Notes from the Underground by Fyodor Dostoevsky

To this hour I am lost in admiration when I recall the truly gentlemanly, good-humoured, candid tone of my letter. With tact and good- breeding, and, above all, entirely without superfluous words, I blamed myself for all that had happened. I defended myself, “if I really may be allowed to defend myself,” by alleging that being utterly unaccustomed to wine, I had been intoxicated with the first glass, which I said, I had drunk before they arrived, while I was waiting for them at the Hôtel de Paris between five and six o’clock. I begged Simonov’s pardon especially; I asked him to convey my explanations to all the others, especially to Zverkov, whom “I seemed to remember as though in a dream” I had insulted. I added that I would have called upon all of them myself, but my head ached, and besides I had not the face to. I was particularly pleased with a certain lightness, almost carelessness (strictly within the bounds of politeness, however), which was apparent in my style, and better than any possible arguments, gave them at once to understand that I took rather an independent view of “all that unpleasantness last night”; that I was by no means so utterly crushed as you, my friends, probably imagine; but on the contrary, looked upon it as a gentleman serenely respecting himself should look upon it. “On a young hero’s past no censure is cast!”

“There is actually an aristocratic playfulness about it!” I thought admiringly, as I read over the letter. “And it’s all because I am an intellectual and cultivated man! Another man in my place would not have known how to extricate himself, but here I have got out of it and am as jolly as ever again, and all because I am ‘a cultivated and educated man of our day.’ And, indeed, perhaps, everything was due to the wine yesterday. H’m!” … no, it was not the wine. I did not drink anything at all between five and six when I was waiting for them. I had lied to Simonov; I had lied shamelessly; and indeed I wasn’t ashamed now…. Hang it all though, the great thing was that I was rid of it.

I put six roubles in the letter, sealed it up, and asked Apollon to take it to Simonov. When he learned that there was money in the letter, Apollon became more respectful and agreed to take it. Towards evening I went out for a walk. My head was still aching and giddy after yesterday. But as evening came on and the twilight grew denser, my impressions and, following them, my thoughts, grew more and more different and confused. Something was not dead within me, in the depths of my heart and conscience it would not die, and it showed itself in acute depression. For the most part I jostled my way through the most crowded business streets, along Myeshtchansky Street, along Sadovy Street and in Yusupov Garden. I always liked particularly sauntering along these streets in the dusk, just when there were crowds of working people of all sorts going home from their daily work, with faces looking cross with anxiety. What I liked was just that cheap bustle, that bare prose. On this occasion the jostling of the streets irritated me more than ever, I could not make out what was wrong with me, I could not find the clue, something seemed rising up continually in my soul, painfully, and refusing to be appeased. I returned home completely upset, it was just as though some crime were lying on my conscience.

The thought that Liza was coming worried me continually. It seemed queer to me that of all my recollections of yesterday this tormented me, as it were, especially, as it were, quite separately. Everything else I had quite succeeded in forgetting by the evening; I dismissed it all and was still perfectly satisfied with my letter to Simonov. But on this point I was not satisfied at all. It was as though I were worried only by Liza. “What if she comes,” I thought incessantly, “well, it doesn’t matter, let her come! H’m! it’s horrid that she should see, for instance, how I live. Yesterday I seemed such a hero to her, while now, h’m! It’s horrid, though, that I have let myself go so, the room looks like a beggar’s. And I brought myself to go out to dinner in such a suit! And my American leather sofa with the stuffing sticking out. And my dressing-gown, which will not cover me, such tatters, and she will see all this and she will see Apollon. That beast is certain to insult her. He will fasten upon her in order to be rude to me. And I, of course, shall be panic-stricken as usual, I shall begin bowing and scraping before her and pulling my dressing-gown round me, I shall begin smiling, telling lies. Oh, the beastliness! And it isn’t the beastliness of it that matters most! There is something more important, more loathsome, viler! Yes, viler! And to put on that dishonest lying mask again!…”

When I reached that thought I fired up all at once.

“Why dishonest? How dishonest? I was speaking sincerely last night. I remember there was real feeling in me, too. What I wanted was to excite an honourable feeling in her…. Her crying was a good thing, it will have a good effect.”

Yet I could not feel at ease. All that evening, even when I had come back home, even after nine o’clock, when I calculated that Liza could not possibly come, still she haunted me, and what was worse, she came back to my mind always in the same position. One moment out of all that had happened last night stood vividly before my imagination; the moment when I struck a match and saw her pale, distorted face, with its look of torture. And what a pitiful, what an unnatural, what a distorted smile she had at that moment! But I did not know then, that fifteen years later I should still in my imagination see Liza, always with the pitiful, distorted, inappropriate smile which was on her face at that minute.

Next day I was ready again to look upon it all as nonsense, due to over- excited nerves, and, above all, as exaggerated. I was always conscious of that weak point of mine, and sometimes very much afraid of it. “I exaggerate everything, that is where I go wrong,” I repeated to myself every hour. But, however, “Liza will very likely come all the same,” was the refrain with which all my reflections ended. I was so uneasy that I sometimes flew into a fury: “She’ll come, she is certain to come!” I cried, running about the room, “if not today, she will come tomorrow; she’ll find me out! The damnable romanticism of these pure hearts! Oh, the vileness–oh, the silliness–oh, the stupidity of these ‘wretched sentimental souls!’ Why, how fail to understand? How could one fall to understand? …”

But at this point I stopped short, and in great confusion, indeed.

And how few, how few words, I thought, in passing, were needed; how little of the idyllic (and affectedly, bookishly, artificially idyllic too) had sufficed to turn a whole human life at once according to my will. That’s virginity, to be sure! Freshness of soil!

At times a thought occurred to me, to go to her, “to tell her all,” and beg her not to come to me. But this thought stirred such wrath in me that I believed I should have crushed that “damned” Liza if she had chanced to be near me at the time. I should have insulted her, have spat at her, have turned her out, have struck her!

One day passed, however, another and another; she did not come and I began to grow calmer. I felt particularly bold and cheerful after nine o’clock, I even sometimes began dreaming, and rather sweetly: I, for instance, became the salvation of Liza, simply through her coming to me and my talking to her…. I develop her, educate her. Finally, I notice that she loves me, loves me passionately. I pretend not to understand (I don’t know, however, why I pretend, just for effect, perhaps). At last all confusion, transfigured, trembling and sobbing, she flings herself at my feet and says that I am her saviour, and that she loves me better than anything in the world. I am amazed, but…. Liza,” I say, “can you imagine that I have not noticed your love? I saw it all, I divined it, but I did not dare to approach you first, because I had an influence over you and was afraid that you would force yourself, from gratitude, to respond to my love, would try to rouse in your heart a feeling which was perhaps absent, and I did not wish that … because it would be tyranny … it would be indelicate (in short, I launch off at that point into European, inexplicably lofty subtleties a la George Sand), but now, now you are mine, you are my creation, you are pure, you are good, you are my noble wife.

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