Scan held up both arms and what little noise there was died completely.
“This is Major Yanaba Maddock,” he announced, turning slowly to take in everyone patiently waiting. “You all know her. She will sing.” Then, with an oddly formal bow, he gestured for Yana to sit on the single chair that was now centered on the stage.
She sank limply to the chair, feeling the hard seat grind into her tailbone. Sing? She was supposed to sing now?
A soft beat registered, and she saw Scan, the bodhran in one hand, gently fingering sound from the skin. She blinked and suddenly began the chant that had come to her. She hadn’t rehearsed it since that day, weeks before, when Scan had coaxed the words from her. But they were there, on her tongue, and in the proper order, in the precise rhythm of the drumbeat, and her voice was saying them. She was unaware of anything else because her mind was back there, in Bremport for those few surrealistically macabre and devastatingly helpless and horrible minutes, and she wondered that she could enunciate any words for the pain in her chest, the constriction in her throat, and the unwept tears that pressed against her eyelids. She wished she were even more blurred than she knew she had to be, to let go like this. To perform, as if by rote, any duties that had not been drill-inspired over centuries of practice.
She heard, from a distance, her own voice, and she had never realized she could sound like that: a husky rich contralto that dipped and rose. She wasn’t really aware of what she was singing until she got to the final lines.
“I was sent here to die, too, here where the snows live The waters live, the animals and the trees live, And you.”
As the last of that vowel drifted into nothingness, she bowed her head, tears streaming down her cheeks and falling into her hands. She couldn’t move and didn’t know what she was supposed to do next. Maybe Scan would liberate her.
Then a pair of work-roughened hands slid across hers, pressed gently, and withdrew only to be replaced by another set of hands. By the third pair she looked up, for their touch was like a benison, healing her grief, staunching her tears. She could even smile as yet another set of parents laid hands on hers to mutely offer their appreciation. Seeing the tears in their eyes-tears of an odd sort of sublimated sorrowing-hers began to ease, along with the constriction in her chest, the tight bands about her heart.
The little ceremony completed, Scan collected her and brought her wordlessly to Clodagh’s bowl, where the woman herself ladled a cup for her and solemnly inclined her head in a regal bow of approval as the cup was handed from Clodagh to Sean and then to Yana.
Then Sean put his arm about her shoulders and drew her to sit in a space that magically appeared on a bench against the wall. His shoulder touched hers, his hip and thigh brushed hers. She felt drained but exultant, no longer sad but infinitely relieved. She sipped the punch, keeping her head down, unwilling to make eye contact with anyone as she savored what was, as Sean had said, a healing.
The little susurrus of soft voices, expectant, made her look up to see Bunny leading Diego to the stage.
“This is Diego Metaxos,” Bunny said, arms above her head and turning around slowly to the audience just as Sean had done. “He must sing.”
Yana hoped that she had shown as much composure as Diego did. He sat down with more grace than she had, his hands splay-fingered on his knees.
“I am new come, in storm, here. , A storm of heart and mind and soul. I sought and found storm with Lavelle She saved me when the sled crashed down. With the heat of her body she saved me. With the wit of her mind she saved my father, too. Saved me to see the cavern that all say I didn’t see.”
His tone was rich in irony and his tenor young and surprisingly vibrant though Yana suspected he had never sung before audience either.