Pilgrimage to Hell By JACK ADRIAN

they ought to be hearing bangs and yells and shots.

He bent, peered at the door. But the keyhole was blocked on the other side. His

lips came back in a feral snarl. He was still high on adrenaline. He held the

gun in his left hand and threw himself at the door.

He hit the wood, the door slammed open, he brought his right hand around to the

SIG’s grip, slapping it tight, his eye taking in the scene even as he squeezed

off.

No one had moved. The man he’d remembered as standing beside the entrance door

was still there, his M-16 held in both hands, aimed to his left, at the room in

general. Ryan’s shot changed all that. It hit the man in the chest and punched

him backward, mouth gaping, so that he collapsed against the wall, slumping and

leaving a thick red smear as he sank to the floor.

Ryan watched in admiration as J.B., still leaning with his back to the bar, his

coat open, his right hand resting on his belt, drew the Browning with shocking

speed. His arm jerked up and the Hi-Power barked and spat, its bullet slamming

one of the other black jackets over into a table. The table splintered under his

weight and the violent impact of his flailing body. His M-16 clattered to the

floor.

That was what saved the last man, who was close to the table and to his

heart-shot companion. The last man jumped away from the collapsing table and

stumbled, dropped his piece, then with a wild yell leaped for the door.

Ryan hammered a round at him but missed by an inch. Or less. In

adrenaline-boosted terror, the guy yanked the door and dived through it, the

door swinging shut behind him.

J.B. jumped toward the door. Ryan, running to him, yelled, “No bangs in the

street!”

J.B. stopped dead, as though mesmerized by a vision only he could see. Ryan,

running up the room full pelt, slowed to a halt, SIG raised.

The door had creaked open; in fact, the guy was pushing it inward with his body.

The guy staggered in the doorway as the door swung away from him. He teetered on

his heels, his arms half raised, his hands clawing feebly at nothing. He fell

backward and crashed to the carpeted floor.

Another figure appeared in the doorway. It was Sam, holding a silenced Walther

PP Super in her right hand. She stepped over the body, bent and heaved it away

from the door. She slammed the door, kept hold of the Walther.

She said, her voice husky but not panicky, “Main train’s gone off the air. We

were rapping with Cohn in War Wag One when he suddenly reported the convoy was

surrounded. Voice came on the net, demanded to talk to the Old Man. Then there

was a lot of interference. We relocated, heard this other guy say they’d nerved

the main train, they were all dead, finished, kaput, and unless the Old Man

threw in, the convoy’d get blitzed, too. Then there was more interference and

they cut out.”

She stopped, impassive.

“Dead line?”

“Dead as this goon here.” She gestured at the man on the floor. “We tried

everything. They’re off the air.”

J.B. shot a look at Ryan and Ryan sucked in air through his teeth, an icy

feeling running up his spine like electricity.

Had Teague copped nerve gas? But where from? Then Ryan thought, if we found

some, why not someone else, somewhere else?

Or was it maybe bluff? Had they merely axed the radio link somehow? But how

would they have done that? They could certainly throw in interference fuzz, but

not kill it dead unless…

Unless those in the main train really were dead.

And what about the Old Man? Was he dead and those with him, too? On reflection,

almost certainly not, and for one excellent reason.

J.B. lit up one of his thin black cheroots, his eyes behind his steel-rimmed

glasses narrowed in thought.

Ryan turned to the bar and said, “Do us a favor, Charlie. Get these stiffs outta

the way.”

“Just like that? I’ll wave my wand, Ryan.” Then she sighed and said, “Okay,

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