“What kind of stuff?” Hart asked.
“Simple humanoid,” Irving replied. “Blood and thunder and a lot of spectacle. Life is tough and hard out there, so we have to give them something with plenty of color in it that’s easy to read. Nothing fancy, mind you.”
“Sounds all right.”
“Good basic hack,” said Irving. “See how it goes out there and if it goes all right we’ll make translations for some of the primitive groups out in the Capella region. Minor changes, maybe, but none too serious.”
He squinted meditatively at Hart.
“Not too much pay. But if it goes over we’ll want a lot of it”
“I’ll see what I can do,” said Hart “Any taboos? Anything to duck?”
“No religion at all,” the editor told him. “They’ve got it, of course, but it’s so complicated that you’d better steer clear of it entirely. No mushy stuff. Love don’t rate with them. They buy their women and don’t fool around with love. Treasure and greed would be good. Any standard reference work will give you a line on that. Fantastic weapons – the more gruesome the better. Bloodshed, lots of it. Hatred, that’s their dish. Hatred and vengeance and hell-for-leather living. And you simply got to keep it moving.”
“I’ll see what I can do.”
“That’s the second time you’ve said that.”
“I’m not doing so good, Ben. Once I could have told you _yes_. Once I could have hauled it over by the ton.”
“Lost the touch?”
“Not the touch. The machine. My yarner is haywire. I might just as well try to write my stories by hand.”
Irving shuddered at the thought.
“Fix it up,” he said, “Tinker with it.”
“I’m no good at that. Anyhow, it’s too old. Almost obsolete.”
“Well, do the best you can. I’d like to go on buying from you.”
The girl came in. Without looking at Hart she laid the manuscript down upon the desk. From where he sat, Hart could see the single word the machine had stamped upon its face: REJECTED.
“Emphatic,” said the girl. “Millie almost stripped a gear.”
Irving pitched the manuscript to Hart.
“Sorry, Kemp. Better luck next time.”
Hart rose, holding the manuscript in his hand. “I’ll try this other thing,” he said.
He started for the door.
“Just a minute,” Irving said, his voice sympathetic.
Hart turned back.
Irving brought out his billfold, stripped out two tens and held them out.
“No,” said Hart, staring at the bills longingly.
“It’s a loan,” said the editor. “Damn it, man, you can take a loan. You’ll be bringing me some stuff.”
“Thanks, Ben. I’ll remember this.”
He stuffed the bills into his pocket and made a swift retreat.
Bitter dust burned in his throat and there was a hard, cold lump in the center of his belly.
_Got something for you_, Ben had said. _Good basic hack._
_Good basic hack._
So that was what he’d sunk to!
Angela Maret was the only patron in the Bright Star bar when Hart finally arrived there, with money in his pocket and a man-sized hankering for a glass of beer. Angela was drinking a weird sort of pink concoction that looked positively poisonous. She had her glasses on and her hair skinned back and was quite obviously on a literary binge. It was a shame, Hart thought. She could be attractive, but preferred not to be.
The instant Hart joined her Blake, the bartender, came over to the table and just stood there, with his fists firmly planted on his hips.
“Glass of beer,” Hart told him.
“No more cuff,” Blake said, with an accusing stare.
“Who said anything about cuff? I’ll pay for it.”
Blake scowled. “Since you’re loaded, how about paying on the bill?”
“I haven’t got that kind of money. Do I get the beer or don’t I?”
Watching Blake waddle back to the bar, Hart was glad he had had the foresight to stop and buy a pack of cigarettes to break one of the tens. Flash a ten and Blake would be on it in a second and have it chalked against his bill.
“Staked?” Angela asked sweetly.
“An advance,” Hart told her, lying like a gentleman. “Irving has some stuff for me to do. He’ll need a lot of it. It doesn’t pay too well, of course.”
Blake came with the beers and plunked it down on the table and waited pointedly for Hart to do the expected thing.
Hart paid him and he waddled off.
“Have you heard about Jasper?” Angela asked.
Hart shook his head. “Nothing recent,” he said. “Did he finish his book?”
Angela’s face lit up. “He’s going on vacation. Can you imagine that? _Him_ going on vacation!”
“I don’t see why not,” Hart protested. “Jasper has been selling. He’s the only one of us who manages to stay loaded week after week.”
“But that’s not it, Kemp. Wait until I tell you – it simply is a scream. Jasper thinks he can write better if he goes off on vacation.”
“Well, why not? Just last year Don went to one of those summer camps. That Bread Loaf thing, as they call it.”
“All they do there,” she said, “is brush up on mechanics. It’s a sort of refresher course on the gadgetry of yarners. How to soup up the old heap so it’ll turn out fresher stuff.”
“I still don’t see why Jasper can’t take a vacation if he can afford it.”
“You’re so dense,” said Angela. “Don’t you get the point at all?”
“I get the point all right. Jasper thinks there’s still a human factor in our writing. He’s not entirely satisfied to get his facts out of a standard reference work or encyclopedia. He’s not content to let the yarner define an emotion he has never felt or the color of a sunset he has never seen. He was nuts enough to hint at that and you and the rest of them have been riding him. No wonder the guy is eccentric. No wonder he keeps his door locked all the time.”
“That locked door,” Angela said cattily, “is symbolic of the kind of man he is.”
“I’d lock my door,” Hart told her. “I’d be eccentric too – if I could turn it out like Jasper. I’d walk on my hands. I’d wear a sarong. I’d even paint my face bright blue.”
“You sound like you believe the same as Jasper does.”
He shook his head. “No, I don’t think the way he does. I know better. But if he wants to think that way let him go ahead and think it.”
“You do,” she crowed at him. “I can see it in your face. You think it’s possible to be independently creative.”
“No, I don’t. I know it’s the machines that do the creating – not us. We’re nothing but attic tinkers. We’re literary mechanics. And I suppose that’s the way it should be. There is, naturally, the yearning for the past. That’s been evident in every age. The ‘good old days’ complex. Back in those days a work of fiction was writ by hand and human agony.”
“The agony’s still with us, Kemp.”
He said, “Jasper’s a mechanic. That’s what’s wrong with me. I can’t even repair that junk-heap of mine and you should see the way Jasper has his clunk souped up.”
“You could hire someone to repair it. There are firms that do excellent work.”
“I never have the money.” He finished his beer.
“What’s that stuff you’re drinking?” he asked. “Want another one?”
She pushed her glass away. “I don’t like that mess,” she said. “I’ll have a beer with you, if you don’t mind.”
Hart signaled to Blake for two beers.
“What are you doing now, Angela?” he asked. “Still working on the book?”
“Working up some films,” she said.
“That’s what I’ll have to do this afternoon. I need a central character for this Irving stuff. Big and tough and boisterous – but not too uncouth. I’ll look along the riverfront.”
“They come high now, Kemp,” she said. “Even those crummy aliens are getting wise to us. Even the ones from _way out_. I paid twenty for one just the other day and he wasn’t too hot, either.”
“It’s cheaper than buying made-up films.”
“Yes, I agree with you there. But it’s a lot more work.”
Blake brought the beer and Hart counted out the change into his waiting palm.
“Get some of this new film,” Angela advised. “It’s got the old stuff beat forty different ways. The delineation is sharper and you catch more of the marginal factors. You get a more rounded picture of the character. You pick up all the nuances of the subject, so to speak. It makes your people more believable. I’ve been using it.”
“It comes high, I suppose,” he said.
“Yes, it’s a bit expensive,” she admitted.
“I’ve got a few spools of the old stuff. I’ll have to get along with that.”