RIGHT HO, JEEVES By P. G. WODEHOUSE

“I regret to say, sir, that I inadvertently omitted to pack the garment to which you refer.”

The vision of that parcel in the hall seemed to rise before my eyes, and I exchanged a merry wink with it. I may even have hummed a bar or two. I’m not quite sure.

“I know you did, Jeeves,” I said, laughing down from lazy eyelids and nicking a speck of dust from the irreproachable Mechlin lace at my wrists. “But I didn’t. You will find it on a chair in the hall in a brown-paper parcel.”

The information that his low manoeuvres had been rendered null and void and that the thing was on the strength after all, must have been the nastiest of jars, but there was no play of expression on his finely chiselled to indicate it. There very seldom is on Jeeves’s f-c. In moments of discomfort, as I had told Tuppy, he wears a mask, preserving throughout the quiet stolidity of a stuffed moose.

“You might just slide down and fetch it, will you?”

“Very good, sir.”

“Right ho, Jeeves.”

And presently I was sauntering towards the drawing-room with me good old j. nestling snugly abaft the shoulder blades.

And Dahlia was in the drawing-room. She glanced up at my entrance.

“Hullo, eyesore,” she said. “What do you think you’re made up as?”

I did not get the purport.

“The jacket, you mean?” I queried, groping.

“I do. You look like one of the chorus of male guests at Abernethy Towers in Act 2 of a touring musical comedy.”

“You do not admire this jacket?”

I do not.”

“You did at Cannes.”

“Well, this isn’t Cannes.”

“But, dash it–-”

“Oh, never mind. Let it go. If you want to give my butler a laugh, what does it matter? What does anything matter now?”

There was a death-where-is-thy-sting-fullness about her manner which I found distasteful. It isn’t often that I score off Jeeves in the devastating fashion just described, and when I do I like to see happy, smiling faces about me.

“Tails up, Aunt Dahlia,” I urged buoyantly.

“Tails up be dashed,” was her sombre response. “I’ve just been talking to Tom.”

“Telling him?”

“No, listening to him. I haven’t had the nerve to tell him yet.”

“Is he still upset about that income-tax money?”

“Upset is right. He says that Civilisation is in the melting-pot and that all thinking men can read the writing on the wall.”

“What wall?”

“Old Testament, ass. Belshazzar’s feast.”

“Oh, that, yes. I’ve often wondered how that gag was worked. With mirrors, I expect.”

“I wish I could use mirrors to break it to Tom about this baccarat business.”

I had a word of comfort to offer here. I had been turning the thing over in my mind since our last meeting, and I thought I saw where she had got twisted. Where she made her error, it seemed to me, was in feeling she had got to tell Uncle Tom. To my way of thinking, the matter was one on which it would be better to continue to exercise a quiet reserve.

“I don’t see why you need mention that you lost that money at baccarat.”

“What do you suggest, then? Letting Milady’s Boudoir join Civilisation in the melting-pot. Because that is what it will infallibly do unless I get a cheque by next week. The printers have been showing a nasty spirit for months.”

“You don’t follow. Listen. It’s an understood thing, I take it, that Uncle Tom foots the Boudoir bills. If the bally sheet has been turning the corner for two years, he must have got used to forking out by this time. Well, simply ask him for the money to pay the printers.”

“I did. Just before I went to Cannes.”

“Wouldn’t he give it to you?”

“Certainly he gave it to me. He brassed up like an officer and a gentleman. That was the money I lost at baccarat.”

“Oh? I didn’t know that.”

“There isn’t much you do know.”

A nephew’s love made me overlook the slur.

“Tut!” I said.

“What did you say?”

“I said ‘Tut!’”

“Say it once again, and I’ll biff you where you stand. I’ve enough to endure without being tutted at.”

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