RUNNING WITH THE DEMON by Terry Brooks

RUNNING WITH THE DEMON by Terry Brooks

RUNNING WITH THE DEMON by Terry Brooks

Book 1 of the Word and the Void series

CONTENTS

PROLOGUE

FRIDAY, JULY 1

CHAPTER 1

CHAPTER 2

CHAPTER 3

CHAPTER 6

CHAPTER 7

CHAPTER 8

SATURDAY, JULY 2

CHAPTER 9

CHAPTER 10

CHAPTER 11

CHAPTER 12

CHAPTER 13

CHAPTER 14

CHAPTER 15

CHAPTER 16

SUNDAY, JULY 3

CHAPTER 17

CHAPTER 18

CHAPTER 19

CHAPTER 20

CHAPTER 21

CHAPTER 22

CHAPTER 23

CHAPTER 24

CHAPTER 25

MONDAY, JULY 4

CHAPTER 26

CHAPTER 27

CHAPTER 28

CHAPTER 29

CHAPTER 31

TUESDAY, JULY 5

CHAPTER 32

PROLOGUE

He stands alone in the center of another of America’s burned-out towns, but he has been to this one before. Even in their ruined, blackened condition, the buildings that surround him are recognizable. The streets of the intersection in which he finds himself stretch away in windswept concrete ribbons that dwindle and fade into the horizon-south to thg bridge that spans the river, north to the parched flats of what were once cornfields, east toward the remains of Reagan’s hometown, and west to the Mississippi and the Great Plains. A street sign, bent and weathered, confirms that he stands at the corner of First Avenue and Third Street. The town is eight blocks square, two blocks in any direction from where he stands, petering out afterward in dribs and drabs of homes that have been converted to real-estate offices and repair shops or simply leveled to provide parking. Farther out lie the abandoned ruins of two supermarkets and the mall, and down along the riverbank he can see the broken-down stacks and rusted-out corrugated roofs of what is left of the steel mill.

He looks around slowly, making sure he is in the right place, because it has been a long time. The sky is clouded and dark. Rain threatens and will probably fall before night. Although it is noon, the light is so pale that it seems more like dusk. The air and the earth are washed clean of color. Buildings, streets, abandoned vehicles, trash, and sky are a uniform shade of gray, the paint running from one into the other until nothing remains but shadows and light to differentiate any of it. In the silence, the wind moans softly as it rises off the river and whips down the empty streets. Twigs, leaves, and debris skitter along the concrete. Windows gape dark and hollow where the plate glass has been broken out. Doors hang open and sag. Smears of black ash and soot stain the walls where fires have burned away the wood and plastic veneer of the offices and shops. Cars hunker down on flattened tires and bare axles, stripped of everything useful, abandoned shells turning slowly to rust.

The man looks the town over as he would a corpse, remembering when it was still vital.

A pack of dogs comes out of one of the buildings. There are maybe ten of them, lean and hungry, quick-eyed and suspicious. They study him momentarily before moving on. They want nothing to do with him. He watches them disappear around the corner of a building, and he begins to walk. He moves east toward the park, even though he knows what he will find. He passes the bank, the paint store, the fabric shop, Al’s Bar, and a parking lot, and stops at Josie ‘s. The sign still hangs over the entry; the enamel is faded and broken, but the name is recognizable. He walks over and peers inside. The furniture and pastry cases are all smashed, the cooking equipment broken, and the leather banquettes ripped to shreds. Dust coats the countertop, trash litters the ruined floor, and weeds poke out of cracks in the tile.

He turns away in time to catch sight of two children slipping from the alleyway across the street. They carry canvas bags stuffed with items they have scavenged. They wear knives strapped to their waists. The girl is in her teens, the boy younger. Their hair is long and unkempt, their clothes shabby, and their eyes hard and feral. They slow to consider him, taking his measure. He waits on them, turns to face them, lets them see that he is not afraid. They glance at each other, whisper something punctuated by furtive gestures, then move away. Like the dogs, they want nothing to do with him.

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