Martin Amis. Time’s Arrow

But then again our world is suddenly very full, humanly, full of faces and voices. Everybody knows me. I am not referring to the victims, of course, who don’t know me and who, for all practical purposes, aren’t human but come in sections of interest, so that even their smiles and yawns and frowns come in sections. (This habit I have of thinking I know them—as humans—is mistaken, and inappropriate. I don’t know them.) I know everybody else. For the first time in my life I have friends, and interests, shared interests, like baseball and opera and partying, and I gleam and bobble with privilege. All these strangers know me. From the outset the whole team here at the hospital was instinctively pally and collegial. Esprit de corps is first rate, even idealistic. The thing called society—it’s behind us. We mediate between man and nature. We are soldiers of a sacred biology. Because I am a healer, everything I do heals, somehow. The thing called society is, I believe, insane. In the locker room the steel grills are pasted with letters that say, Thanks for your kindness for making a tough time much easier to bear, and If it wasn’t for all of you there at the hospital I don’t know how we would have survived. The doctors read these thank-you notes with tears in their eyes, especially when gratitude is expressed in a childish hand. Not Johnny Young, though. Perhaps he knows, as I do, that the letters are propitiatory. The children (“7 yrs”) haven’t been here yet. They won’t be so grateful when we’re through.

We have many hobbies (life has filled up and fanned out), but our main extracurricular interest, naturally, is women’s bodies. Women’s bodies, which Johnny finds so much more interesting, by so many magnitudes, than everything else put together. He isn’t after women’s bodies for only one thing, not Johnny. He is after women’s bodies for all the other things too: love, spiritual communion, loss of self, exaltation. Women’s bodies bring out all his finer feelings. The fact that a woman’s body has a head on top of it isn’t much more than a detail. Don’t get me wrong: he needs the head, because the head wears the face, and supplies the hair. He needs the mouth; he badly needs the mouth. As for what the head contains, well, yes, Johnny needs some of the things that live in there: will, desire, perversity. To the extent that sex is in the head, then Johnny needs the head.

Originally I was going to adopt a distant and defeated tone. Something like: As for John’s sexual life during our years here in the city, suffice it to say that he dated a lot of nurses. But it doesn’t suffice. Saying something like that never does suffice. It’s true about nurses, by the way. Or it’s true about the nurses John dates, and they seem to be a pretty typical crowd. The work looks like hell to me, it looks like loin-death from where I’m sitting, but hospitals are erotic—that’s what they all say. They’re always ribbing one another about it. Blood and bodies and death and power. I suppose you can see the connection. They are reconciling themselves to their own mortality. They are doing what we all have to do down here on earth: they are getting ready to die. Thus, for Dr. Young, the fatal, the mortal, the life-deciding interest in women’s bodies. What can it be about women’s bodies, apart from their being so incredibly interesting?

There is a fire-tinge of violence to it here in New York, as there is to everything in this city, which just won’t slow down like the other city did and get more innocent and less crazy and less dirty-colorful. It makes our earlier romancing—where love would sadly bloom in a parking lot or with bitter words before a shop window dribbling with rain—seem downright courtly. For instance. He gets up at two in the morning and ventures out for a stroll. We’re on Sixth Avenue, puffing on a prosaic perfecto and minding our own business—when John turns down Twenty-second Street, breaks into a run, and starts loosening his pants. . . . Now what? Those pants of his were around his knees when he slammed through the double doors of the brownstone, and around his ankles as he stumbled at speed up the first flight of stairs. We hopped straight into this apartment, straight into the bright bedroom—and turned. I have to say that the situation didn’t look very promising. There was a woman in the bed, right enough. But there was a man there too. Fully clothed, enormous in midnight-blue serge suit and peaked cap, he knelt above her, rhythmically slapping her face with a pendulum action of his heavy-gloved hand. No, this didn’t look like our kind of thing at all. Warily John slipped out of his socks and shirt. You have to give him credit: he keeps his cool and works the percentages. Now the two men moved strangely past each other; and with some diffidence John climbed into bed. The other guy stared at us, with raised, with churning face. Then he did some shouting and strode out of there—though he paused, and thoughtfully dimmed the lights, as he left the room. We heard his boots on the stairs. The lady clutched me.

Pages: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60

Leave a Reply 0

Your email address will not be published. Required fields are marked *