeline, Hotel-Casino, with a seven-figure telephone number in two-five formation … What was all this take-me-back stuff? What were these terrible things I was supposed to have said? Not for the first time I tugged myself back to the eve of my departure for New York. What happened? I took Selina out for an expensive dinner. We had a vicious row about money. Back home, there followed a detailed bout of valedictory lovemaking, with Selina game and longsuffering, and me as effusively carnal as ever. Then I had a few nightcaps, as I recall, and composed myself for sleep. In other words, a completely ordinary evening. I might have given her a bit of lip last thing, but that was pretty standard too. When I woke at noon the next day Selina had long taken her leave. I didn’t give that a thought either. I had an Irish coffee, packed my things, and left my number on the kitchen wall.
A male voice answered, and levelly agreed to do my bidding.
‘I knew it would be you,’ she said, with urgent, husky restraint in her low louche voice.
‘Come here. Come home,’ I said in the same kind of way. ‘I want you. Now.’
‘Oh my man. How have I lived?’
‘Get a taxi.’
‘A taxi!’
‘Po it.’
‘Yes.’
‘Soon, then.’
‘Yes.’
I walked round the flat. I picked up the letter. My eyes, how they itched and burned. You know something? This was the first time I had ever seen her handwriting — her floppy, amateurish signature, her scribbled kisses. How was it possible? I mean, I know we’re not the most expressive of couples, but all the same. God damn, two years on and off, and not even a note? God damn. I dropped the letter. I looked up. Had I ever shown her my hand? Yes, she’d seen it, on bills, on credit slips, on cheques.
I roved out into the foaming malls. My mission? To buy champagne. Selina, she likes a lot of outlay. You cannot do pornography by halves. Pornography and money enjoy a dose concordat, and you have to pay your union dues… The Cymbeline, eh ? Now I’ve stayed in that joint myself—with one or other of Selina’s forerunners, some model or stylist, some Cindy or Lindy or Judy or Trudy. It’s an expense-account, no-account gin palace and gaming den, very expensive, full of yanks and maple-leafers, touts, tarts, hustlers, dirty weekenders. I recommend it. Me, I was up in Stratford making a TV-ad for a new kind of flash-friable pork-and-egg bap or roll or hero called a Hamlette. We used some theatre and shot the whole thing on stage. There was the actor, dressed in black, with his skull and globe, being henpecked by that mad chick he’s got in trouble. When suddenly a big bimbo wearing cool pants and bra strolls on, carrying a tray with two steaming Hamlettes on it. She gives him the wink—and Bob’s your uncle. All my commercials featured a big bim in cool pants and bra. It was sort of my trademark. No one said my ads were subtle. But boy did they sell fast food fast.