SECOND FOUNDATION BY ISAAC ASIMOV

The First Speaker laughed softly, “You will find the Prime Radiant to be attuned to your mind. You may expect more surprises from the little gadget. What were you about to say about the equation you have chosen?”

“It,” faltered the Student, “is a Rigellian integral, using a planetary distribution of a bias indicating the presence of two chief economic classes on the planet, or maybe a Sector, plus an unstable emotional pattern.”

“And what does it signify?”

“It represents the limit of tension, since we have here” – he pointed, and again the equations veered – “a converging series.”

“Good,” said the First Speaker. “And tell me, what do you think of all this. A finished work of art, is it not?”

“Definitely!”

“Wrong! It is not.” This, with sharpness. “It is the first lesson you must unlearn. The Seldon Plan is neither complete nor correct. Instead, it is merely the best that could be done at the time. Over a dozen generations of men have pored over these equations, worked at them, taken them apart to the last decimal place, and put them together again. They’ve done more than that. They’ve watched nearly four hundred years pass and against the predictions and equations, they’ve checked reality, and they have learned.

“They have learned more than Seldon ever knew, and if with the accumulated knowledge of the centuries we could repeat Seldon’s work, we could do a better job. Is that perfectly clear to you?”

The Student appeared a little shocked.

“Before you obtain your Speakerhood,” continued the First Speaker, “you yourself will have to make an original contribution to the Plan. It is not such great blasphemy. Every red mark you see on the wall is the contribution of a man among us who lived since Seldon. Why … why–” He looked upward, “There!”

The whole wall seemed to whirl down upon him.

“This,” he said, “is mine.” A fine red line encircled two forking arrows and included six square feet of deductions along each path. Between the two were a series of equations in red.

“It does not,” said the Speaker, “seem to be much. It is at a point in the Plan which we will not reach yet for a time as long as that which has already passed. It is at the period of coalescence, when the Second Empire that is to be is in the grip of rival personalities who will threaten to pull it apart if the fight is too even, or clamp it into rigidity, if the fight is too uneven. Both possibilities are considered here, followed, and the method of avoiding either indicated.

“Yet it is all a matter of probabilities and a third course can exist. It is one of comparatively low likelihood – twelve point six four percent, to be exact – but even smaller chances have already come to pass and the Plan is only forty percent complete. This third probability consists of a possible compromise between two or more of the conflicting personalities being considered. This, I showed, would first freeze the Second Empire into an unprofitable mold, and then, eventually, inflict more damage through civil wars than would have taken place had a compromise never been made in the first place. Fortunately, that could be prevented, too. And that was my contribution.”

“If I may interrupt, Speaker– How is a change made?”

“Through the agency of the Radiant. You will find in your own case, for instance, that your mathematics will be checked rigorously by five different boards; and that you will be required to defend it against a concerted and merciless attack. Two years will then pass, and your development will be reviewed again. It has happened more than once that a seemingly perfect piece of work has uncovered its fallacies only after an induction period of months or years. Sometimes, the contributor himself discovers the flaw.

“If, after two years, another examination, not less detailed than the first, still passes it, and – better still – if in the interim the young scientist has brought to light additional details, subsidiary evidence, the contribution will be added to the Plan. It was the climax of my career; it will be the climax of yours.

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