Stephen King – Wizard and Glass

If it’s ka, it ‘ll come like a wind. Like a cyclone.

She tossed from one side of the bed to the other, then at last rolled onto her back again. There would be no sleep for her in what remained of this night, she thought.

She might as well walk out on the Drop and watch the sun come up.

Yet she continued to lie in bed, feeling somehow sick and well at the same time, looking into the shadows and listening to the first cries of the morning birds, thinking of how his mouth had felt against hers, the tender grain of it and the feeling of his teeth below his lips; the smell of his skin, the rough texture of his shirt under her palms.

She now put those palms against the top of her shift and cupped her breasts with her fingers. The nipples were hard, like little pebbles. And when she touched them, the heat between her legs flared suddenly and urgently.

She could sleep, she thought. She could, if she took care of that heat. If she knew how.

And she did. The old woman had shown her. Even a girl who’s intact don’t need to lack for a shiver now ‘n then… Like a little bud o’ silk, so it is.

Susan shifted in bed and slipped a hand deep beneath the sheet. She forced the old woman’s bright eyes and hollow cheeks out of her mind— it wasn’t hard to do at all once you set your mind to it, she discovered— and replaced it with the face of the boy with the big gelding and the silly flat-crowned hat. For a moment the vision of her mind became so clear and so sweet that it was real, and all the rest of her life only a drab dream. In this vision he kissed her over and over, their mouths widening, their tongues touching; what he breathed out, she breathed in.

She burned. She burned in her bed like a torch. And when the sun fi­nally came over the horizon some short time later, she lay deeply asleep, with a faint smile on her lips and her unbraided hair lying across the side of her face and her pillow like loose gold.

3

In the last hour before dawn, the public room of the Travellers’ Rest was as quiet as it ever became. The gaslights which turned the chandelier into a brilliant jewel until two of the clock or so on most nights were now turned down to guttering blue points, and the long, high room was shad­owy and spectral.

In one corner lay a jumble of kindling—the remains of a couple of chairs smashed in a fight over a Watch Me game (the combatants were currently residing in the High Sheriff’s drunk-cell). In another comer was a fairly large puddle of congealing puke. On the raised platform at the east end of the room stood a battered piano; propped against its bench was the ironwood club which belonged to Barkie, the saloon’s bouncer and all-around tough man. Barkie himself, the naked mound of his scarred stom­ach rising above the waistband of his corduroy pants like a clot of bread dough, lay under the bench, snoring. In one hand he held a playing card: the deuce of diamonds.

At the west end of the room were the card tables. Two drunks lay with their heads on one of these, snoring and drooling on the green felt, their outstretched hands touching. Above them, on the wall, was a picture of Arthur, the Great King of Eld astride his white stallion, and a sign which read (in a curious mixture of High and Low Speech): ARGYOU NOT ABOUT THE HAND YOU ARE DELT IN

CARDS OR LIFE.

Mounted behind the bar, which ran the length of the room, was a monstrous trophy: a two-headed elk with a rack of antlers like a forest grove and four glaring eyes. This beast was known to local habitués of the Travellers’ as The Romp.

None could have said why. Some wit had care­fully drawn a pair of sow-titty condoms over the prongs of two of its antlers. Lying on the bar itself and directly beneath The Romp’s disap­proving gaze was Pettie the Trotter, one of the Travellers’ dancers and gilly-girls . . . although Pettie’s actual girlhood was well behind her now, and soon she would be reduced to doing her business on her knees behind the Travellers’ rather than upstairs in one of the tiny cribs. Her plump legs were spread, one dangling over the bar on the inside, one on the outside, the filthy tangle of her skirt frothed up between. She breathed in long snores, occasionally twitching at the feet and fat fingers. The only other sounds were the hot summer wind outside and the soft, regular snap of cards being turned one by one.

A small table stood by itself near the batwing doors which gave upon the Hambry High Street; it was here that Coral Thorin, owner of the Trav­ellers’ Rest (and the Mayor’s sister), sat on the nights when she de­scended from her suite “to be a part of the company.” When she came down, she came down early—when there were still more steaks than whiskey being served across the old scratched bar—and went back up around the time that Sheb, the piano player, sat down and began to pound his hideous instrument. The Mayor himself never came in lit nil, although it was well-known that he owned at least a half-interest in the Travellers’. Clan Thorin enjoyed the money the place brought in; they just didn’t en­joy the look of it after midnight, when the sawdust spread on the floor be­gan to soak up the spilled beer and the spilled blood. Yet there was a hard streak in Coral, who had twenty years before been what was called “a wild child.” She was younger than her political brother, not so thin, and good-looking in a large-eyed, weasel-headed way. No one sat at her table during the saloon’s operating hours—Barkie would

have put a stop to anyone who tried, and double-quick—but operating hours were over now, the drunks mostly gone or passed out upstairs, Sheb curled up and fast asleep in the comer behind his piano. The softheaded boy who cleaned the place had been gone since two o’ the clock or so (chased out by jeers and insults and a few flying beer-glasses, as he always was; Roy Depape in particular had no love in his heart for that particular lad). He would be back around nine or so, to begin readying the old party-palace for another night of hilarity, but until then the man sitting at Mistress Thorin’s table had the place to himself.

A game of Patience was laid out before him: black on red, red on black, the partially formed Square o’ Court above all, just as it was in the affairs of men. In his left hand the player held the remains of the deck. As he flipped the cards up, one by one, the tattoo on his right hand moved. It was disconcerting somehow, as if the coffin were breathing. The card-player was an oldish fellow, not as thin as the Mayor or his sister, but thin. His long white hair straggled down his back. He was deeply tanned, ex­cept for his neck, where he always burned; the flesh there hung in scant wattles. He wore a mustache so long the ragged white ends hung nearly to his jaw—a sham gunslinger’s mustache, many thought it, but no one used the word “sham” to Eldred Jonas’s face. He wore a white silk shirt, and a black-handled revolver hung low on his hip. His large, red-rimmed eyes looked sad on first glance. A second, closer look showed them only to be watery. Of emotion they were as dead as the eyes of The Romp.

He turned up the Ace of Wands. No place for it. “Pah, you bugger,” he said in an odd, reedy voice. It quavered, as well, like the voice of a man on the verge of tears. It fit perfectly with his damp and red-rimmed eyes. He swept the cards together.

Before he could reshuffle, a door opened and closed softly upstairs. Jonas put the cards aside and dropped his hand to the butt of his gun.

Then, as he recognized the sound of Reynolds’s boots coming along the gallery, he let go of the gun and drew his tobacco-pouch from his belt in­stead. The hem of the cloak Reynolds always wore came into view, and then he was coming down the stairs, his face freshly washed and his curly red hair hanging about his ears.

Vain of his looks was dear old Mr. Rey­nolds, and why not? He’d sent his cock on its exploring way up more damp and cozy cracks than Jonas had ever seen in his life, and Jonas was twice his age.