Stephen King – Wizard and Glass

Olive Thorin left the public rooms shortly after the boys, pleading a headache. She was pale enough to be almost believable.

By eleven, the Mayor, his Chancellor, and the chief of his newly in­augurated

security staff were conversing in the Mayor’s study with the last few late-staying guests (all ranchers, all members of the Horsemen’s Association). The talk was brief but intense. Several of the ranchers pres­ent expressed relief that the Affiliation’s emissaries were so young. Eldred Jonas said nothing to this, only looked down at his pale, long-fingered hands and smiled his narrow smile.

By midnight, Susan was at home and undressing for bed. She didn’t have the sapphire to worry about, at least; that was a Barony jewel, and had been tucked back into the strongbox at Mayor’s House before she left, despite what Mr. Ain’t-We-Fine Will Dearborn might think about it and her. Mayor Thorin (she couldn’t bring herself to call him Hart, al­though he had asked her to do so—not even to herself could she do it) had taken it back from her himself. In the hallway just off from the reception room, that had been, by the tapestry showing Arthur Eld carrying his sword out of the pyramid in which it had been entombed. And he (Thorin, not the Eld) had taken the opportunity to kiss her mouth and have a quick fumble at her breasts—a part of her that had felt much too naked during that entire interminable evening. “1 burn for Reaping,” he had whispered melodramatically in her ear. His breath had been redolent of brandy. “Each day of this summer seems an age.”

Now, in her room, brushing her hair with harsh, quick strokes and looking out at the waning moon, she thought she had never been so angry in her life as she was at this moment: angry at Thorin, angry at Aunt Cord, furious with that self-righteous prig of a Will Dearborn. Most of all, how­ever, she was angry at herself.

“There’s three things ye can do in any situation, girl,” her father had told her once.

“Ye can decide to do a thing, ye can decide not to do a thing … or ye can decide not to decide.” That last, her da had never quite come out and said (he hadn’t needed to) was the choice of weaklings and fools. She had promised herself she would never elect it herself. . . and yet she had allowed herself to drift into this ugly situation. Now all the choices seemed bad and honorless, all the roads either filled with rocks or hub-deep in mud.

In her room at Mayor’s House (she had not shared a chamber with Hart for ten years, or a bed, even briefly, for five), Olive sat in a night-dress of undecorated white cotton, also looking out at the waning moon. After closing herself into this safe and private place, she had wept. . . but not for long. Now she was dry-eyed, and felt as hollow as a dead tree.

And what was the worst? That Hart didn’t understand how humiliated she was, and not just for herself. He was too busy strutting and preening (also too busy trying to look down the front of sai Delgado’s dress at every opportunity) to know that people—his own Chancellor among them—were laughing at him behind his back.

That might stop when the girl had returned to her aunt’s with a big belly, but that wouldn’t be for months yet. The witch had seen to that. It would be even longer if the girl kindled slowly. And what was the silliest, most humiliating thing of all?

That she, John Haverty’s daughter Olive, still loved her husband. Hart was an overweening, vainglorious, prancing loon of a man, but she still loved him.

There was something else, something quite apart from the matter of Hart’s turning into George o’ Goats in his late middle age: she thought there was an intrigue of some sort going on, something dangerous and quite likely dishonorable. Hart knew a little about it, but she guessed he knew only what Kimba Rimer and that hideous limping man wanted him to know.

There was a time, and not so long ago, when Hart wouldn’t have al­lowed himself to be fobbed off in such fashion by the likes of Rimer, a time when he would have taken one look at Eldred Jonas and his friends and sent them west ere they had so much as a single hot dinner in them. But that was before Hart had become besotted with sai Delgado’s gray eyes. high bosom, and flat belly.

Olive turned down the lamp, blew out the flame, and crept off to bed, where she would lie wakeful until dawn.

By one o’ the clock, no one was left in the public rooms of Mayor’s House except for a quartet of cleaning women, who performed their chores silently (and nervously) beneath the eye of Eldred Jonas. When one of them looked up and saw him gone from the window-seat where he had been sitting and smoking, she murmured softly to her friends, and they all loosened up a little. But there was no singing, no laughter. Il spec­tra, the man with the blue coffin on his hand, might only have stepped hack into the shadows. He might still be watching.

By two o’ the clock, even the cleaning women were gone. It was an hour at which a party in Gilead would just have been reaching its apogee of glitter and gossip, but Gilead was far away, not just in another Barony hut almost in another world.

This was the Outer Arc, and in the Outers, even gentry went to bed early.

There was no gentry on view at the Travellers’ Rest, however, and beneath the all-encompassing gaze of The Romp, the night was still fairly young.

2

At one end of the saloon, fishermen still wearing their rolled-down boots drank and played Watch Me for small stakes. To their right was a poker table; to their left, a knot of yelling, exhorting men—cowpokes, mostly— stood along Satan’s Alley, watching the dice bounce down the velvet in­cline. At the room’s other end, Sheb McCurdy was pounding out jagged boogie, right hand flying, left hand pumping, the sweat pouring down his neck and pale cheeks. Beside and above him, standing drunk on a stool, Pettie the Trotter shook her enormous bottom and bawled out the words to the song at the top of her voice: “Come on over, baby, we got chicken in the hum, what hum. whose barn, my burn! Come on over, baby, baby got the bull by the horns …”

Sheemie stopped beside the piano, the camel bucket in one hand, grinning up at her and attempting to sing along. Pettie swatted him on his way, never missing a word, bump, or grind, and Sheemie went with his peculiar laugh, which was shrill but somehow not unpleasant.

A game of darts was in progress; in a booth near the back, a whore who styled herself Countess Jillian of Up’ard Killian (exiled royalty from distant Garlan, my dears, oh how special we are) was managing to give two handjobs at the same time while smoking a pipe. And at the bar, a whole line of assorted toughs, drifters, cowpunchers, drovers, drivers, carters, wheelwrights, stagies, carpenters, conmen, stockmen, boatmen, and gunmen drank beneath The Romp’s double head.

The only real gunmen in the place were at the end of the bar, a pair drinking by themselves. No one attempted to join them, and not just be­cause they wore shooting irons in holsters that were slung low and tied down gunslinger fashion.

Guns were uncommon but not unknown in Mejis at that time, and not necessarily feared, but these two had the sullen look of men who have spent a long day doing work they didn’t want to do—the look of men who would pick a fight on no account at all, and be glad to end their day by sending some new widow’s husband home in a hurry-up wagon.

Stanley the bartender served them whiskey after whiskey with no at­tempt to make conversation, not so much as a “Hot day, gents, wa’n’t it?” They reeked of sweat, and their hands were pitchy with pine-gum. Not enough to keep Stanley from

being able to see the blue coffin-shapes tat­tooed on them, though. Their friend, the old limping buzzard with the girl’s hair and the gimp leg, wasn’t here, at least.

In Stanley’s view, Jonas was easily the worst of the Big Coffin Hunters, but these two were bad enough, and he had no intention of getting aslant of them if he could help it. With luck, no one would; they looked tired enough to call it a night early.

Reynolds and Depape were tired, all right—they had spent the day out at Citgo, camouflaging a line of empty steel tankers with nonsense words (texaco, citgo, sunoco, exxon) printed on their sides, a billion pine-boughs they’d hauled and stacked, it seemed—but they had no con­sequent plans to finish their drinking early. Depape might have done so if Her Nibs had been available, but that young beauty (actual name: Gert Moggins) had a ranch-job and wouldn’t be back until two nights hence. “And it’ll be a week if there’s hard cash on offer,” Depape said morosely. He pushed his spectacles up on his nose.