“Civil words!” cried the girl, whose passion was frightful to see. “Civil words, you villain! Yes, you deserve ’em from me. I thieved for you when I was a child not half as old as this!” pointing to Oliver. “I have been in the same trade, and in the same service, for twelve years since. Don’t you know it? Speak out! Don’t you know it?”
“Well, well,” replied the Jew, with an attempt at pacification; “and, if you have, it’s your living!”
“Aye, it is!” returned the girl; not speaking, but pouring out the words in one continuous and vehement scream. “It is my living; and the cold, wet, dirty streets are my home; and you’re the wretch that drove me to them long ago, and that’ll keep me there, day and night, day and night, till I die!”
“I shall do you a mischief!” interposed the Jew, goaded by these reproaches; “a mischief worse than that, if you say much more!”
The girl said nothing more; but, tearing her hair and dress in a transport of passion, made such a rush at the Jew as would probably have left signal marks of her revenge upon him, had not her wrists been seized by Sikes at the right moment; upon which, she made a few ineffectual struggles, and fainted.
“She’s all right now,” said Sikes, laying her down in a corner. “She’s uncommon strong in the arms, when she’s up in this way.”
The Jew wiped his forehead: and smiled, as if it were a relief to have the disturbance over; but neither he, nor Sikes, nor the dog, nor the boys, seemed to consider it in any other light than a common occurrence incidental to business.
“It’s the worst of having to do with women,” said the Jew, replacing his club; “but they’re clever, and we can’t get on, in our line, without ’em. Charley, show Oliver to bed.”
“I suppose he’d better not wear his best clothes tomorrow, Fagin, had he?” inquired Charley Bates.
“Certainly not,” replied the Jew, reciprocating the grin with which Charley put the question.
Master Bates, apparently much delighted with his commission, took the cleft stick: and led Oliver into an adjacent kitchen, where there were two or three of the beds on which he had slept before; and here, with many uncontrollable bursts of laughter, he produced the identical old suit of clothes which Oliver had so much congratulated himself upon leaving off at Mr. Brownlow’s; and the accidental display of which, to Fagin, by the Jew who purchased them, had been the very first clue received, of his whereabout.
“Put off the smart ones,” said Charley, “and I’ll give ’em to Fagin to take care of. What fun it is!”
Poor Oliver unwillingly complied. Master Bates rolling up the new clothes under his arm, departed from the room, leaving Oliver in the dark, and locking the door behind him.
The noise of Charley’s laughter, and the voice of Miss Betsy, who opportunely arrived to throw water over her friend, and perform other feminine offices for the promotion of her recovery, might have kept many people awake under more happy circumstances than those in which Oliver was placed. But he was sick and weary; and he soon fell sound asleep.
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Chapter XVII
Oliver’s Destiny Continuing Unpropitious, Brings a Great Man to London to Injure His Reputation
IT is the custom on the stage, in all good murderous melodramas, to present the tragic and the comic scenes, in as regular alternation, as the layers of red and white in a side of streaky bacon. The hero sinks upon his straw bed, weighed down by fetters and misfortunes; in the next scene, his faithful but unconscious squire regales the audience with a comic song. We behold, with throbbing bosoms, the heroine in the grasp of a proud and ruthless baron: her virtue and her life alike in danger, drawing forth her dagger to preserve the one at the cost of the other; and just as our expectations are wrought up to the highest pitch, a whistle is heard, and we are straightway transported to the great hall of the castle: where a grey-headed seneschal sings a funny chorus with a funnier body of vassals, who are free of all sorts of places, from church vaults to palaces, and roam about in company, carolling perpetually.